Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
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ISSN 1017-1126<br />
Gabrielle Claes est conservateur de la Cinémathèque Royale<br />
(Bruxelles)<br />
Silvan Furlan is programme director <strong>of</strong> the Slovenian<br />
Cinematheque in Ljubljana<br />
Anton Giménez est cinéaste et photographe. Il est conservateur<br />
d’Arxiu d’audiovisuals (filmoteca) de Barcelone<br />
Ross Lipman is an independent filmmaker, archivist, and<br />
instructor. Currently cataloger at the Pacific <strong>Film</strong> Archive,<br />
he has previously taught at the San Francisco Art Institute,<br />
the University <strong>of</strong> London, and the Hungarian Academy <strong>of</strong><br />
<strong>Film</strong> and Drama. His recent film, Rhythm 93, was honored<br />
with Director’s Choice at the 1995 Black Maria <strong>Film</strong><br />
Festival<br />
Luke McKernan is a cataloguer at the National <strong>Film</strong> and<br />
Television Archive (London) and is the author <strong>of</strong> Topical<br />
Budget (1992), and co-editor <strong>of</strong> Walking Shadows (1994) and<br />
the recently-published Who’s Who <strong>of</strong> Victorian Cinema: A<br />
Worldwide Survey (1996)<br />
Peter MacNamara is President <strong>of</strong> the European<br />
Association Inédits (AEI). He is Principal Lecturer in history<br />
at University College <strong>of</strong> Ripon and York and founder<br />
<strong>of</strong> the Yorkshire <strong>Film</strong> Archive.<br />
Norman McLaren was born in Stirling, Scotland, in 1914.<br />
McLaren worked under John Grierson at the G. P. O. in<br />
London. At Grierson’s invitation he joined the National <strong>Film</strong><br />
Board <strong>of</strong> Canada in 1941 where he set up an animation unit<br />
and created some <strong>of</strong> the most exciting films in the history <strong>of</strong><br />
Animation. He died in Montréal in 1987.<br />
Micheline Morisset des Archives nationales du Canada à<br />
Ottawa est la responsable de la section Inédits au sein de<br />
l’AMIA (Association <strong>of</strong> Moving Image Archivists).<br />
Dominique Païni est critique de cinéma, critique d’art et<br />
essayiste, il est directeur de la Cinémathèque française (Paris)<br />
Walter Schobert is the director <strong>of</strong> the Deutsches<br />
<strong>Film</strong>museum (Frankfurt).<br />
Pierre Véronneau est historien et critique de cinéma; il est<br />
conservateur des collections non film de la Cinémathèque<br />
québécoise (Montréal).<br />
Peter von Bagh is an author, film director and researcher.<br />
He is the editor <strong>of</strong> the magazine <strong>Film</strong>hilillu (Helsinki).