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Bettencourt says he's lucky—the<br />
Brattle's staff is older, and close like a<br />
family. But he has worked with<br />
teenage employees in the past, including<br />
at a Rhode Island mall theatre<br />
where a popcorn machine fire once<br />
forced the evacuation of the audience.<br />
"It can be difficult." he says. "You<br />
don't want anything to happen to your<br />
employees. One thing for teenagers,<br />
they usually don't have too much pride<br />
in where they work, I've noticed.<br />
That's tough in a fire, keeping them<br />
there doing their job, not having them<br />
run out. You have to spend extra time<br />
[training] them."<br />
Lotter of the Paradise Cinema 7<br />
credits his staff's training for their<br />
smooth handling of the bomb threat.<br />
"Before they touch the cash register<br />
or learn to pop popcorn, they get<br />
six hours of training on safety and<br />
customer service," he says. "If you<br />
have a staff that is not green,... they<br />
know what to do."<br />
Training<br />
regimes, like security<br />
policies, vary from theatre to<br />
theatre.<br />
For Harkins, it means all new employees<br />
are shown evacuation plans<br />
and are trained to deal with specific situations<br />
such as robberies, Pitzer says.<br />
He says that training is ongoing and<br />
that a corporate committee, including<br />
members of both the operations and<br />
human resources staff, get together to<br />
revise security procedures.<br />
For the Brattle's Bettencourt, a<br />
previous East Coast theatre assigned<br />
jobs to each staff member in the case<br />
of an emergency.<br />
"A good th ing fo<br />
owners and managers<br />
to think about<br />
is to imagine if<br />
yon didn't evacuate<br />
and people were injured.<br />
How are you going to<br />
deal with that?"<br />
"Concession would go to certain<br />
cinemas and open the doors and let<br />
people know, then go out themselves,"<br />
he says. "Box office would lock the<br />
money drawers, leave the box-office<br />
area, then go to a cinema and help<br />
with getting people out."<br />
The staff were manned with special<br />
flashlights to guide people to exits in<br />
the dark. The staff practiced their<br />
positions with two drills in six months,<br />
Bettencourt says.<br />
Compare that with a medium-sized<br />
theatre circuit's procedures. A management<br />
employee at an art-house that<br />
was bought fairly recently by a corporation<br />
says the staff — has received no<br />
safety directives "not even an<br />
employee handout"—from its headquarters<br />
in the past three years.<br />
"They don't have very much communication<br />
with us," the employee said.<br />
Like<br />
The movie brings them in., but the POPCORN<br />
NATO, its Canadian counterpart,<br />
the Motion Picture<br />
Theatre Associations of Canada,<br />
does not issue specific guidelines<br />
to its members. However, the association's<br />
executive director, Adina Lebo,<br />
says its members' provincial meetings<br />
regularly include discussions of security<br />
issues. And the national organization<br />
helps spread that information<br />
through its publication. Cine-Scope,<br />
which comes out three times a year.<br />
Lebo remembers one particularly<br />
effective security exercise at an<br />
Alberta association meeting in 1999.<br />
During a police officer's lecture, a<br />
"robber" ran in, grabbed some items<br />
brings them BACK<br />
-<br />
68 Hoxoiiki<br />
Response No. 73