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dictated by the buyers. This behaviour constitutes competition for local designers, who<br />
then have to compete with large corporations for the same consumer base. Furthermore,<br />
designers seeking entry into the wider market-place through collaboration with the retail<br />
chains are not in a position to exert any discernable pressure on the retail buyers; on the<br />
contrary, they need to meet the criteria dictated by the retailers.<br />
Private boutiques demand high standards of quality and delivery, as well as reasonable<br />
prices from designers who need these boutiques as points of sale and niche visibility for<br />
their designs.<br />
It is in the informal economy that designers can dictate their own terms by insisting that<br />
informal operators producing beading and other creative embellishments which add<br />
value to their product, meet their specifications for price, quality and service, as well as<br />
design intensity.<br />
8.5 Suppliers<br />
All of the designers interviewed noted that consistency in quality is crucial. Karen noted:<br />
“You are only as good as your last garment” (Interview, (6/7/06). All respondents said that,<br />
ideally, it was better to run production in-house so as to retain control over production<br />
schedules, delivery and quality. Outsourcing was seen as problematic because of having<br />
to relinquish this control: “If I hand the design to someone and never see it until it is<br />
delivered to me, and there is a problem, what do I do?” said Rozanne (Interview,<br />
18/6/06a).<br />
The linkage between CMTs and textile suppliers is a constraint for the designer. CMTs and<br />
textile suppliers are placed under pressure (Velia, 2004; Kaplinsky and Morris, 2001) to meet<br />
price and production demands dictated by the retail buyers. In turn, through their<br />
inflexibility, CMTs and textile suppliers - as is reflected through the interviews with the<br />
designers - place certain constraints on designers relating to production processes (in the<br />
case of CMTs), and the variety and quality of fabrics (in the case of textile suppliers). In<br />
addition, designers are often frustrated by poor quality outputs and late delivery of orders.<br />
This is collaborated by Velia’s research on CMTs (Velia, 2004:14), and Kadwa’s (2004:177)<br />
research relating to the paucity of textile designs.<br />
The designers interviewed in this study indicated that it is extremely difficult to coerce price<br />
reductions on textiles for their products. All respondents described difficulties in acquiring<br />
high-quality, unique textiles at good prices. Iqbal highlighted the limited range of locally<br />
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