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Temple and Contemplation brings together for the first ... - ImagoMundi

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The Imago Templi in Confrontation with<br />

Secular Norms<br />

I. The Imago Templi at "<strong>the</strong> meeting-place of <strong>the</strong> two seas"<br />

A great Jewish writer of our time, Elie Wiesel, has chosen as <strong>the</strong> epigraph<br />

to one of <strong>the</strong> most poignant of his books, Le serment de Kolvillag, 1 <strong>the</strong><br />

following quotation from <strong>the</strong> Talmud: "If peoples <strong>and</strong> nations had known<br />

<strong>the</strong> evil <strong>the</strong>y were inflicting on <strong>the</strong>mselves by destroying <strong>the</strong> <strong>Temple</strong> of<br />

Jerusalem, <strong>the</strong>y would have wept more than <strong>the</strong> children of Israel." I was<br />

still pondering <strong>the</strong> far-reaching implications of <strong>the</strong>se lines when, in a<br />

recent work, 2 I came across ano<strong>the</strong>r epigraph, taken this time from <strong>the</strong><br />

historian Ignaz von Dollinger: "If I were asked to name <strong>the</strong> dies nefastus in<br />

<strong>the</strong> history of <strong>the</strong> world, <strong>the</strong> day that would come to my mind would be<br />

none o<strong>the</strong>r than October 13, 1307" (<strong>the</strong> day when Philip <strong>the</strong> Fair ordered<br />

<strong>the</strong> mass arrest of <strong>the</strong> French Templars). A few pages fur<strong>the</strong>r on, <strong>the</strong> same<br />

work makes mention of "a legend whose setting is <strong>the</strong> amphi<strong>the</strong>atre of<br />

Gavarnie in <strong>the</strong> Pyrenees, where six knights of <strong>the</strong> <strong>Temple</strong> lie at rest in a<br />

chapel. Every year, on March 18—<strong>the</strong> birthday of <strong>the</strong> last Gr<strong>and</strong> Master<br />

of <strong>the</strong> Order— a knight of <strong>the</strong> <strong>Temple</strong> is seen to appear, whose shroud is<br />

replaced by <strong>the</strong> famous white cloak with <strong>the</strong> four-triangled red cross. He is<br />

in battle apparel <strong>and</strong> holds his lance in rest. He walks slowly towards <strong>the</strong><br />

centre of <strong>the</strong> chapel <strong>and</strong> utters a piercing call, which re-echoes around <strong>the</strong><br />

amphi<strong>the</strong>atre of mountains: 'Who will defend <strong>the</strong> holy <strong>Temple</strong>? Who will<br />

deliver <strong>the</strong> tomb of Christ?' At his call, <strong>the</strong> six entombed Templars come<br />

alive <strong>and</strong> st<strong>and</strong> up, to answer three times: 'No one! No one! No one! The<br />

<strong>Temple</strong> is destroyed.'" 3<br />

The lamentations of <strong>the</strong> Talmudist sages <strong>and</strong> <strong>the</strong> doleful cry resounding<br />

1 Elie Wiesel, Le Serment de Kolvillag (Paris, Ed. du Seuil, 1973), p. 6.<br />

a Pierre Mariel, Guide . . . des Templiers (Paris, Table Ronde, 1973), p. 7.<br />

3 Ibid., pp. 131-132.<br />

263

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