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52<br />

CULTURE FOCUS ON CHINA / 04 / 2011 FOCUS ON CHINA / 04 / 2011 CULTURE 53<br />

BEIJING OPERA<br />

Beij<strong>in</strong>g opera or Pek<strong>in</strong>g opera is a form of traditional Ch<strong>in</strong>ese theatre which <strong>com</strong>b<strong>in</strong>es music,<br />

vocal performance, mime, dance and acrobatics. It arose <strong>in</strong> the late 18th century and became fully<br />

developed and recognized by the mid-19th century.<br />

Cultural Exchange<br />

In recent years, Ch<strong>in</strong>a has actively<br />

conducted cultural exchanges with<br />

other countries. On Oct. 7, 2010,<br />

Italy and Ch<strong>in</strong>a <strong>in</strong>augurated one<br />

year full of celebrations featur<strong>in</strong>g<br />

hundreds of artistic events aimed<br />

at further spread<strong>in</strong>g knowledge of<br />

the Ch<strong>in</strong>ese culture <strong>in</strong> Italy. Highstandard<br />

<strong>com</strong>prehensive exchange<br />

activities demonstrate the favorable,<br />

vigorous image of Ch<strong>in</strong>a <strong>in</strong> the<br />

ongo<strong>in</strong>g reform and open<strong>in</strong>g-up,<br />

and promote the exchange and<br />

mutual understand<strong>in</strong>g with related<br />

countries.<br />

Dan<br />

The Dan refers to any female role. Dan roles were<br />

orig<strong>in</strong>ally divided <strong>in</strong>to five subtypes. Old women<br />

were played by Laodan, martial women were<br />

Wudan, young female warriors were Daomadan,<br />

virtuous and elite women were Q<strong>in</strong>gyi, and<br />

vivacious and unmarried women were Huadan.<br />

In the early years of Beij<strong>in</strong>g opera, all Dan roles<br />

were played by men.<br />

Sheng<br />

Beij<strong>in</strong>g opera features four<br />

ma<strong>in</strong> types of performers.<br />

The Sheng is the ma<strong>in</strong> male role <strong>in</strong> Beij<strong>in</strong>g opera. This role has numerous subtypes. The Laosheng<br />

is a dignified older role. Young male characters are known as Xiaosheng. The Wusheng is a martial<br />

character for roles <strong>in</strong>volv<strong>in</strong>g <strong>com</strong>bat. They are highly tra<strong>in</strong>ed <strong>in</strong> acrobatics, and have a natural voice<br />

when s<strong>in</strong>g<strong>in</strong>g.<br />

J<strong>in</strong>g<br />

The J<strong>in</strong>g is a pa<strong>in</strong>ted face male role. Depend<strong>in</strong>g<br />

on the repertoire of the particular troupe, he will<br />

play either primary or secondary roles. Beij<strong>in</strong>g<br />

opera boasts 15 basic facial patterns, but there<br />

are over 1000 specific variations. Each design is<br />

unique to a specific character.<br />

Chou<br />

The Chou is a male clown role. The Chou usually<br />

plays secondary roles <strong>in</strong> a troupe. The name<br />

of the role is a homophone of the Mandar<strong>in</strong><br />

Ch<strong>in</strong>ese word chou, mean<strong>in</strong>g "ugly". This<br />

reflects the traditional belief that the clown's<br />

<strong>com</strong>b<strong>in</strong>ation of ugl<strong>in</strong>ess and laughter could<br />

drive away evil spirits.

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