User Manual - Visionary Forces

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HD-SDI A standard 75 Ohm BNC connector provides a broadcast specification high definition video output. PIN SIGNAL DESCRIPTION DIRECTION Center HD-SDI SMPTE-292M HD-SDI Out Shield/Screen GROUND Camera ground -- HD-SDI Output The HD-SDI output provides a 720p progressive scan video feed operating at 50.00 or 59.94 Hz or a 1080p 10-bit 4:2:2 progressive scan video feed operating at 23.98, 24.00, 25.00 or 29.97 Hz when in 1.5GHz HD-SDI mode, or a 1080p 10-bit 4:2:2 progressive scan video feed operating at a 50.00 or 59.94 Hz when in 3GHz HD-SDI mode. The HD-SDI output may be specified as a PROGRAM output (clean feed video) or as a PREVIEW output (includes SurroundView look around, Clip Name, Timecode and Safe Action / Safe Title frame guides). In addition to video, the HD-SDI output also provides two channels of embedded audio, Time of Day and Edge timecode, record Tally flag and Clip Name information as SMPTE RP-188 VITC2 HANC metadata. NOTE: Default setting is PROGRAM. NOTE: HD-SDI video output is Progressive Scan; it does not support 1080i or 1080PsF modes. 955-0002_v3.2, Rev-A1 COPYRIGHT © 2012 RED Digital Cinema 163
HEADPHONE A 3.5mm stereo jack provides two channels of adjustable level analog audio for monitor headphones. A C B Headphone Output Connector PIN SIGNAL DESCRIPTION DIRECTION A (TIP) LEFT Left channel audio Out B (RING) RIGHT Right channel audio Out C (SLEEVE) GND Camera ground -- The camera’s four audio channels may be monitored in pairs: either 1L - 2R or 3L - 4 R or as a quad mix of 1+3L – 2+4R based on the MIX parameter. Default is 1L-2R. Output volume may be adjusted as follows. Volume: (master volume) Adjusts headphone volume equally for left and right outputs. Range is -18dB to 0dB in 1dB steps. Default is -9dB. NOTE: for maximum output signal quality, only use high impedance headphones. NOTE: in Version 3.x software the above selection is not available, the output is set to 1L / 2R. SYNC (VIDEO SYNC) A 4-pin LEMO connector supports shutter synchronization, GPI, timecode and genlock input signals. The shutter Sync input signal acts as an immediate response hardware trigger to commence a scan. This is useful for motion control and other applications where the camera is driven by a master timing device. When using SYNC as the camera shutter timing reference, fine shutter start time timing (SHUTTER PHASE) is disabled; make any desired timing adjustments at the external SYNC generator. Alternatively, this input may be used as a GPI (General Purpose Input) trigger, whose function is programmed in the USER KEYS menu. Default function for the GPI trigger is Record Start / Stop. The SMPTE timecode input provides a frame accurate time stamp for each frame of recorded video. External TC must be chosen in the Project > Timecode menu. When SMPTE timecode is detected it will align the internal TC value to the external TC signal at every :00 frame crossing of the external TC signal. 164 COPYRIGHT © 2012 RED Digital Cinema 955-0002_v3.2, Rev-A1
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TABLE OF CONTENTS TABLE OF CONTENTS
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DISCLAIMER RED ® has made every ef
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AUSTRALIA AND NEW ZEALAND STATEMENT
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BEFORE YOU START Congratulations on
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CAUTION: The power cord plug for th
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This recording technique permits RG
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LINE LEVEL ANALOG INPUTS The record
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REDMOTE ® REDMOTE is a camera cont
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Where: A = camera A, 001 = reel 001
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CAMERA OPERATIONAL CONTROLS This se
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SSD Slot: Slot for REDMAG 1.8” SS
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FRONT A A Stills / Movie Slider Sid
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Navigation Group: Allows navigation
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To remove the side handle: 1. Power
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DUAL BATTERY MODULE The DUAL BATT
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5. Tighten the screws again in a cr
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2. Rotate module down flush with th
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Default settings for User Function
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TOUCHSCREEN LCD Red offers a five i
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QUAD BATTERY MODULE The optional QU
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AC POWER ADAPTOR - (DSMC) AC POWER
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POWER UP Locate the camera’s Powe
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GRAPHICAL USER INTERFACE AND NAVIGA
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The GUI is broken down into the fol
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GEN GEN Gray - No genlock signal
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SIDE HANDLE As you navigate and adj
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USING TOUCHSCREEN LCD If operating
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POWER DOWN NOTE: Camera will automa
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FIRST TIME USE - SETTING UP YOUR RE
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RED BRICK Attach to the camera usin
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PERFORM A BLACK SHADING CALIBRATION
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CAMERA ID (SLATE) If operating on a
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MENU CONTROLS Displayed in the Uppe
