Contents - Made-in-China.com
Contents - Made-in-China.com
Contents - Made-in-China.com
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52<br />
CULTURE FOCUS ON CHINA / 04 / 2011 FOCUS ON CHINA / 04 / 2011 CULTURE 53<br />
BEIJING OPERA<br />
Beij<strong>in</strong>g opera or Pek<strong>in</strong>g opera is a form of traditional Ch<strong>in</strong>ese theatre which <strong>com</strong>b<strong>in</strong>es music,<br />
vocal performance, mime, dance and acrobatics. It arose <strong>in</strong> the late 18th century and became fully<br />
developed and recognized by the mid-19th century.<br />
Cultural Exchange<br />
In recent years, Ch<strong>in</strong>a has actively<br />
conducted cultural exchanges with<br />
other countries. On Oct. 7, 2010,<br />
Italy and Ch<strong>in</strong>a <strong>in</strong>augurated one<br />
year full of celebrations featur<strong>in</strong>g<br />
hundreds of artistic events aimed<br />
at further spread<strong>in</strong>g knowledge of<br />
the Ch<strong>in</strong>ese culture <strong>in</strong> Italy. Highstandard<br />
<strong>com</strong>prehensive exchange<br />
activities demonstrate the favorable,<br />
vigorous image of Ch<strong>in</strong>a <strong>in</strong> the<br />
ongo<strong>in</strong>g reform and open<strong>in</strong>g-up,<br />
and promote the exchange and<br />
mutual understand<strong>in</strong>g with related<br />
countries.<br />
Dan<br />
The Dan refers to any female role. Dan roles were<br />
orig<strong>in</strong>ally divided <strong>in</strong>to five subtypes. Old women<br />
were played by Laodan, martial women were<br />
Wudan, young female warriors were Daomadan,<br />
virtuous and elite women were Q<strong>in</strong>gyi, and<br />
vivacious and unmarried women were Huadan.<br />
In the early years of Beij<strong>in</strong>g opera, all Dan roles<br />
were played by men.<br />
Sheng<br />
Beij<strong>in</strong>g opera features four<br />
ma<strong>in</strong> types of performers.<br />
The Sheng is the ma<strong>in</strong> male role <strong>in</strong> Beij<strong>in</strong>g opera. This role has numerous subtypes. The Laosheng<br />
is a dignified older role. Young male characters are known as Xiaosheng. The Wusheng is a martial<br />
character for roles <strong>in</strong>volv<strong>in</strong>g <strong>com</strong>bat. They are highly tra<strong>in</strong>ed <strong>in</strong> acrobatics, and have a natural voice<br />
when s<strong>in</strong>g<strong>in</strong>g.<br />
J<strong>in</strong>g<br />
The J<strong>in</strong>g is a pa<strong>in</strong>ted face male role. Depend<strong>in</strong>g<br />
on the repertoire of the particular troupe, he will<br />
play either primary or secondary roles. Beij<strong>in</strong>g<br />
opera boasts 15 basic facial patterns, but there<br />
are over 1000 specific variations. Each design is<br />
unique to a specific character.<br />
Chou<br />
The Chou is a male clown role. The Chou usually<br />
plays secondary roles <strong>in</strong> a troupe. The name<br />
of the role is a homophone of the Mandar<strong>in</strong><br />
Ch<strong>in</strong>ese word chou, mean<strong>in</strong>g "ugly". This<br />
reflects the traditional belief that the clown's<br />
<strong>com</strong>b<strong>in</strong>ation of ugl<strong>in</strong>ess and laughter could<br />
drive away evil spirits.