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write<br />
These are days that the sky when cloudless<br />
seems a bit empty, and when cloud covered a<br />
little more louring. Colors seem just a bit out of<br />
gamut, somehow not quite the right hue. The<br />
air feels the slightest bit rough; even the sunlight<br />
seems a tinge too bright. And at night, at<br />
least on the country's coasts, there's the memory<br />
of no sound outside the window except the<br />
distant drone of jet fighters patrolling the coasts<br />
far off above the ocean.<br />
And these are days when, as most realized<br />
soon after the eastern tragedies, we share the<br />
unsettling expectation that there will be more<br />
troubles. As I this, at least two theatres in<br />
the nation have had to be checked for anthrax<br />
and, as reported elsewhere in this issue, even<br />
those exhibitors who have always taken the<br />
most methodic approach to maintaining and<br />
improving site security are wondering if those<br />
best practices will prove to be enough.<br />
Yet, although it's important not to understate<br />
the case, it's also important not to overstate it.<br />
These are surely troubled times but, then<br />
again, there are no Redcoat armies marching<br />
throughout our lands; there are no Nazi submarines<br />
surfacing in sight of our shores, sinking<br />
ship after ship. On balance, it's not that we're<br />
not safe; it's that we're unsettled, and the situation<br />
seems worse because we are accustomed<br />
to calm and comfort.<br />
And it's a fine fact, displaying the nature of<br />
the film exhibition industry, that from the first<br />
moments of the September 11 events right<br />
through now movie theatre operators have been<br />
toiling to provide some of that calm and comfort.<br />
In New York, in a section near the disaster<br />
area, United Artists' Union Square plex in those<br />
early hours opened its doors to all needing a<br />
place to rest, something cool to drink or even<br />
an abode for the night, and in those initial days<br />
the theatre provided comfort to more than<br />
16,000 people. It was just a sign of things to<br />
come from the motion picture business as a<br />
whole: On the seventh day after the tragedies,<br />
almost 500 of the nation's theatre operators,<br />
along with the National Association of Theatre<br />
Owners, the Hollywood studios and the MPAA,<br />
donated all proceeds to two key relief agencies,<br />
with a final tally of aid upward of $5 million.<br />
Despite the continuing troubles, that may be<br />
the way to think of these days: In the darkness,<br />
the chance to give light.—Kim Williamson<br />
BOXOFFICE ONLINE<br />
WEBSITE ADDRESS: http://www.boxoffice.com<br />
E-MAIL ADDRESS: editorial@boxoffice.com<br />
NOVEMBER, 2001 VOL. 137, NO. 11 HOLIDAY PREVIEW / S<br />
DEPARTMENTS<br />
6 MAILROOM<br />
COVER Quote: "Lord of the Rings" became my life.<br />
If became everyone's life.—ELIJAH WOOD<br />
D-bate: digital cinema; ozone affection.<br />
Compiled by Christine James<br />
8 REEL DEALS / STUDIO NEWS<br />
New Line goes Urban; one Lion up, one down. By Annlee Ellingson<br />
10 HOT SET<br />
Madonna "Swept"; Crowe "Green"; Arnold "Umps." By Christine James<br />
1 2 STUDIO FILM RELEASE CHART<br />
Major releases slated through February. Compiled by Wade Major<br />
1 4 INDEPENDENT FILM RELEASE CHART<br />
Specialized tare monthly to August 2002. Compiled by Wade Major<br />
1 6 TRAILERS: OUR ANNUAL "HOLIBA Y HIGHLIGHTS"<br />
Coming toward Christmas: "Monsters Inc.," "Harry Potter," "Jimmy<br />
Neutron" ready for families, for older auds "Spy Game," "AH," "Ocean's<br />
Eleven," "Vanilla Sky" and "The Majestic." By Annlee Ellingson<br />
110 EXHIBITION BRIEFINGS<br />
NATO, theatre circuits combine for relief effort; General interest; Re<<br />
files; AMC extends pass trial. PLUS. Regional and Local News; Ticker<br />
Time; Exhib Quips; Showminder Calendar. By Francesca Dinglasan<br />
118 HILL NEWS<br />
Kerasotes targets tax; Michigan project held. By Francesca Dinglasan<br />
119 TECH TALK<br />
Supply Side: AMC exec joins NAC board. Digital Cinema: Barco adds<br />
DC dealers. Large Format: Edwards rebrands, reopens its<br />
giant screens;<br />
Iwerks, SimEx merge. Wired World: Warner Village clix 1 mil. tix; Fandango<br />
record. PLUS: 9 on the Net: Great States. By Annlee Ellingson<br />
122 NORTHERN EXPOSURE<br />
ThinkFilm targets midrange of specialized. By Shlomo Schwartzberg<br />
123 EUROVIEWS<br />
Cinemark, UCI pact in U.K.; Moscow Paradise. By Francesca Dinglasan<br />
124 PACIFIC OVERTURES<br />
Force, Village, Reading fiscal results down. By Francesca Dinglasan<br />
126 MOVIEGOER POLL AND ACTIVITY REPORT<br />
Early book on Hollywood's holiday hopefuls. Compiled by MovieFone<br />
127 HOME RELEASE CHART: November<br />
"Shrek," "Grinch," "Apes," "Lara" lead month. Compiled by Wade Major<br />
128 FILM REVIEWS<br />
The 3 1/2-star "In the Bedroom" heads our analyses of 79 current and<br />
future releases (see list on p. 128), including our extensive coverage<br />
of the Toronto and Edinburgh fests. Compiled by Christine James<br />
157 AD INDEX / AD FAXBACK FORM / CLASSIFIEDS<br />
How to contact anyone (easily) among this month's long, long list:<br />
direct mail, phone, fax, email contacts, plus our one-stop Faxback.<br />
159 ANNUAL PUBLISHERS STATEMENT<br />
CIRCULATION INQUIRIES<br />
BOXOFFICE DATA CENTER X\<br />
725 S. Wells St., Fourth Floor 4T\<br />
Chicago, IL 60607<br />
(312) 922-9326; fax: (312) 922-7209<br />
OFFICES<br />
EDITORIAL AND ADVERTISING CORP. I<br />
155 S. El Molino Ave., Suite 100 NEWI Mailing a<br />
Pasadena, CA 91101 P 0. Box 269030<br />
(626) 396-0250 Chicago, IL 60626<br />
Fax: (626) 396-0248 (773) 338-7007<br />
SUBSCRIPTION/CIRCULATION<br />
725 S. Wells St., Fourth Floor<br />
Chicago, IL 60607<br />
(312) 922-9326<br />
Fax: (312) 922-7209<br />
4 BOXOIIKI