Desirable surround frequency response, measuring flat to 12.5 kHz, shown behind the theoretical "H" curue, rolled off aboue 2 kHz. o 250 500 1000 2000 4000 Frequencies on octaue centers Figure 5 ohm from the amplifier to the speaker and back. A surround speaker with a minimum impedance (perhaps most easily understood as the total of the electrical factors that impede the current flow) of 6 ohms will therefore add about 6 ohms of resistance to the speaker wiring if it is in series with another speaker. The more speakers one wires resultant load on the amplifier would be reduced from 6x5 ohms, or 30 ohms, to about 7 ohms, and the effective wire resistance between a speaker and an amplifier would be reduced from 24 ohms to about 6 ohms in the group of two speakers and about 12 ohms in the group of three. When one wires five surround speakers with a minimum impedance of 6 ohms entirely in parallel, the amplifier will see a very low impedance load, perhaps as low as 1 .2 ohms. This is typically far below what an amplifier can live with. Most amplifiers can easily accommodate a load as low as 4 ohms. The best amplifiers can drive 2 ohm loads. An amplifier with a 2 ohm minimumload capability makes the job easier for the sound system designer, because more speakers can be wired in parallel with each other before the amplifier might become compromised. In the case of theatre "A," the surround speakers were specifically designed to have a minimum impedance of about 10 ohms. As such, five of these speakers can be wired in parallel, presenting a load on the amplifier of an together in series, the worse it gets. If five of these surround speakers were wired in series, each speaker would see an effective resistance of as much as 24 ohms between itself and the amplifier, entirely acceptable 2 ohms. Loading the amplifier at its minimum 2 ohm capability or 96 times greater than it should be. In also means that the amplifier will order to reduce this series-parallel resistance problem, groups of speakers are deliver its maximum power, nearly twice the power it would deliver into an 8 ohm wired in several parallel groups of load and still more should the amplifier's speakers wired in series. power supply permit. If in the above example we wired our Theatre "B" had seven surround five speakers in two series groups, one of three speakers and the other with two, the speakers per surround channel. A group of four speakers wired in series was paralleled with another group of three speakers. (See Figure 3.) These speakers have a nominal impedance of 8 ohms. One can assume that the minimum impedance, though not specified, is somewhere around 4 to 6 ohms. This would have presented a load for the amplifiers of about 6.9 to 10.3 ohms. If this load could have been reduced to 2 ohms, the available amplifier power would have increased significantly. Another problem with surround systems wired in series-parallel groups is uneven power distribution among the speakers. This is due to the uneven impedance that results between the two groups of speakers when they contain a different number of speakers. Because of the series-parallel wiring in theatre " some surround speakers were louder than others. This is usually avoided by adding or subtracting enough speakers to ensure an equal number per series group. But adding unnecessary speakers is wasteful, and eliminating them reduces the surround coverage in the theatre. The all-parallel wiring in theatre "A," however, guaranteed that all the surround speakers would play at the same level. So how could all the surround speakers in theatre "B" be wired in parallel? Well, they couldn't unless something else was added: an impedance-matching autotransformer—and a rather hefty one at that. Wired in parallel, a group of seven of the surround speakers in theatre "B" would have presented the amplifier with a load of .57 to .86 ohms. Let's assume the lower number of .57 ohms to be safe. By inserting an impedance matching transformer wired to multiply this by 4, we present the ampli fier with load of 2.28 ohms. (See Figure 4.) The benefits are two to four times more amplifier power as well as cleaner sound with more punch from the speakers themselves thanks to the lower effective resistance in the speaker wiring. Another well-known approach for wiring surround speakers employs 70- volt transformers. This tried and true system will also work well. Its only disadvantage is cost, because a transformer is required for each speaker. 58 BoxoilKI
• ShowTime ' ' ' 77 DAT 1 001 o Omniten offer a wide range c fully-integrate POS product J?Eim Box Office Ticketinc Concession Sales anc Inventory Managemeni ATM Self-ticketing Kiosk; IVR Teleticketing Monitors «* Theatre Management Systems Reserved Seating Option -' Advanced Bookir Option I { Interfaces to othi On-going Technics! Support luga, ON Canada L4W 4Y
- Page 1 and 2:
IE BUSINESS MAGAZINE OF THE GLOBAL
- Page 3 and 4:
: .-: - i Comfort away from home. [
- Page 5 and 6:
i — SPECIAL REPORT: SHOWEAST 2001
- Page 7 and 8:
New JBL ScreenArray Two-Ways' m
- Page 9 and 10: .**V****** Local Tootsie hoii Toots
- Page 11 and 12: Barco rffgital Cinema Barco Project
- Page 13 and 14: I Am). ' , : j November, 2001 Param
- Page 15 and 16: . Charlotte I Was Universal Focus o
- Page 17 and 18: ' ; One for fhe money... «-* Light
- Page 19 and 20: SOUND th:
- Page 21 and 22: d ! Ml Mir Originators of Concessio
- Page 23 and 24: (,i 120 \< l and are nun h more efl
- Page 25 and 26: : Your business Is very Important.
