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8 Similarly, Gerson considers the Viger stories "documentations of human resilience as small individuals wrestle with imagination, reality and the urge to self-fulfillment" (The Piper's Forgotten Tune 139). 9 Scott's attention to iconographical images and names is again evident in this final story. The name St. Denis clearly links the family with the Old World, St. Denys being the patron saint of France whose principal emblem is the head in hands. Significantly, when Farlotte discovers Guy in the attic hunched over a sketch he was making, it is with "his head in his hands" (132). WORKS CITED "Book Notices." Massey's Magazine 2.1 (1896): 73. Bourinot, Arthur S., ed. More Letters of Duncan Campbell Scott. Ottawa: Bourinot, i960. Dragland, Stan. Introduction. In the Village of Viger and Other Stories. Toronto: McClelland and Stewart, 1973. 9-16. Etter, Kathryn. "The Genre of Return: The Short Story Volume." DAI 47.3 (1986): 898A. Gerson, Carole. A Purer Taste: The Writing and Reading of Fiction in English in Nineteenth-Century Canada. Toronto: U of Toronto P, 1989. . "The Piper's Forgotten Tune: Notes on the Stories of D.C. Scott and a Bibliography." Journal of Canadian Fiction 16 (1976): 138-43. Rev. of In the Village of Viger. The Bookman (June 1896): 366. Ingram, Forrest L. Representative Short Story Cycles of the Twentieth Century: Studies in a Literary Genre. The Hague: Mouton, 1971. Iser, Wolfgang. "The Reading Process: A Phenomenological Approach." New Literary History 3.2 (1972): 279-99. Luscher, Robert. "The Short Story Sequence: An Open Book." Short Story Theory at the Crossroads. Eds. Susan Lohafer and Jo Ellyn Clarey. Baton Rouge: Louisiana UP, 1989.148-67. Lynch, Gerald. "In the Meantime: Duncan Campbell Scott's In the Village of Viger" Studies in Canadian Literature 17.2 (1992): 70-91. . "The One and the Many: English-Canadian Short Story Cycles." Canadian Literature 130 (1991): 91-104. Mann, Susan Garland. The Short Story Cycle: A Genre Companion and Reference Guide. New York: Greenwood, 1989. McDougall, Robert L. The Poet and the Critic: A Literary Correspondence Between D.C. Scott and E.K. Brown. Ottawa: Carleton UP, 1983. Meindl, Dieter. "Modernism and the English-Canadian Short Story Cycle." Ranam 20 (1987): 17-22. Metcalf, John. What is a Canadian Literature? Guelph, ON: Red Kite Press, 1988. Muddiman, Bernard. "Duncan Campbell Scott." Canadian Magazine 43 (1914): 63-72.
New, W.H. Dreams of Speech and Violence: The Art of the Short Story in Canada and New Zealand. Toronto: U of Toronto P, 1987. Pacey, Desmond. Introduction. A Book of Canadian Stories. Toronto: The Ryerson Press, 1947- Scott, Duncan Campbell. "At the Mermaid Inn." Rpt. in At the Mermaid Inn: Wilfred Campbell, Archibald Lampman, Duncan Campbell Scott in The Globe 1892-93. Ed. Barrie Davies. Toronto: U of Toronto P, 1979. . In the Village ofViger. Boston: Copeland and Day, 1896. . The Circle of Affection and Other Pieces in Prose and Poetry. Toronto: McClelland and Stewart, 1947. Stow, Glenys. "Of North and South: D.C. Scott." Journal of Canadian Fiction 2 (1973): 123-24. Waterston, Elizabeth. "A Small Mercy." Canadian Literature 61 (1974): 111-113. . "The Missing Face: Five Short Stories by Duncan Campbell Scott." Studies in Canadian Literature 1.2 (1976): 223-29.
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171
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Books in Review Dieter Riemenschnei
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Remembering 1993 I forgot Amnesia.
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This is one of the questions Cooper
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youth, and coming to terms with the
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Nichol's "The Martyrology" is anoth
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told in muted tones, as is, for exa
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A n n e Le D r e s s a y In my next
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multiple challenges to eurocentric
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One function of traditional myth, t
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learn their language. The first ind
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demonstrates an openness toward cul
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world views of white twentieth-cent
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alone reveals a willingness to expl
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ing "world" of l'Amérique—repres
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an extended parody of the Christ-my
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Gould, Eric. Mythical Intentions in
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C a n d a s J a n e D o r s e y Unf
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I could think it the mind's warm mi
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J o h n C l e m e n t B a l l Frami
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The town's names, Notikeewin and Pu
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I had tried [speaking], it would ha
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European dualism that preserves "th
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memories are being lost rapidly and
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framer, Madham or John Henry — re
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S h a r i A n d r e w s Instruction
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S t e p h a n i e B o l s t e r Thr
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Page 57 and 58: 4. this delta could be your hair ta
Page 59 and 60: If, as is arguably the case, the mo
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Page 69 and 70: him to the only reality with which
Page 71 and 72: Cam M c A l p i n e near Brandon, M
Page 73 and 74: Tom W a y m a n Eye Mountains The d
Page 75 and 76: And signs it with the only immortal
Page 77 and 78: Just to come once alone to these wi
Page 79 and 80: Months of Fire, taken from Celine's
Page 81 and 82: Kid shooting a barn-full of drunken
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Page 85 and 86: George W o o d c o c k The Cherry T
Page 87 and 88: K I a y D y e r Passing Time and Pr
Page 89 and 90: the year and source of original pub
Page 91 and 92: It was too true that the city was g
Page 93 and 94: flashed like a naked poniard in the
Page 95 and 96: ./Vlthough the absence of a spiritu
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Page 101 and 102: Farlotte's sense of self and of com
Page 103 and 104: Unable to reach into the future of
Page 105: In the Village ofViger shows that t
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Page 111 and 112: to transgress demarcated lines of t
Page 113 and 114: The appellation fits the smudged im
Page 115 and 116: Pennington and Duncan display in th
Page 117 and 118: and class, already mixed, are mixed
Page 119 and 120: Home Fires Kevin Irie Burning The D
Page 121 and 122: A Dance of All the isms Barry Calla
Page 123 and 124: Margaret Atwood, respected author a
Page 125 and 126: niques borrowed from, or inspired b
Page 127 and 128: around your house." Thus, Standjofs
Page 129 and 130: observable patterns in nature and i
Page 131 and 132: kind of book one can write after a
Page 133 and 134: tion of the cosmogony behind The Ma
Page 135 and 136: also a comprehensive index that is
Page 137 and 138: similar themes but in a much more g
Page 139 and 140: with equal equanimity and wit. The
Page 141 and 142: into Amy's point of view to spell i
Page 143 and 144: ground, and will no doubt re-offend
Page 145 and 146: tural anthropophagy of the West —
Page 147 and 148: gender formation, gender roles and
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very least have expected her to be
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Eco-Criticism D.M.R. Bentley The Ga
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us up daily at the point of your pr
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nation state," national and post-co
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Canadian artists to comply with a s
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And then there is Shielder's Mark.
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was the silence of the angels who s
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Nature Notes The nature essay has t
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(north, wilderness) as one of the r
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mon murre still entangled in shards
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Simone Vautier and Evelyn Cobley te
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