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Boxoffice-November.2001

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Bettencourt says he's lucky—the<br />

Brattle's staff is older, and close like a<br />

family. But he has worked with<br />

teenage employees in the past, including<br />

at a Rhode Island mall theatre<br />

where a popcorn machine fire once<br />

forced the evacuation of the audience.<br />

"It can be difficult." he says. "You<br />

don't want anything to happen to your<br />

employees. One thing for teenagers,<br />

they usually don't have too much pride<br />

in where they work, I've noticed.<br />

That's tough in a fire, keeping them<br />

there doing their job, not having them<br />

run out. You have to spend extra time<br />

[training] them."<br />

Lotter of the Paradise Cinema 7<br />

credits his staff's training for their<br />

smooth handling of the bomb threat.<br />

"Before they touch the cash register<br />

or learn to pop popcorn, they get<br />

six hours of training on safety and<br />

customer service," he says. "If you<br />

have a staff that is not green,... they<br />

know what to do."<br />

Training<br />

regimes, like security<br />

policies, vary from theatre to<br />

theatre.<br />

For Harkins, it means all new employees<br />

are shown evacuation plans<br />

and are trained to deal with specific situations<br />

such as robberies, Pitzer says.<br />

He says that training is ongoing and<br />

that a corporate committee, including<br />

members of both the operations and<br />

human resources staff, get together to<br />

revise security procedures.<br />

For the Brattle's Bettencourt, a<br />

previous East Coast theatre assigned<br />

jobs to each staff member in the case<br />

of an emergency.<br />

"A good th ing fo<br />

owners and managers<br />

to think about<br />

is to imagine if<br />

yon didn't evacuate<br />

and people were injured.<br />

How are you going to<br />

deal with that?"<br />

"Concession would go to certain<br />

cinemas and open the doors and let<br />

people know, then go out themselves,"<br />

he says. "Box office would lock the<br />

money drawers, leave the box-office<br />

area, then go to a cinema and help<br />

with getting people out."<br />

The staff were manned with special<br />

flashlights to guide people to exits in<br />

the dark. The staff practiced their<br />

positions with two drills in six months,<br />

Bettencourt says.<br />

Compare that with a medium-sized<br />

theatre circuit's procedures. A management<br />

employee at an art-house that<br />

was bought fairly recently by a corporation<br />

says the staff — has received no<br />

safety directives "not even an<br />

employee handout"—from its headquarters<br />

in the past three years.<br />

"They don't have very much communication<br />

with us," the employee said.<br />

Like<br />

The movie brings them in., but the POPCORN<br />

NATO, its Canadian counterpart,<br />

the Motion Picture<br />

Theatre Associations of Canada,<br />

does not issue specific guidelines<br />

to its members. However, the association's<br />

executive director, Adina Lebo,<br />

says its members' provincial meetings<br />

regularly include discussions of security<br />

issues. And the national organization<br />

helps spread that information<br />

through its publication. Cine-Scope,<br />

which comes out three times a year.<br />

Lebo remembers one particularly<br />

effective security exercise at an<br />

Alberta association meeting in 1999.<br />

During a police officer's lecture, a<br />

"robber" ran in, grabbed some items<br />

brings them BACK<br />

-<br />

68 Hoxoiiki<br />

Response No. 73

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