Boxoffice-October.27.1951
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Lucky Star Night Is<br />
Cued to Birth Dates<br />
To Make It Legal<br />
Merchandising Tieups<br />
Promote 'Hoffmann'<br />
G. Williams, manager of the Regent Cinema<br />
in Chatham, Kent, England, arranged merchandising<br />
tieups through window and counter<br />
displays on "Tales of Hoffmann." Williams<br />
succeeded in getting two of the<br />
costumes used in filming the production and<br />
had them displayed by Chatham's leading<br />
fashion store, with appropriate theatre<br />
credits.<br />
The theatre used extra newspaper advertising<br />
to promote the exhibition dates, and<br />
the paper reciprocated by using two separate<br />
star cuts along with publicity stories.<br />
A sandwich man covered three adjacent<br />
towns, with appropriate signs, and 30 threesheets<br />
were posted in strategic locations in<br />
Chatham. A laundry cooperated by posting<br />
signs on six vans which make deliveries in<br />
the area.<br />
Ad Budget for 'David'<br />
Stretched to Limit<br />
Of Dollar Value<br />
P EC H<br />
mtsk ! 4 U AV ,D I l\*4<br />
Gertrude Tracy Reynolds, manager of the<br />
Parma Theatre, Cleveland, Ohio, recently introduced<br />
a new boxoffice stimulant which<br />
she hopes will overcome all legal objection<br />
where "chance" is involved.<br />
The new theatre promotion is a variation<br />
of other cash devices but is based on the<br />
birthdate of the participant. Patrons are<br />
invited to register in the Parma Theatre<br />
birthday book. On game night, a double<br />
wheel is placed on the stage. One wheel includes<br />
the 12 months, the other the various<br />
days of the month by number from 1-31.<br />
Volunteers from the audience spin the wheel<br />
to determine who gets the weekly birthday<br />
prize.<br />
Mrs. Reynolds advertised the promotion for<br />
two weeks in advance. She used a trailer<br />
featuring a birthday cake, lighted candles<br />
and an appropriate musical background.<br />
A teaser display board was placed in the<br />
lobby with a question mark and copy, and<br />
later replaced by another announcement<br />
board lettered wtih full information and inviting<br />
patrons to sign the birthday book.<br />
Seven thousand special heralds were distributed<br />
house to house over a wide area to<br />
reach people who do not usually patronize<br />
the Parma. Trade name for the promotion is<br />
Lucky Star night.<br />
Des Moines Disk Jockey<br />
Uses Contest on 'People'<br />
Tony Abramovich, manager of the Des<br />
Moines (Iowa) Theatre, tied up with disk<br />
jockey Bob Earle for a contest which<br />
drummed up excellent publicity for "People<br />
Will Talk." Earle announced that any woman<br />
who would phone ten friends and tell them<br />
that "People Will Talk" was opening at the<br />
Des Moines Theatre would receive a free<br />
ticket to a morning matinee. To qualify,<br />
listeners had to list the names of persons<br />
called and mail them to Earle at the radio<br />
station.<br />
Earle presided as host at the morning<br />
matinee, and coffee and cookies promoted by<br />
Abramovich were .served to the guests.<br />
Ball Team and Car<br />
Ballyhoo 'Angels'<br />
Frank Manente. manager of the Esquire<br />
Theatre, Toledo, arranged a three-way tieup<br />
with the winning team of the Boys' club<br />
neighborhood baseball league and a new car<br />
agency to ballyhoo "Angels in the Outfield."<br />
A new convertible was obtained from the<br />
auto dealer and bannered with copy, "We're<br />
on our way to the Esquire to see 'Angels' etc."<br />
The boys team, in baseball uniform, occupied<br />
the car as it was driven about the business<br />
and residential sections of Toledo.<br />
Manente promoted 20 gratis announcements<br />
over radio station WTOD, and used<br />
them before opening and during the run.<br />
Cards lettered with copy, "After the game,<br />
