The Journal of the Siam Society Vol. XLIV, Part 1-2, 1956 - Khamkoo
The Journal of the Siam Society Vol. XLIV, Part 1-2, 1956 - Khamkoo
The Journal of the Siam Society Vol. XLIV, Part 1-2, 1956 - Khamkoo
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10 John Black<br />
<strong>The</strong> nse <strong>of</strong> <strong>the</strong> lion-head to symbolise water in Khmer architectt1re<br />
is unusual.<br />
'l'he colll'ts are three in :til anrl <strong>the</strong>y have been numbered,<br />
as is customary, from <strong>the</strong> comtyat·c1 <strong>of</strong> <strong>the</strong> principal sanctuary.<br />
\Ve are now ahont to enter tho lhit·d court.<br />
Althm1gh <strong>the</strong> avenne<br />
<strong>of</strong> approach from <strong>the</strong> secnw:l gtipn ra iK uow largely overgrown, it<br />
·was wide enongh at one time to provide wing causeways on ei<strong>the</strong>r<br />
sicle o( lhe central nvenne which was lined with pillm·s.<br />
'l'h0 grand<br />
scale 'Of this court allows tlll'ee passages through its crnciformecl<br />
gopnra (N). For this reason it is obvious that <strong>the</strong> width <strong>of</strong> <strong>the</strong> approach<br />
was much greater than <strong>the</strong> central avenne snggest.s in <strong>the</strong> monument's<br />
present state.<br />
'l'he tiered mount setting is again a feature, covering<br />
.as it does in this court a width far exceeding nny <strong>of</strong> <strong>the</strong> o<strong>the</strong>rs.<br />
At this stage on <strong>the</strong> way to <strong>the</strong> summit. sanctuary tower, <strong>the</strong><br />
ceremonies, rit.ual anrl nse oJ <strong>the</strong> bnildings, dictate <strong>the</strong> design and<br />
setting.<br />
In <strong>the</strong> symmetrical arl'angement <strong>of</strong> <strong>the</strong>ir editicl'•s, <strong>the</strong><br />
Khmet• architects achieved tlte well-nigh. perfect,<br />
Lions, in pairs,<br />
graced <strong>the</strong> large step~ flanking <strong>the</strong> shott steep stainvny l~atling to<br />
<strong>the</strong> main entrance. Indeed, at all entrances tu this gopura, <strong>the</strong> lion<br />
was used t.o give that impressive gnardian etl:ect..<br />
<strong>The</strong> artistry ol' <strong>the</strong> decorative entrance follows tho same<br />
pattern as in <strong>the</strong> second gopura.<br />
differ, but <strong>the</strong> Rahu head is again prominent.<br />
'fhe scenes from Hindu mythology<br />
At <strong>the</strong> north entrance<br />
<strong>the</strong> work <strong>of</strong> <strong>the</strong> craftsmen on <strong>the</strong> lintel and pediment is partly<br />
obliterated due to wea<strong>the</strong>ring, antl identiiicat,ion is clifficnH.<br />
<strong>the</strong> lintel <strong>the</strong>re is a two-legged figure with a divinity above and on<br />
<strong>the</strong> pediment what appears to he a male figure is warding <strong>of</strong>f two<br />
animals. ·Deer-like fignres are on <strong>the</strong> right and left <strong>of</strong> <strong>the</strong> pediment<br />
scene and a tree shelters <strong>the</strong> entire setting. 'l'I·uncated polycHphalous<br />
Nagas, as previously described, stand on <strong>the</strong> extremities.<br />
On<br />
On <strong>the</strong><br />
lintel <strong>of</strong> <strong>the</strong> inne1• doorway <strong>the</strong>re is a H.ahn hearl \Vit.h two divinities<br />
on ei<strong>the</strong>r sidl'.<br />
figure <strong>of</strong> Vishnu i::l depicted.<br />
Above <strong>the</strong> head a Gnrucla carrying <strong>the</strong> fonr"n1•med<br />
<strong>The</strong> decoration on <strong>the</strong> pediment <strong>of</strong><br />
<strong>the</strong> inner door facing south has as its principals, Siva nnd his wife<br />
Uma sitting nu a bull, under <strong>the</strong> shade <strong>of</strong> a tree in full foliage.<br />
'l'here at•e six human tignres also in <strong>the</strong> scene, three in front <strong>of</strong> <strong>the</strong>