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Boxoffice-October.27.1951

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Lucky Star Night Is<br />

Cued to Birth Dates<br />

To Make It Legal<br />

Merchandising Tieups<br />

Promote 'Hoffmann'<br />

G. Williams, manager of the Regent Cinema<br />

in Chatham, Kent, England, arranged merchandising<br />

tieups through window and counter<br />

displays on "Tales of Hoffmann." Williams<br />

succeeded in getting two of the<br />

costumes used in filming the production and<br />

had them displayed by Chatham's leading<br />

fashion store, with appropriate theatre<br />

credits.<br />

The theatre used extra newspaper advertising<br />

to promote the exhibition dates, and<br />

the paper reciprocated by using two separate<br />

star cuts along with publicity stories.<br />

A sandwich man covered three adjacent<br />

towns, with appropriate signs, and 30 threesheets<br />

were posted in strategic locations in<br />

Chatham. A laundry cooperated by posting<br />

signs on six vans which make deliveries in<br />

the area.<br />

Ad Budget for 'David'<br />

Stretched to Limit<br />

Of Dollar Value<br />

P EC H<br />

mtsk ! 4 U AV ,D I l\*4<br />

Gertrude Tracy Reynolds, manager of the<br />

Parma Theatre, Cleveland, Ohio, recently introduced<br />

a new boxoffice stimulant which<br />

she hopes will overcome all legal objection<br />

where "chance" is involved.<br />

The new theatre promotion is a variation<br />

of other cash devices but is based on the<br />

birthdate of the participant. Patrons are<br />

invited to register in the Parma Theatre<br />

birthday book. On game night, a double<br />

wheel is placed on the stage. One wheel includes<br />

the 12 months, the other the various<br />

days of the month by number from 1-31.<br />

Volunteers from the audience spin the wheel<br />

to determine who gets the weekly birthday<br />

prize.<br />

Mrs. Reynolds advertised the promotion for<br />

two weeks in advance. She used a trailer<br />

featuring a birthday cake, lighted candles<br />

and an appropriate musical background.<br />

A teaser display board was placed in the<br />

lobby with a question mark and copy, and<br />

later replaced by another announcement<br />

board lettered wtih full information and inviting<br />

patrons to sign the birthday book.<br />

Seven thousand special heralds were distributed<br />

house to house over a wide area to<br />

reach people who do not usually patronize<br />

the Parma. Trade name for the promotion is<br />

Lucky Star night.<br />

Des Moines Disk Jockey<br />

Uses Contest on 'People'<br />

Tony Abramovich, manager of the Des<br />

Moines (Iowa) Theatre, tied up with disk<br />

jockey Bob Earle for a contest which<br />

drummed up excellent publicity for "People<br />

Will Talk." Earle announced that any woman<br />

who would phone ten friends and tell them<br />

that "People Will Talk" was opening at the<br />

Des Moines Theatre would receive a free<br />

ticket to a morning matinee. To qualify,<br />

listeners had to list the names of persons<br />

called and mail them to Earle at the radio<br />

station.<br />

Earle presided as host at the morning<br />

matinee, and coffee and cookies promoted by<br />

Abramovich were .served to the guests.<br />

Ball Team and Car<br />

Ballyhoo 'Angels'<br />

Frank Manente. manager of the Esquire<br />

Theatre, Toledo, arranged a three-way tieup<br />

with the winning team of the Boys' club<br />

neighborhood baseball league and a new car<br />

agency to ballyhoo "Angels in the Outfield."<br />

A new convertible was obtained from the<br />

auto dealer and bannered with copy, "We're<br />

on our way to the Esquire to see 'Angels' etc."<br />

The boys team, in baseball uniform, occupied<br />

the car as it was driven about the business<br />

and residential sections of Toledo.<br />

Manente promoted 20 gratis announcements<br />

over radio station WTOD, and used<br />

them before opening and during the run.<br />

Cards lettered with copy, "After the game,<br />

