Temple and Contemplation brings together for the first ... - ImagoMundi
Temple and Contemplation brings together for the first ... - ImagoMundi
Temple and Contemplation brings together for the first ... - ImagoMundi
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Let us ascertain, at least, <strong>the</strong> direction in which <strong>the</strong> Quest of <strong>the</strong> Grail is to<br />
be pursued, <strong>and</strong> hence <strong>the</strong> meaning of <strong>the</strong> vocation of Titurel, builder of<br />
<strong>the</strong> <strong>Temple</strong>. It is through him that <strong>the</strong> transition from <strong>the</strong> <strong>Temple</strong> of<br />
Solomon to <strong>the</strong> heavenly Jerusalem of John's vision is consummated. The<br />
geste of Titurel is inseparable from <strong>the</strong> geste of <strong>the</strong> builders of <strong>the</strong> <strong>first</strong> <strong>and</strong><br />
second <strong>Temple</strong>s, Hiram <strong>and</strong> Zerubbabel, just as <strong>the</strong> three hierophanies of<br />
<strong>the</strong> Imago Templi are inseparable one from <strong>the</strong> o<strong>the</strong>r: <strong>the</strong> <strong>Temple</strong> of<br />
Solomon, <strong>the</strong> <strong>Temple</strong> of <strong>the</strong> Grail, <strong>and</strong> <strong>the</strong> Johannine <strong>Temple</strong> which is <strong>the</strong><br />
heavenly Jerusalem. They are inseparable because each of <strong>the</strong>m has<br />
reference ultimately to <strong>the</strong> spiritual temple, <strong>the</strong> "inner Church", <strong>the</strong><br />
Ecclesia Johannis. Such also is <strong>the</strong> entire <strong>the</strong>ology of <strong>the</strong> <strong>Temple</strong> of <strong>the</strong><br />
Grail.<br />
3. The <strong>the</strong>ology of <strong>the</strong> <strong>Temple</strong> of <strong>the</strong> Grail. The interpretation of <strong>the</strong> Grail<br />
<strong>Temple</strong> is provided by Titurel himself in his great "speech from <strong>the</strong><br />
Throne", 245 where he reveals his doctrine of <strong>the</strong> <strong>Temple</strong>. The speech is<br />
addressed to <strong>the</strong> young, so that <strong>the</strong>y may put <strong>the</strong>mselves at <strong>the</strong> service of<br />
<strong>the</strong> Spirit with <strong>the</strong> virtue dem<strong>and</strong>ed by <strong>the</strong> Grail. True, <strong>the</strong> interpretation<br />
that <strong>the</strong> poet, Albrecht von Scharfenberg, gives through <strong>the</strong> mouth of<br />
Titurel is not exhaustive; it is essentially concerned with <strong>the</strong> <strong>the</strong>ological<br />
aspect, but it leaves <strong>the</strong> way open <strong>for</strong> subsequent interpretations. 246<br />
What strikes one initially is <strong>the</strong> age of Titurel. The poet gives it as four<br />
hundred years, yet he radiates <strong>the</strong> beauty, vigour <strong>and</strong> youth of a man of<br />
thirty. The secret of this youthfulness is Titurel's identification with his<br />
<strong>Temple</strong>: every man is always as old as his temple. The start of <strong>the</strong><br />
construction of <strong>the</strong> <strong>Temple</strong> signalled a second birth <strong>for</strong> Titurel, a dies<br />
natalis on a higher level of being. The thirty years it took to build <strong>the</strong><br />
<strong>Temple</strong> will be his age <strong>for</strong>ever, <strong>the</strong> perpetual flowering of his youth. This<br />
is <strong>the</strong> norm of <strong>the</strong> <strong>Temple</strong> (cf. <strong>the</strong> lines by Vladimir Maximov which serve<br />
as <strong>the</strong> epigraph to this book).<br />
The second thing that strikes us, coming be<strong>for</strong>e <strong>the</strong> great explanation of<br />
<strong>the</strong> <strong>Temple</strong>, is <strong>the</strong> importance assigned to <strong>the</strong> role of <strong>the</strong> archangel<br />
Michael. On <strong>the</strong> one h<strong>and</strong>, <strong>the</strong>re is <strong>the</strong> evocation of <strong>the</strong> angelic cohorts<br />
245 Stanzas 510-586. Gudula Trendelenburg, op. cit., pp. 73 ff., provides an analysis<br />
of <strong>the</strong>se—an analysis <strong>the</strong> implications of which should be exp<strong>and</strong>ed into an entire<br />
book.<br />
. 246 Ibid., p. 80.<br />
362<br />
