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The Journal of the Siam Society Vol. XLIV, Part 1-2, 1956 - Khamkoo

The Journal of the Siam Society Vol. XLIV, Part 1-2, 1956 - Khamkoo

The Journal of the Siam Society Vol. XLIV, Part 1-2, 1956 - Khamkoo

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<strong>Siam</strong> and <strong>the</strong> Pottery Trade <strong>of</strong> Asia<br />

7l<br />

presumably brought <strong>the</strong> first group from T'zu Ohoit, and that. it may<br />

very likely have been reasons <strong>of</strong> trade which led to this development.<br />

Very little Snkhothai ware was apparently exported, whereas Sawankalok<br />

pottery was sent to widely scattered parts <strong>of</strong> Asia. <strong>The</strong> reason<br />

for this is obvious: it. could be solcl as celadon- albeit an inferior<br />

grade-and celadon was <strong>the</strong> ware in greatest demand. What pro!Jahly<br />

happened was something like this:<br />

<strong>The</strong>re was no real demand or<br />

market outside <strong>of</strong> <strong>the</strong> locality for <strong>the</strong> Snkhothai. wares made in <strong>the</strong><br />

T'zu Ohoi''t tradition.<br />

A new group <strong>of</strong> Chinese potters was brought<br />

to <strong>Siam</strong>, possibly from Lnng-ch'iian, familiar with <strong>the</strong> manufacture<br />

<strong>of</strong> celadous, and were settled in Sawankalok where materials were<br />

available for making <strong>the</strong> celadon-like glazes.<br />

Meanwhile, <strong>the</strong><br />

Sukhothai potters continued <strong>the</strong>ii' work. but instead <strong>of</strong> attempting t.o<br />

produce glazed pottery utensils for which <strong>the</strong>re was appat•ently no<br />

great market or demand, devoted <strong>the</strong>ir energies to making those<br />

fanciful end tiles and o<strong>the</strong>r glazed and decorated temple ornaments<br />

which came into vogue among <strong>the</strong> <strong>Siam</strong>ese dnl'ing <strong>the</strong> Snkhothai<br />

period.<br />

'l'he amount <strong>of</strong> this gl azerl temple coust rue! ion material<br />

produced at Snkbothai was prodigious, !Jut none <strong>of</strong> it. W!IS exported.<br />

On <strong>the</strong> o<strong>the</strong>t· hand, great quantities <strong>of</strong> Sawaukalok pottery wei'O<br />

produced and t.here is abundant evidence that llltlCh if not most <strong>of</strong><br />

iL went into <strong>the</strong> Asiatic pottery trade.<br />

'l'he products <strong>of</strong> <strong>the</strong> SnkhoLhni kilns were principally water<br />

jars, bowls and dishes, along with great quantities <strong>of</strong> <strong>the</strong> decorated<br />

temple materials mentioned above.<br />

smaller and more delicate.<br />

Most Sawankalok ware was<br />

Large water jars, bowls and plates are<br />

common, but more characteristic are small containel'S <strong>of</strong> various<br />

shapes many <strong>of</strong> which are in pl~tin monochrome. One typo <strong>of</strong><br />

container which has always struck my fancy is in <strong>the</strong> shape <strong>of</strong> a<br />

persimmon, <strong>the</strong> little handle <strong>of</strong> <strong>the</strong> lid representing <strong>the</strong> stem <strong>of</strong> <strong>the</strong><br />

fruit.,<br />

Significantly enongh, <strong>the</strong> persimmon does not grow in <strong>Siam</strong>.<br />

and this shape was undoubtedly <strong>of</strong> Chinese origin.<br />

Ja1mnese connoisseurs<br />

<strong>of</strong> Sawankalok classify this peculiar form as lcaki-no-le<br />

( {;j;.:f- ), <strong>the</strong> persimmon tYPI?· •. ·•

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