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Volu m e II - Purdue University Calumet

Volu m e II - Purdue University Calumet

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Through Dallas, Ringo is rewarded in a way for his heroic action in Lordsburg. Ford leads the viewer to<br />

believe that he and Dallas will live out their lives together at Ringo’s stead in Mexico. When Ringo is<br />

describing the home that he and Dallas could make together he describes it as “a real nice place with trees,<br />

grass and water, and a cabin half built. A man could live there, and a woman.” His notion of what makes a<br />

good place for him and Dallas does not include a lively town or an affluent home. Instead he offers her an<br />

open wilderness where they can be free to live together outside suffocating society. Ringo’s idealized home<br />

is still being built. Ford shows the dream of the free individual succeeding in life, and finding a successful<br />

place outside civilization, one where he can find love and independence at the same time. As Ringo and<br />

Dallas ride away to their new lives together Doc states that he believes he and the Marshall are “saving them<br />

from the blessings of civilization”. Ultimately the town is evil and suffocating and the wilderness is free and<br />

moral. Individuals are considered heroes to be revered and while they do not have a place in regular<br />

civilization, it is because they have trancended common society. The half built house they are traveling to<br />

will not become a flourishing new civilization. It is impossible for them to live in a society. They cannot be<br />

the base of a new moral society because in the context of the film a moral society is impossible. Wayne as<br />

Ringo is something to be admired in Stagecoach, his incessant individuality is his greatest strength and what<br />

ultimately keeps society safe from itself.<br />

The Searchers<br />

Film historians and critics consider The Searchers to be John Ford’s masterpiece, and is seen as one of<br />

the best western films of all time. Filmed in 1956 it is the high point of the career for both Ford and Wayne.<br />

It was Ford’s first western film in five years; a return to the genre he loved most. (Eckstein 1) At the center<br />

of this film is Ethan Edwards (John Wayne). The story follows Ethan’s seven year search for his niece<br />

Debbie, captured at the age of nine by Comanches who killed the rest of her family. Rather than searching<br />

to save her, Ethan intends to kill his niece because she has been “tainted” by living with the Indians.<br />

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