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MAIN MENU Available options under t
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ISO (SENSITIVITY) Adjusts the camer
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FOCUS Provides the ability to enter
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INTEGRATION TIME Provides the abili
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ADVANCED SETTINGS When selected, al
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RESOLUTION Allows adjustment of res
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HDR ON / OFF By default, HDRx is OF
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Performance of Auto Focus may be re
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DSMC CANON MOUNT ELECTRONICALLY SUP
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SPOT Provides a small, square targe
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LENS INFORMATION DISPLAY RED DSMC T
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Select Create and enter a name for
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COPY PRESETS FROM CAMERA TO SSD U
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MEDIA MENU The Media Menu is used t
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UTILITIES Options are SECURE FORMAT
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EXPOSURE This will show areas of un
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ORANGE Super White (IRE 105-107) RE
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RAW RAW displays the image without
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Low IRE Change the desired setting
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MODES Available GUI display mode ad
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SIZE Available options are Off, Ful
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CONTRAST Adjusts the overall contra
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COLOR/GAMMA The COLOR/GAMMA sub-men
Page 114 and 115: TIME CODE DISPLAY Allows you to cho
Page 116 and 117: AUDIO/VIDEO Menu adjusts AUDIO INPU
Page 118 and 119: AUDIO OUTPUT Allows adjustment of a
Page 120 and 121: Limiter Enables signal limiter circ
Page 122 and 123: TEST SIGNALS Permits the video moni
Page 124 and 125: OPTIONS Select the desired option
Page 126 and 127: DATE / TIME This menu allows the us
Page 128 and 129: NETWORK If the Gigabit Ethernet por
Page 130 and 131: GPIO GPIO selects the GPIO preferen
Page 132 and 133: SYNC MODE Allows the shutter timing
Page 134 and 135: INDICATORS Beep Speaker Available o
Page 136 and 137: CALIBRATION Sensor calibration is a
Page 138 and 139: BLACK SHADING PROCEDURE The calibra
Page 140 and 141: ENABLE / DISABLE SENSOR TEST PATTER
Page 142 and 143: When selected, you will be asked to
Page 144 and 145: PLAYBACK Playback allows you to vie
Page 146 and 147: PRESETS Allows you to apply presets
Page 148 and 149: SETTINGS Available options are DISP
Page 150 and 151: CLIP PLAYBACK STATUS BAR Displays t
Page 152 and 153: IN / OUT POINT MARKER Allows you to
Page 154 and 155: SHUTDOWN Power OFF controls are int
Page 156 and 157: APPENDIX B: MANAGING DIGITAL MEDIA
Page 158 and 159: MEDIA CAPACITY REMAINING STATUS The
Page 160 and 161: ERASING MEDIA NOTE: If the media wa
Page 162 and 163: MIC-1, MIC-2 (MICROPHONE AUDIO) Two
Page 166 and 167: The Video Genlock input may be used
Page 168 and 169: CTRL (RS232 CONTROL) A 4-pin LEMO c
Page 170 and 171: DC IN (POWER INPUT) The 6-pin LEMO
Page 172 and 173: SIDE SSD MODULE REAR B FRONT A A B
Page 174 and 175: APPENDIX D: DEFAULT KEY FUNCTIONS C
Page 176 and 177: APPENDIX E: REDMOTE OPERATION CONTR
Page 178 and 179: C A B REDMOTE Navigation Group A Sc
Page 180 and 181: Note: For illustration only: rear s
Page 182 and 183: RECORDING To record, press the Red
Page 184 and 185: ADVANCED OPERATION: REDMOTE MENUS S
Page 186 and 187: Note: Once this procedure has occur
Page 188 and 189: OPERATING WITH MULTIPLE CAMERAS FRO
Page 190 and 191: 6. Select “Setup Slot” and pres
Page 192 and 193: MAINTENANCE INTERNAL BATTERY CHARGE
Page 194 and 195: UPGRADING REDMOTE FIRMWARE The REDM
Page 196 and 197: 7. Click “Connect”. When REDMOT
Page 198 and 199: 12. Once the File Transfer Status i
Page 200 and 201: 5. Select “I Agree” to the lice
Page 202 and 203: 10. The program will now install. A
Page 204 and 205: 9. The selected file is shown in th
Page 206 and 207: 16. Select “Disconnect” on the
Page 208 and 209: SLAVE CAMERA Perform the following
Page 210 and 211: Green BNC connector is for Tri-Leve
Page 212 and 213: ISO 800 - False Color: Exposure Sel
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ISO 800 - False Color: Exposure Sel
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APPROPRIATE EXPOSURE ISO 800 - Moni
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ISO 800 - False Color: Video Select
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ISO 100 - No Exposure Adjustment In
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REDCINE-X ® PRO REDCINE-X PRO is a
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DO NOT USE any other solvents, chem
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4. Power up the camera. 5. Power up
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APPENDIX J: TROUBLESHOOTING NO MEDI
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CAMERA BRAIN DIMENSIONS Front View
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Top View Bottom View 955-0002_v3.2,
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APPENDIX L: RESOLUTION CHART 955-00
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MAIN MENU DEFAULT VALUES ARE DISPLA
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SECONDARY MENUS PRESS MENU ICON (LC
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SECONDARY MENUS PRESS MENU ICON (LC
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