THE IMAGO TEMPLI IN CONFRONTATION<br />
fighting under <strong>the</strong> leadership of <strong>the</strong> archangel Michael, an evocation<br />
which <strong>for</strong>ms <strong>the</strong> prelude to <strong>the</strong> hierohistory of <strong>the</strong> <strong>Temple</strong>: <strong>the</strong>re is his<br />
descent onto <strong>the</strong> high mountain of Sauveterre <strong>and</strong> <strong>the</strong> migration to <strong>the</strong><br />
same mountain of <strong>the</strong> Grail knighthood. On <strong>the</strong> o<strong>the</strong>r h<strong>and</strong>, <strong>the</strong>re is<br />
presented, as an afterword so to speak, <strong>the</strong> image of <strong>the</strong> archangel Michael<br />
as he whose function is <strong>the</strong> "weighing of souls". 247 Just as <strong>the</strong> Qumran<br />
Community sensed in its midst <strong>the</strong> invisible presence of angelic powers, at<br />
whose side it waged war against <strong>the</strong> sons of Darkness, so <strong>the</strong> Templars of<br />
<strong>the</strong> Grail partner <strong>the</strong> celestial militia. In <strong>the</strong> thirtieth year of its construction,<br />
<strong>the</strong> Imago Templi leads <strong>the</strong> entry into battle. The weighing-up of what<br />
has been gained in <strong>the</strong> course of battle leads from meditation on <strong>the</strong><br />
<strong>Temple</strong> that is being built to meditation on departure from this world.<br />
Hence <strong>the</strong> emphasis placed on <strong>the</strong> archangel Michael's double role.<br />
An interiorizing meditation discerns a virtue in every stone of <strong>the</strong><br />
<strong>Temple</strong>. It is this which, after <strong>the</strong> evocation of <strong>the</strong> <strong>Temple</strong> of Solomon<br />
described above, enables <strong>the</strong> poet, in his "speech from <strong>the</strong> Throne", to<br />
show <strong>the</strong> heavenly Jerusalem appearing through <strong>the</strong> <strong>Temple</strong> of <strong>the</strong> Grail.<br />
At <strong>the</strong> same time, <strong>the</strong> connection between <strong>the</strong> Grail <strong>and</strong> <strong>the</strong> vocation of<br />
those who guard it is confirmed. At each moment <strong>the</strong>y offer to <strong>the</strong> Grail a<br />
pure heart. The Grail knighthood makes <strong>the</strong>m into men whose soul has<br />
<strong>the</strong> virtue of a "diamond" (adamas). The word is not chosen at r<strong>and</strong>om:<br />
<strong>the</strong>re is an esoteric connection between what one might call "sacred<br />
mineralogy" <strong>and</strong> mystical anthropology, <strong>the</strong> conception of man intrinsic<br />
in <strong>the</strong> <strong>the</strong>ology of <strong>the</strong> Grail <strong>Temple</strong>.<br />
Because it is made up of all <strong>the</strong> precious stones that exist, <strong>the</strong> <strong>Temple</strong><br />
becomes <strong>the</strong> parable or <strong>the</strong> likeness of Man. The meaning of Titurel's<br />
<strong>Temple</strong> lies in promoting <strong>the</strong> <strong>for</strong>mation in man of <strong>the</strong> <strong>Temple</strong>, in investing<br />
him with <strong>the</strong> Imago Templi. As <strong>the</strong> <strong>Temple</strong> is constructed of <strong>the</strong> most noble<br />
materials, so should man be, since God desires to dwell in <strong>the</strong> human soul.<br />
In <strong>the</strong> <strong>first</strong> place <strong>the</strong> parable concerns individual man. But it also becomes<br />
<strong>the</strong> parable of <strong>the</strong> human community when, through <strong>the</strong> invisible action of<br />
its knights, <strong>the</strong> Spirit makes <strong>the</strong> boundaries of <strong>the</strong> community of <strong>the</strong> Grail<br />
coincide with <strong>the</strong> totality of <strong>the</strong> human community. An essential part is<br />
played in <strong>the</strong> inner trans<strong>for</strong>mation of man by a meditation which interior-<br />
247 This is a classic <strong>the</strong>me in <strong>the</strong> iconography of <strong>the</strong> archangel Michael, <strong>and</strong> represents<br />
him holding <strong>the</strong> Balance in his h<strong>and</strong> (<strong>for</strong> example on <strong>the</strong> portal of <strong>the</strong> Sainte<br />
Chapelle in Paris).<br />
363