- Page 27 and 28: SUPERIOR QUARTZ PRODUCTS, INCj Air
- Page 30 and 31: der. : Herbert an . (Miramax, < 'un
- Page 32 and 33: i iuple ill ti 'li l fn In' 'Sleepy
- Page 34 and 35: I ti > appre 1 lominique When Jespi
- Page 36 and 37: Sneak Preview A WALK IN THE "PARK"
- Page 38 and 39: l< l Sneak Preview "TAPED" CONVERSA
- Page 40 and 41: Qpvet r:oLfcieN op AppeccioN lABOR-
- Page 42 and 43: — a cameo in the film as one of t
- Page 44 and 45: — "LORD" OF ILLUSIONS FX Master f
- Page 46 and 47: WOOD: Exactly! Exactly. BOXOFFICE:
- Page 48 and 49: SPECIAL FEATURE: Books On Cinema ^
- Page 50 and 51: SPECIAL FEATURE: Books On Cinema—
- Page 52 and 53: nal American theatre circuits found
- Page 54 and 55: Magic Cinemas and its 95 screens. S
- Page 56 and 57: . FIRST PERSON: Sound WHY SURROUND
- Page 58 and 59: | k i From Rmplifier From Rmplifier
- Page 62 and 63: SURROUND SPEAKER PLACEMENT mathemat
- Page 64 and 65: POV: Staff Management Agreat sage o
- Page 66 and 67: SPECIAL REPORT: Security Practices
- Page 68 and 69: "That very different dynamic pre- l
- Page 70 and 71: Bettencourt says he's lucky—the B
- Page 72 and 73: . And the Best Picture Goes to... A
- Page 74 and 75: Thinking Retrofit? Think SSE! NATO'
- Page 76 and 77: SHOWEAST 2001 Special Contents INDE
- Page 78 and 79: INDEPENDENT EXHIBITION SHOWCASE DIV
- Page 80 and 81: typical day, movies are jwn at 7:15
- Page 82 and 83: SPECIAL REPORT: Showeast Awardees
- Page 84 and 85: minimi \pieatre Service &Suf>plij§
- Page 86 and 87: SHOWEAST 2001 Orlando, Florida •
- Page 88 and 89: " SHOWEAST 2001 Orlando, Florida
- Page 90 and 91: I -Mall I BAER AND ASSOCIATES 1505
- Page 92 and 93: CINEMA CONCEPTS 219 2030 Powers Fer
- Page 94 and 95: I -Mail 1 ; fax — CROWN INTL. 110
- Page 96 and 97: 1 1 GOLTERMAN S SABO 323 3555 Scarl
- Page 98 and 99: ii 1 050 , mill, 1 ':'-:'" aiipon 1
- Page 100 and 101: Cheswick, 1 . NESTLE USA 1508, 1509
- Page 102 and 103: I I Mail ' 1 PIKE PRODUCTIONS 307 1
- Page 104 and 105: Sic San Van t - " ^ ^^B^ ' ! , , j
- Page 106 and 107: J U U U U U U U U U U U u u u u u i
- Page 108 and 109: ) I ratings system—the government
- Page 110 and 111:
SPECIAL REPORT: AIMC Recap 0*& over
- Page 112 and 113:
- EXHIBITION BRIEFINGS TICKER TIME
- Page 114 and 115:
1 EXHIB QUIPS 'The fight to keep sm
- Page 116 and 117:
WALLACE'S NEW SOUTHWEST PLEX Ore. -
- Page 118 and 119:
non-profit group the Amherst Cinema
- Page 120 and 121:
l( l HILL NEWS by Franceses Dinglas
- Page 122 and 123:
GREAT STATES EXTRA: INDUSTRY VETS S
- Page 124 and 125:
' ' don't hope INTERNATIONAL NEWS B
- Page 126 and 127:
SS1 INTERNATIONAL NEWS BRIEFS PACIF
- Page 128 and 129:
movieTone AOL Movietone (7/ 7 movie
- Page 131 and 132:
— TORONTO REVIEWS Jfie horrific t
- Page 133 and 134:
LANTANA — — TORONTO REVIEWS •
- Page 135 and 136:
THE GREY ZONE — TORONTO REVIEWS
- Page 137 and 138:
— TORONTO whose compassion grows
- Page 139 and 140:
TORONTO adult sexual and emotional
- Page 141 and 142:
Montreal H1Z info® — EDINBURGH h
- Page 143 and 144:
— EDINBURGH Angel Gabriel himself
- Page 145 and 146:
I I neb — EDINBURGH ing. She spen
- Page 147 and 148:
I i.nik Dern) I I In fact. "Life HE
- Page 149 and 150:
thrums ]HOPSUEY ••• — — S
- Page 151 and 152:
HEARTS IN ATLANTIS • ** Starring
- Page 153 and 154:
•• GLITTER Starring Motion Care
- Page 155 and 156:
IRON MONKEY • ••• Starring
- Page 157 and 158:
and SOUL SURVIVORS *l/2 Starring Me
- Page 159 and 160:
ADVERTISER ADVERTISERS INDEX
- Page 161 and 162:
ADVERTISERS INDEX ADVERTISER PHONE/
- Page 163 and 164:
' : ' Miami ' "'I ind fiei mi. CLAS
- Page 165 and 166:
JHf THUHB IS UGtHUm. till M: IVti l