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WORKS CITED Ashcroft, Bill, Gareth Griffiths and Helen Tiffin. The Empire Writes Back: Theory and Practice in Post-colonial Literatures. London: Routledge, 1989. Ashcroft, W.D. "Constitutive Graphonomy: A Post-Colonial Theory of Literary Writing" Kunapipi 11.1 (1989): 58-73. Atwood, Margaret. Survival: A Thematic Guide to Canadian Literature. Toronto: Anansi, 1972. Barcelo, François. La Tribu. Montréal: Libre expression, 1981. Bayard, Caroline. "From Nègres blancs d'Amérique (1968) to Kanesatake (1990): A Look at the Tensions of Postmodern Quebec." in Mukherjee et al. 17-29. Beaulieu, Nicole. "L'écrivain dans l'ombre." Actualité 10.4 (avril 1985): 73, 75, 77-8. Bowering, George. Burning Water. 1980. Toronto: General Publishing, 1983. . "Why James Reaney is a Better Poet 1) Than Any Northrop Frye Poet 2) Than He Used to Be." Canadian Literature36 (Spring 1968): 40-9. Brydon, Diana. "The Myths That Write Us: Decolonising the Mind." Commonwealth 10.1 (Autumn 1987): 1-14. . "Re-writing The Tempest'.' World Literature Written in English 23.1 (Winter 1984): 75-88. Bûcher, Bernadette. "Sémiologie du mixte et utopie américaine: l'hybride et le métis indien dans l'imaginaire européen." in Thérien Figures, 307-322. Cambron, Micheline. Une société, un récit: discours culturel au Québec (1967-1976) Montréal: L'Hexagone, 1989. Clifford, James. "On Ethnographie Allegory." in Writing Culture: The Poetics and Politics of Ethnography. Eds. James Clifford and George E. Marcus. Berkeley, U California P, 1986. Crosby, Marcia. "Construction of the Imaginary Indian." Vancouver Anthology: The Institutional Politics of Art. Ed. Stan Douglas. Vancouver: Talonbooks, 1991. 267-291. Delisle, Norman. "Les langues autochtones se portent mieux au Québec que partout ailleurs au Canada." Le Devoir mercredi 12 août 1992: 3. Dorsinville, Max. Caliban Without Prospero: Essay on Quebec and Black Literature. Erin, Ont.: Press Porcépic, 1974. Eliade, Mircea. Aspects du mythe. [Paris]: Gallimard 1963. Francis, Daniel. The Imaginary Indian: The Image of the Indian in Canadian Culture. Vancouver: Arsenal Pulp Press, 1992. Godbout, Jacques. "Novembre 1964/Faut-il tuer le mythe René Lévesque?" Le Réformiste: textes tranquilles. Montréal: Quinze, 1975. 69-73. . "Qu'est-ce qu'un Québécois?" l'Actualité 13.11 (octobre 1988): 236. Goldie, Terry. Fear and Temptation: The Image of the Indigene in Canadian, Australian, and New Zealand Literatures. Kingston: McGill-Queen's UP, 1989.
Gould, Eric. Mythical Intentions in Modern Literature. Princeton: Princeton UP, 1981. Harel, Simon. Le Voleur de parcours: identité et cosmopolitisme dans la littérature québécoise contemporaine. Montréal: Préambule, 1989. coll. l'Univers des discours. Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. New York, Methuen, 1985. . "'Circling the Downspout of Empire': Post-Colonialism and Postmodernism." Ariel 20.4 (October 1989): 149-75. . Splitting Images: Contemporary Canadian Ironies. Toronto: Oxford, 1991. . The Canadian Postmodern: A Study of Contemporary English-Canadian Fiction. Toronto, Oxford, 1988. Keeshig-Tobias, Lenore. "The Identity of the Native Voice." Presentation given at the conference "Postcolonialism: Theory and Practice," hosted by the Programme in Comparative Literature, U British Columbia, March 20-22,1992. Lacroix, Jean-Michel et Fulvio Caccia, eds. Métamorphoses d'une utopie. Paris: Presses de la Sorbonne nouvelle; Montréal: Editions Triptyque, 1992. L'Hérault, Pierre. " Volkswagen Blues: traverser les identités." Voix et Images 15.1 (automne 1989): 28-42. Marcotte, Gilles. Une Littérature qui se fait. Montréal: HMH, 1962. Maxwell, D.E.S. "Landscape and Theme." Commonwealth Literature: Unity and Diversity in a Common Culture. Ed. John Press. London: Heinemann Educational, 1965. 82-9. Memmi, Albert. Portrait du colonisé, includes "Les Canadiens français sont-ils des colonisés?" [Montréal]: L'Etincelle, 1972. Mukherjee, Arun P., Towards an Aesthetic of Opposition: Essays on Literature, criticism and cultural imperialism. Stratford, Ontario: Williams-Wallace, 1988. Mukherjee, Arun P., Thomas King and Caroline Bayard. "Post-colonialism and Postmodernism: A Panel." World Literature Written in English 30.2 (Autumn 1990): 1-29. Nepveu, Pierre. L'Ecologie du réel: mort et naissance de la littérature québécoise contemporaine. Montréal: Boréal, 1998. New, William H. Among Worlds: An Introduction to Modem Commonwealth and South African Fiction. Erin, Ont.: Press Porcépic, 1975. Pétrone, Penny. Native Literature in Canada: From the Oral Tradition to the Present. Toronto: Oxford, 1990. Pivato, Joseph. Contrasts: Comparative Essays on Italian Canadian Writing. Montreal: Guernica, 1985. Poulin, Jacques. Volkswagen Blues. Montréal: Québec/Amérique, 1984. . Volkswagen Blues, trans. Sheila Fischman. Toronto: McClelland and Stewart, 1988. Said, Edward W. Orientalism. New York: Vintage, 1979. Simon, Sherry, Pierre L'Hérault, Robert Schwartzwald and Alexis Nouss. Fictions de l'identitaire au Québec. Montréal, XYZ, 1991.
