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—<br />
An Advertisement to Realistic Advertisers:<br />
BUY THE BIG ECONOMY SIZE<br />
^^^^^^^^^^^" ^^^^^^^^^^^ ^^^^^^^^^^ ^^^^^^^^^^^^^^^i^^^^^^^^^^^^^^m ^Bi^^^^^^^^^^<br />
When you get $1.56 worth of absolute volue for euch doUor you<br />
spend in trade puper odvertising to Americon exhibitors, your best<br />
bet is obvious — und beyond ony sound orgument.<br />
VOU actually get 56% greater coverage of American exhibitors—theatre owners,<br />
manager, circuit executives — the people who do the buvinq — through BOX-<br />
OFFICE, than through the next largest film trade paper. That applies likewise to<br />
Canadian exhibitors.<br />
Please note that we are not referring<br />
in this to our huge lead in grand total net<br />
paid circulation. This is the "meat" of that circulation for advertisers — the people<br />
who make or influence the BUYING decisions for the motion picture theatres of the<br />
United States and Canada.<br />
Nobody who isn't important at theatres is included in these figures; neither is<br />
anybody in Timbuctoo or any other foreign land.<br />
Only by buying a combination of several other film trade papers can you get<br />
anything like the exhibitor readership coverage of BOXOFFICE alone — and at a<br />
cost of at least double the rate per thousand! Remember, too, that many of BOX-<br />
OFFICE's exhibitor-subscribers nowadays read no other film<br />
trade paper]<br />
Quick Facts on the Status of BOXOFFICE:<br />
• Latest net paid circulation is over 23.000—leading its<br />
nearest competitor in U.S.A. and Canada (either or<br />
both) by over 56%. On exhibitor executive coverage<br />
alone the lead is likewise over 56%.<br />
• BOXOFFICE carries a greater grand total of national<br />
advertising than does any other Kim trade paper.<br />
• Exclusive advertising and total volume placed<br />
through advertising agencies is for greater in BOX-<br />
OFFICE than in any other film trade paper.<br />
* The advertising cost per thousand paid subscribers<br />
(in any or all of the subscriber classifications) is<br />
far lower than in any other film trade paper.<br />
• BOXOFFICE provides virtually complete coverage<br />
just about everybody who is "anybody" in this industry<br />
reads it regularly.<br />
Wherever There s a Theatre — There s a BOXOFFICE/<br />
10 BOXOFFICE :<br />
: May<br />
15, 1948