see 'Angels in the Outfield' . . . Esquire, now"<br />
were placed in taverns and restaurants where<br />
the world series was shown on television. The<br />
cards, in each place, were set next to the<br />
television set where they received an ample<br />
share of attention from spectators. The<br />
stunt resulted in additional patronage at the<br />
Esquire boxoffice.<br />
Lemon Lozenges in Bags<br />
Raise Interest in 'Kid'<br />
A lobby contest and the distribution of<br />
several thousand lemon drops enclosed in<br />
glassine envelopes imprinted with copy helped<br />
'The Lemon Drop Kid" for Robert Zielke,<br />
co-owner manager of the Bruce (Wis.) Theatre.<br />
A jar of lemon drops was displayed in<br />
the lobby and patrons were invited to guess<br />
the number of lozenges in the jar. Those<br />
coming closest to the exact figure received<br />
free theatre tickets to see "The Lemon Drop<br />
Kid."<br />
'Egypt' Idea in Column<br />
Sam Greisman, manager of the Jefferson<br />
Theatre, Fort Wayne, Ind., planted an idea<br />
with Cliff Milnor, columnist for the Journal-<br />
Gazette, which resulted in a half-column<br />
writeup on "Little Egypt." Greisman suggested<br />
to Milnor that there were probably<br />
many people in Fort Wayne who had seen<br />
Little Egypt at the Chicago world's fair in<br />
1893. The result was an interesting story,<br />
with many readers rising to the bait and<br />
submitting their own recollections of the<br />
attraction. Milnor maintained a steady flow<br />
of copy on the subject for several days.<br />
Ray Boyea, manager of the Mohawk in<br />
Amsterdam, N. Y., made the most of his advertising<br />
budget for "David and Bathsheba"<br />
to gain maximum ad penetration at minimum<br />
expense.<br />
The Dick Haymes recording of the title<br />
song was given to the local radio station and<br />
was used gratis both before and after paid<br />
spot plugs.<br />
Two record shops used full window displays<br />
and placed large banners over the<br />
entrance, with the picture and playdates<br />
getting top billing. The lobby entrance doors<br />
were covered with special art panels a week<br />
prior to opening and elaborate setpieces were<br />
prepared in advance to serve double duty as<br />
an attractive front for current exploitation.<br />
Three-sheets and six-sheets were posted in<br />
choice locations in town and on main highways<br />
leading to the city. A teaser trailer was<br />
used before the regular trailer and then was<br />
and used at<br />
supplemented with a date strip<br />
the affiliated Schine Theatre in Amsterdam.<br />
Special brochures obtained from the film<br />
distributor were given to school principals for<br />
distribution in classrooms. Boyea planted<br />
advance readers with the weekly papers and<br />
obtained additional space for feature stories<br />
and art in the daily.<br />
Ten Youth Clubs See<br />
'Hornblower' Trailer<br />
Robert Rowley, assistant at the Savoy<br />
Cinema, Luton, England, conducted a fullscale<br />
campaign on "Captain Horatio Hornblower."<br />
He obtained a 16mm trailer from<br />
Warner Bros., and on ten successive days,<br />
arranged screenings before youth groups of<br />
Luton and the district. Four leading chemists<br />
used special window .space to promote the<br />
picture, tieing in Corvette toilet articles and<br />
lotions. Two windows were obtained in book<br />
shops by tieing in the sale of books.<br />
The Corvette distributors, in connection<br />
with a national contest identifying various<br />
Briti.sh ships of the line, made 3,000 circulars<br />
available which included picture cerdits. A<br />
15-foot display in the theatre lobby helped.<br />
DRIVE-IN<br />
ENTRANCE & EXIT LIGHTS<br />
40 Inch, doublt'fici or iin|li, irrawi ri|lit ir lilt.<br />
DRIVE-IN THEATRE MFQ. CO.<br />
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38 — 244 — BOXOFFICE Showmandjser<br />
:<br />
: October 27, 1951