The Journal of the Siam Society Vol. XLIV, Part 1-2, 1956 - Khamkoo
The Journal of the Siam Society Vol. XLIV, Part 1-2, 1956 - Khamkoo
The Journal of the Siam Society Vol. XLIV, Part 1-2, 1956 - Khamkoo
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<strong>Siam</strong> and <strong>the</strong> Pottery Trade <strong>of</strong> Asia<br />
7l<br />
presumably brought <strong>the</strong> first group from T'zu Ohoit, and that. it may<br />
very likely have been reasons <strong>of</strong> trade which led to this development.<br />
Very little Snkhothai ware was apparently exported, whereas Sawankalok<br />
pottery was sent to widely scattered parts <strong>of</strong> Asia. <strong>The</strong> reason<br />
for this is obvious: it. could be solcl as celadon- albeit an inferior<br />
grade-and celadon was <strong>the</strong> ware in greatest demand. What pro!Jahly<br />
happened was something like this:<br />
<strong>The</strong>re was no real demand or<br />
market outside <strong>of</strong> <strong>the</strong> locality for <strong>the</strong> Snkhothai. wares made in <strong>the</strong><br />
T'zu Ohoi''t tradition.<br />
A new group <strong>of</strong> Chinese potters was brought<br />
to <strong>Siam</strong>, possibly from Lnng-ch'iian, familiar with <strong>the</strong> manufacture<br />
<strong>of</strong> celadous, and were settled in Sawankalok where materials were<br />
available for making <strong>the</strong> celadon-like glazes.<br />
Meanwhile, <strong>the</strong><br />
Sukhothai potters continued <strong>the</strong>ii' work. but instead <strong>of</strong> attempting t.o<br />
produce glazed pottery utensils for which <strong>the</strong>re was appat•ently no<br />
great market or demand, devoted <strong>the</strong>ir energies to making those<br />
fanciful end tiles and o<strong>the</strong>r glazed and decorated temple ornaments<br />
which came into vogue among <strong>the</strong> <strong>Siam</strong>ese dnl'ing <strong>the</strong> Snkhothai<br />
period.<br />
'l'he amount <strong>of</strong> this gl azerl temple coust rue! ion material<br />
produced at Snkbothai was prodigious, !Jut none <strong>of</strong> it. W!IS exported.<br />
On <strong>the</strong> o<strong>the</strong>t· hand, great quantities <strong>of</strong> Sawaukalok pottery wei'O<br />
produced and t.here is abundant evidence that llltlCh if not most <strong>of</strong><br />
iL went into <strong>the</strong> Asiatic pottery trade.<br />
'l'he products <strong>of</strong> <strong>the</strong> SnkhoLhni kilns were principally water<br />
jars, bowls and dishes, along with great quantities <strong>of</strong> <strong>the</strong> decorated<br />
temple materials mentioned above.<br />
smaller and more delicate.<br />
Most Sawankalok ware was<br />
Large water jars, bowls and plates are<br />
common, but more characteristic are small containel'S <strong>of</strong> various<br />
shapes many <strong>of</strong> which are in pl~tin monochrome. One typo <strong>of</strong><br />
container which has always struck my fancy is in <strong>the</strong> shape <strong>of</strong> a<br />
persimmon, <strong>the</strong> little handle <strong>of</strong> <strong>the</strong> lid representing <strong>the</strong> stem <strong>of</strong> <strong>the</strong><br />
fruit.,<br />
Significantly enongh, <strong>the</strong> persimmon does not grow in <strong>Siam</strong>.<br />
and this shape was undoubtedly <strong>of</strong> Chinese origin.<br />
Ja1mnese connoisseurs<br />
<strong>of</strong> Sawankalok classify this peculiar form as lcaki-no-le<br />
( {;j;.:f- ), <strong>the</strong> persimmon tYPI?· •. ·•