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—<br />

An Advertisement to Realistic Advertisers:<br />

BUY THE BIG ECONOMY SIZE<br />

^^^^^^^^^^^" ^^^^^^^^^^^ ^^^^^^^^^^ ^^^^^^^^^^^^^^^i^^^^^^^^^^^^^^m ^Bi^^^^^^^^^^<br />

When you get $1.56 worth of absolute volue for euch doUor you<br />

spend in trade puper odvertising to Americon exhibitors, your best<br />

bet is obvious — und beyond ony sound orgument.<br />

VOU actually get 56% greater coverage of American exhibitors—theatre owners,<br />

manager, circuit executives — the people who do the buvinq — through BOX-<br />

OFFICE, than through the next largest film trade paper. That applies likewise to<br />

Canadian exhibitors.<br />

Please note that we are not referring<br />

in this to our huge lead in grand total net<br />

paid circulation. This is the "meat" of that circulation for advertisers — the people<br />

who make or influence the BUYING decisions for the motion picture theatres of the<br />

United States and Canada.<br />

Nobody who isn't important at theatres is included in these figures; neither is<br />

anybody in Timbuctoo or any other foreign land.<br />

Only by buying a combination of several other film trade papers can you get<br />

anything like the exhibitor readership coverage of BOXOFFICE alone — and at a<br />

cost of at least double the rate per thousand! Remember, too, that many of BOX-<br />

OFFICE's exhibitor-subscribers nowadays read no other film<br />

trade paper]<br />

Quick Facts on the Status of BOXOFFICE:<br />

• Latest net paid circulation is over 23.000—leading its<br />

nearest competitor in U.S.A. and Canada (either or<br />

both) by over 56%. On exhibitor executive coverage<br />

alone the lead is likewise over 56%.<br />

• BOXOFFICE carries a greater grand total of national<br />

advertising than does any other Kim trade paper.<br />

• Exclusive advertising and total volume placed<br />

through advertising agencies is for greater in BOX-<br />

OFFICE than in any other film trade paper.<br />

* The advertising cost per thousand paid subscribers<br />

(in any or all of the subscriber classifications) is<br />

far lower than in any other film trade paper.<br />

• BOXOFFICE provides virtually complete coverage<br />

just about everybody who is "anybody" in this industry<br />

reads it regularly.<br />

Wherever There s a Theatre — There s a BOXOFFICE/<br />

10 BOXOFFICE :<br />

: May<br />

15, 1948

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