see 'Angels in the Outfield' . . . Esquire, now"<br />

were placed in taverns and restaurants where<br />

the world series was shown on television. The<br />

cards, in each place, were set next to the<br />

television set where they received an ample<br />

share of attention from spectators. The<br />

stunt resulted in additional patronage at the<br />

Esquire boxoffice.<br />

Lemon Lozenges in Bags<br />

Raise Interest in 'Kid'<br />

A lobby contest and the distribution of<br />

several thousand lemon drops enclosed in<br />

glassine envelopes imprinted with copy helped<br />

'The Lemon Drop Kid" for Robert Zielke,<br />

co-owner manager of the Bruce (Wis.) Theatre.<br />

A jar of lemon drops was displayed in<br />

the lobby and patrons were invited to guess<br />

the number of lozenges in the jar. Those<br />

coming closest to the exact figure received<br />

free theatre tickets to see "The Lemon Drop<br />

Kid."<br />

'Egypt' Idea in Column<br />

Sam Greisman, manager of the Jefferson<br />

Theatre, Fort Wayne, Ind., planted an idea<br />

with Cliff Milnor, columnist for the Journal-<br />

Gazette, which resulted in a half-column<br />

writeup on "Little Egypt." Greisman suggested<br />

to Milnor that there were probably<br />

many people in Fort Wayne who had seen<br />

Little Egypt at the Chicago world's fair in<br />

1893. The result was an interesting story,<br />

with many readers rising to the bait and<br />

submitting their own recollections of the<br />

attraction. Milnor maintained a steady flow<br />

of copy on the subject for several days.<br />

Ray Boyea, manager of the Mohawk in<br />

Amsterdam, N. Y., made the most of his advertising<br />

budget for "David and Bathsheba"<br />

to gain maximum ad penetration at minimum<br />

expense.<br />

The Dick Haymes recording of the title<br />

song was given to the local radio station and<br />

was used gratis both before and after paid<br />

spot plugs.<br />

Two record shops used full window displays<br />

and placed large banners over the<br />

entrance, with the picture and playdates<br />

getting top billing. The lobby entrance doors<br />

were covered with special art panels a week<br />

prior to opening and elaborate setpieces were<br />

prepared in advance to serve double duty as<br />

an attractive front for current exploitation.<br />

Three-sheets and six-sheets were posted in<br />

choice locations in town and on main highways<br />

leading to the city. A teaser trailer was<br />

used before the regular trailer and then was<br />

and used at<br />

supplemented with a date strip<br />

the affiliated Schine Theatre in Amsterdam.<br />

Special brochures obtained from the film<br />

distributor were given to school principals for<br />

distribution in classrooms. Boyea planted<br />

advance readers with the weekly papers and<br />

obtained additional space for feature stories<br />

and art in the daily.<br />

Ten Youth Clubs See<br />

'Hornblower' Trailer<br />

Robert Rowley, assistant at the Savoy<br />

Cinema, Luton, England, conducted a fullscale<br />

campaign on "Captain Horatio Hornblower."<br />

He obtained a 16mm trailer from<br />

Warner Bros., and on ten successive days,<br />

arranged screenings before youth groups of<br />

Luton and the district. Four leading chemists<br />

used special window .space to promote the<br />

picture, tieing in Corvette toilet articles and<br />

lotions. Two windows were obtained in book<br />

shops by tieing in the sale of books.<br />

The Corvette distributors, in connection<br />

with a national contest identifying various<br />

Briti.sh ships of the line, made 3,000 circulars<br />

available which included picture cerdits. A<br />

15-foot display in the theatre lobby helped.<br />

DRIVE-IN<br />

ENTRANCE & EXIT LIGHTS<br />

40 Inch, doublt'fici or iin|li, irrawi ri|lit ir lilt.<br />

DRIVE-IN THEATRE MFQ. CO.<br />

k;'„'..".';',',:,1;.<br />

38 — 244 — BOXOFFICE Showmandjser<br />

:<br />

: October 27, 1951

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