The Carpathians - University of British Columbia

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Slemon, Stephen. "Magic Realism as Post-Colonial Discourse." Canadian Literature 116 (Spring 1988): 9-24. —. "Post-Colonial Allegory and the Transformation of History." Journal of Commonwealth Literature 23 (1988): 157-68. Thérien, Gilles, éd. Les Figures de l'Indien. Les Cahiers du département d'études littéraires, no. 9. Montréal: Université du Québec à Montréal, 1988. —. "L'Indien du discours." in Thérien, Figures, 355-67. Vallières, Pierre. Nègres blancs d'Amérique: autobiographie précoce d'un terroriste. Montréal, Parti Pris, 1968. Weiss, Jonathan M., "Une lecture américaine de Volkswagen Blues" Etudes françaises 21.3 (hiver 1985-86): 89-96. Zabus, Chantai. "A Calabanic Tempest in Anglophone & Francophone New World Writing." Canadian Literature 104 (Spring 1985): 35-50. L i l i a n e W e l c h Nursing Home Her eyes rest on his middle-aged face but her memory disperses their unfinished tie. The drifts of loyalty and affection must have made a channel for puzzlement in her night, even so, for though she cannot find her way through the snow flurries to recognition, she remains stranded on her son's name.
C a n d a s J a n e D o r s e y Unfinished Business maybe the man will telephone his lover maybe he'll let it ride after all, he'll see her when he gets back into town and the snow's not too bad after all and the lover waiting in a warm house with cats, yes let's say cats will after all go to sleep we're all adults here so there's no story really, no stormy 'phone call, winds whistling around the 'phone booth or frost coming between them, no heat to warm one's sleeping and the other's driving no moral to the story and no difficult dreams to settle lovers think in the night of each other at home or on the road and probably are sensible about the telephone bill or, maybe not sometimes that happens too it's never possible to predict these things reliably, at midnight, in winter when roads are long and beds are cold.
Page 1 and 2: 171
Page 3 and 4: Books in Review Dieter Riemenschnei
Page 5 and 6: Remembering 1993 I forgot Amnesia.
Page 7 and 8: This is one of the questions Cooper
Page 9 and 10: youth, and coming to terms with the
Page 11 and 12: Nichol's "The Martyrology" is anoth
Page 13 and 14: told in muted tones, as is, for exa
Page 15 and 16: A n n e Le D r e s s a y In my next
Page 17 and 18: multiple challenges to eurocentric
Page 19 and 20: One function of traditional myth, t
Page 21 and 22: learn their language. The first ind
Page 23 and 24: demonstrates an openness toward cul
Page 25 and 26: world views of white twentieth-cent
Page 27 and 28: alone reveals a willingness to expl
Page 29 and 30: ing "world" of l'Amérique—repres
Page 31 and 32: an extended parody of the Christ-my
Page 33: Gould, Eric. Mythical Intentions in
Page 37 and 38: I could think it the mind's warm mi
Page 39 and 40: J o h n C l e m e n t B a l l Frami
Page 41 and 42: The town's names, Notikeewin and Pu
Page 43 and 44: I had tried [speaking], it would ha
Page 45 and 46: European dualism that preserves "th
Page 47 and 48: memories are being lost rapidly and
Page 49 and 50: framer, Madham or John Henry — re
Page 51 and 52: S h a r i A n d r e w s Instruction
Page 53 and 54: S t e p h a n i e B o l s t e r Thr
Page 55 and 56: the wind as fishes stir water. Voic
Page 57 and 58: 4. this delta could be your hair ta
Page 59 and 60: If, as is arguably the case, the mo
Page 61 and 62: possession they assume for the bene
Page 63 and 64: languages with which he is conversa
Page 65 and 66: evinced by the other, to representa
Page 67 and 68: this novel, the possibility of mutu
Page 69 and 70: him to the only reality with which
Page 71 and 72: Cam M c A l p i n e near Brandon, M
Page 73 and 74: Tom W a y m a n Eye Mountains The d
Page 75 and 76: And signs it with the only immortal
Page 77 and 78: Just to come once alone to these wi
Page 79 and 80: Months of Fire, taken from Celine's
Page 81 and 82: Kid shooting a barn-full of drunken
Page 83 and 84: make the public understand that he
Page 85 and 86:
George W o o d c o c k The Cherry T
Page 87 and 88:
K I a y D y e r Passing Time and Pr
Page 89 and 90:
the year and source of original pub
Page 91 and 92:
It was too true that the city was g
Page 93 and 94:
flashed like a naked poniard in the
Page 95 and 96:
./Vlthough the absence of a spiritu
Page 97 and 98:
themselves with surrogates or sibli
Page 99 and 100:
story defines the village as place,
Page 101 and 102:
Farlotte's sense of self and of com
Page 103 and 104:
Unable to reach into the future of
Page 105 and 106:
In the Village ofViger shows that t
Page 107 and 108:
New, W.H. Dreams of Speech and Viol
Page 109 and 110:
an India at once familiar and unkno
Page 111 and 112:
to transgress demarcated lines of t
Page 113 and 114:
The appellation fits the smudged im
Page 115 and 116:
Pennington and Duncan display in th
Page 117 and 118:
and class, already mixed, are mixed
Page 119 and 120:
Home Fires Kevin Irie Burning The D
Page 121 and 122:
A Dance of All the isms Barry Calla
Page 123 and 124:
Margaret Atwood, respected author a
Page 125 and 126:
niques borrowed from, or inspired b
Page 127 and 128:
around your house." Thus, Standjofs
Page 129 and 130:
observable patterns in nature and i
Page 131 and 132:
kind of book one can write after a
Page 133 and 134:
tion of the cosmogony behind The Ma
Page 135 and 136:
also a comprehensive index that is
Page 137 and 138:
similar themes but in a much more g
Page 139 and 140:
with equal equanimity and wit. The
Page 141 and 142:
into Amy's point of view to spell i
Page 143 and 144:
ground, and will no doubt re-offend
Page 145 and 146:
tural anthropophagy of the West —
Page 147 and 148:
gender formation, gender roles and
Page 149 and 150:
himself travelled in Central and So
Page 151 and 152:
tout récemment traduits en anglais
Page 153 and 154:
the relevant footnote refers only t
Page 155 and 156:
Mennonite background will find this
Page 157 and 158:
very least have expected her to be
Page 159 and 160:
Eco-Criticism D.M.R. Bentley The Ga
Page 161 and 162:
us up daily at the point of your pr
Page 163 and 164:
nation state," national and post-co
Page 165 and 166:
Canadian artists to comply with a s
Page 167 and 168:
And then there is Shielder's Mark.
Page 169 and 170:
was the silence of the angels who s
Page 171 and 172:
Nature Notes The nature essay has t
Page 173 and 174:
(north, wilderness) as one of the r
Page 175 and 176:
mon murre still entangled in shards
Page 177:
Simone Vautier and Evelyn Cobley te
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