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Volu m e II - Purdue University Calumet

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Another thing that Hoffman uses to portray Helena’s childish and unintelligent demeanor is through the use of<br />

the camera position in the scenes that she is in. In the first scene that she makes an appearance, he uses the<br />

technique of both a high angle and low angle shot. When Demetrius appears out on the balcony, the camera<br />

is positioned up where he is and looking down on Helena. The camera position shows how she is looked<br />

down upon in the film as a lesser character. This outlook on her expresses Hoffman’s vision of her being<br />

somewhat excluded from society and lacking in intelligence and maturity. Hoffman then switches to the<br />

low angle shot, with the camera down by Helena looking up at Demetrius. This position of the camera<br />

shows how Demetrius is looked upon as superior and more important than Helena in the eyes of the<br />

director. She is a much more unintelligent being and acts very childish throughout the film. The use of this<br />

camera angle puts more emphasis on her being an unintelligent and childish being that does not fit in well<br />

with the society around her. In the next scene that Helena takes part in, the director also uses different<br />

camera positions to express his vision of Helena. The scene opens up with her walking with her bike down<br />

the street through the pouring rain and the camera shot is that of an extreme long shot. This use of the<br />

camera captures the whole street around her and all the people on screen with her. It enhances her<br />

disassociation with society and how different she is because it is able to capture how everybody has an<br />

umbrella except for her. This use of the camera better portrays the director’s viewing of her as a childish<br />

and unintelligent being because it is able to capture how she is disregarding the weather and everybody else<br />

is not doing so. This shot makes it easy to see that she is much more childish and immature than the society<br />

around her. Through the use of the camera position it is easy to see Hoffman’s vision of Helena.<br />

Hoffman clearly shows his vision of Helena being an immature and unintelligent character through<br />

his direction of her actions, tone of voice, and use of the camera position. Helena clearly is seen as an<br />

unintelligent being and acts very immature throughout the entire film. This vision by Hoffman is shown<br />

throughout the whole film every time that Helena appears on the screen. It is a unique way of viewing<br />

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