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The Carpathians - University of British Columbia

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qui s'en tirent le mieux, y compris sur le<br />

plan stylistique. Leurs coéquipiers font<br />

pourtant preuve d'assez de courage, d'esprit<br />

d'invention et d'habileté pour bien<br />

mériter la mention honorable et laisser<br />

bien augurer de la suite.<br />

Canadian Experience?<br />

John Richardson<br />

<strong>The</strong> Canadian Brothers or <strong>The</strong> Prophecy Fulfilled,<br />

A Tale <strong>of</strong> the Late American War, Donald<br />

Stephens, ed. Centre for Editing Early Canadian<br />

Texts Series; 9. Oxford $12.95 pa-<br />

Reviewed by Mary Lu MacDonald<br />

<strong>The</strong> Canadian Brothers is the ninth in the<br />

Centre for Editing Early Canadian Texts'<br />

series <strong>of</strong> meticulously researched and<br />

edited volumes <strong>of</strong> pre-Confederation literature<br />

in English. No manuscript <strong>of</strong> the novel<br />

has survived, and only one edition<br />

appeared in Richardson's lifetime; as a<br />

result, the choice <strong>of</strong> a copy-text presented<br />

no difficulty. This text was then compared<br />

with the chapters published in advance in<br />

the Literary Garland and with the later<br />

"American" version entitled Matilda<br />

Montgomerie. In addition eight extant<br />

copies <strong>of</strong> the 1840 Montreal publication<br />

were computer-compared, revealing a total<br />

<strong>of</strong> eleven differences between them. <strong>The</strong><br />

scholarly apparatus resulting from this<br />

research is detailed and complete. <strong>The</strong><br />

Explanatory Notes which follow the text are<br />

not intrusive and, in the main, provide useful<br />

supplementary information, although<br />

they sometimes raise more questions than<br />

they answer. Either in the Notes or in the<br />

Introduction more information on the War<br />

<strong>of</strong> 1812 context, beyond that necessary to<br />

explain Richardson's specific references,<br />

would have been helpful.<br />

Since the purpose <strong>of</strong> the CEECT project<br />

is to provide an authoritative text in a form<br />

inexpensive enough to be used in university<br />

classrooms, the Editor's Introduction is<br />

crucial. It will go into the hands <strong>of</strong> students,<br />

carrying with it the aura <strong>of</strong> being the<br />

final word on the subject. John Richardson<br />

presents a particularly difficult problem for<br />

an editor attempting to provide a biographical<br />

summary before entering on a<br />

critical introduction, since the documented<br />

evidence about Richardson's life is<br />

sparse,—we do not even know for sure<br />

where he was born, or what was the cause<br />

<strong>of</strong> his death. <strong>The</strong> result <strong>of</strong> this paucity <strong>of</strong><br />

biographical detail has been that many critics<br />

tend to read autobiographical references<br />

into his fiction, picking and choosing at<br />

will from all the possible scenarios provided<br />

by the novels. As editor, Stephens' point-<strong>of</strong>view<br />

is clearly stated in a Preface which<br />

relates his own emotional connection with<br />

the work, as well as in the first paragraph <strong>of</strong><br />

the Introduction: "It [ <strong>The</strong> Canadian Brothers]<br />

was also, and more importantly, a fictionalized<br />

chronicle <strong>of</strong> actual events, people, and<br />

places from Richardson's childhood and<br />

adolescence that both revealed the psychology<br />

<strong>of</strong> the author and helped create seminal<br />

mythologies about his country." Stephens is<br />

therefore firmly in the school <strong>of</strong> those who<br />

see autobiography in Richardson's fiction.<br />

With Richardson, who was capable, in selfjustification<br />

and self-dramatization, <strong>of</strong> fictionalizing<br />

parts <strong>of</strong> his own autobiographical<br />

works, this can be a dangerous attitude for<br />

the editor <strong>of</strong> a text intended to be definitive.<br />

<strong>The</strong> lack <strong>of</strong> biographical documentation<br />

also allows controversy to arise, as in<br />

the case <strong>of</strong> Richardson's supposedly Indian<br />

maternal grandmother. <strong>The</strong> existence <strong>of</strong><br />

this person is taken as fact by most critics,<br />

although Douglas Daymond and Leslie<br />

Monkman in their Introduction to the<br />

Canadian Poetry Press edition <strong>of</strong> Tecumseh<br />

point out that there is no real evidence to<br />

support this claim, which was certainly not<br />

made in Richardson's lifetime, and that<br />

much <strong>of</strong> the supposed "evidence" is contradictory.<br />

Stephens accepts the story <strong>of</strong> the<br />

Indian grandmother without question and

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