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Volu m e II - Purdue University Calumet

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harrowing tasks and solving complex problems, Romances focus more on woman‟s ability to interact with<br />

and learn the quirks of the male mind in order to ultimately civilize him with marriage. These books are<br />

preparing girls for the roles they are supposed to play in real life and because of that it is easy to over<br />

exaggerate the role identifiers in order to simplify them. In other words, qualities associated with a<br />

particular sex will become central to that character‟s personality. And as with any adventure, it begins by<br />

leaving the comfort of familiarity.<br />

The Twilight series is told primarily from Bella‟s point of view, who describes herself as unable to<br />

relate to people her own age (10), having difficulty expressing emotions out loud (7), and generally as an<br />

outcast (10). This establishes Bella as an „every-girl,‟ someone that any person first picking up the novel can<br />

relate to because the feeling of being different from adults and peers is a common experience, most notably<br />

in adolescence. Bella is still a child at this point and is only just becoming aware of the rules of becoming a<br />

woman. It is important to note that adolescence is a period in life that is marked by insecurity and<br />

separation in order to test separate identities from those formed by others‟ assessment of the child.<br />

Mary Pipher calls adolescents “travelers” because of their necessity to constantly reevaluate their<br />

core identity. Bella has exiled herself to a new home, separating herself from places she knows and people<br />

that comfort her in order, she claims, to give her mother and her mother‟s new husband private time. It is<br />

time for her to branch out to create her own home in place of the one her mother is building. Besides the<br />

specifics of her reason for moving from Phoenix, Arizona, to Forks, Washington, a reader can relate to the<br />

feeling of being „set adrift as they are required to leave the family.<br />

Bella‟s excursion to the misty forests of Forks can be read as a girl‟s first journey into awareness<br />

about her sexual self, a part of her identity that had hitherto largely consisted of lessons that were variations<br />

of „ladies don‟t sit that way‟ and good girls do X. These half-truths exchanged between friends and collected<br />

through the grapevine do not offer a strong foundation for this girl to be able to construct a sexual self that<br />

is whole and healthy. Bella is an inexperienced girl that will learn to be a woman only when she can decode<br />

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