Page 1 and 2: 171
Page 3 and 4: Books in Review Dieter Riemenschnei
Page 5 and 6: Remembering 1993 I forgot Amnesia.
Page 7 and 8: This is one of the questions Cooper
Page 9 and 10: youth, and coming to terms with the
Page 11 and 12: Nichol's "The Martyrology" is anoth
Page 13 and 14: told in muted tones, as is, for exa
Page 15 and 16: A n n e Le D r e s s a y In my next
Page 17 and 18: multiple challenges to eurocentric
Page 19 and 20: One function of traditional myth, t
Page 21 and 22: learn their language. The first ind
Page 23 and 24: demonstrates an openness toward cul
Page 25 and 26: world views of white twentieth-cent
Page 27 and 28: alone reveals a willingness to expl
Page 29 and 30: ing "world" of l'Amérique—repres
Page 31: an extended parody of the Christ-my
Page 35 and 36: C a n d a s J a n e D o r s e y Unf
Page 37 and 38: I could think it the mind's warm mi
Page 39 and 40: J o h n C l e m e n t B a l l Frami
Page 41 and 42: The town's names, Notikeewin and Pu
Page 43 and 44: I had tried [speaking], it would ha
Page 45 and 46: European dualism that preserves "th
Page 47 and 48: memories are being lost rapidly and
Page 49 and 50: framer, Madham or John Henry — re
Page 51 and 52: S h a r i A n d r e w s Instruction
Page 53 and 54: S t e p h a n i e B o l s t e r Thr
Page 55 and 56: the wind as fishes stir water. Voic
Page 57 and 58: 4. this delta could be your hair ta
Page 59 and 60: If, as is arguably the case, the mo
Page 61 and 62: possession they assume for the bene
Page 63 and 64: languages with which he is conversa
Page 65 and 66: evinced by the other, to representa
Page 67 and 68: this novel, the possibility of mutu
Page 69 and 70: him to the only reality with which
Page 71 and 72: Cam M c A l p i n e near Brandon, M
Page 73 and 74: Tom W a y m a n Eye Mountains The d
Page 75 and 76: And signs it with the only immortal
Page 77 and 78: Just to come once alone to these wi
Page 79 and 80: Months of Fire, taken from Celine's
Page 81 and 82: Kid shooting a barn-full of drunken
Page 83 and 84:
make the public understand that he
Page 85 and 86:
George W o o d c o c k The Cherry T
Page 87 and 88:
K I a y D y e r Passing Time and Pr
Page 89 and 90:
the year and source of original pub
Page 91 and 92:
It was too true that the city was g
Page 93 and 94:
flashed like a naked poniard in the
Page 95 and 96:
./Vlthough the absence of a spiritu
Page 97 and 98:
themselves with surrogates or sibli
Page 99 and 100:
story defines the village as place,
Page 101 and 102:
Farlotte's sense of self and of com
Page 103 and 104:
Unable to reach into the future of
Page 105 and 106:
In the Village ofViger shows that t
Page 107 and 108:
New, W.H. Dreams of Speech and Viol
Page 109 and 110:
an India at once familiar and unkno
Page 111 and 112:
to transgress demarcated lines of t
Page 113 and 114:
The appellation fits the smudged im
Page 115 and 116:
Pennington and Duncan display in th
Page 117 and 118:
and class, already mixed, are mixed
Page 119 and 120:
Home Fires Kevin Irie Burning The D
Page 121 and 122:
A Dance of All the isms Barry Calla
Page 123 and 124:
Margaret Atwood, respected author a
Page 125 and 126:
niques borrowed from, or inspired b
Page 127 and 128:
around your house." Thus, Standjofs
Page 129 and 130:
observable patterns in nature and i
Page 131 and 132:
kind of book one can write after a
Page 133 and 134:
tion of the cosmogony behind The Ma
Page 135 and 136:
also a comprehensive index that is
Page 137 and 138:
similar themes but in a much more g
Page 139 and 140:
with equal equanimity and wit. The
Page 141 and 142:
into Amy's point of view to spell i
Page 143 and 144:
ground, and will no doubt re-offend
Page 145 and 146:
tural anthropophagy of the West —
Page 147 and 148:
gender formation, gender roles and
Page 149 and 150:
himself travelled in Central and So
Page 151 and 152:
tout récemment traduits en anglais
Page 153 and 154:
the relevant footnote refers only t
Page 155 and 156:
Mennonite background will find this
Page 157 and 158:
very least have expected her to be
Page 159 and 160:
Eco-Criticism D.M.R. Bentley The Ga
Page 161 and 162:
us up daily at the point of your pr
Page 163 and 164:
nation state," national and post-co
Page 165 and 166:
Canadian artists to comply with a s
Page 167 and 168:
And then there is Shielder's Mark.
Page 169 and 170:
was the silence of the angels who s
Page 171 and 172:
Nature Notes The nature essay has t
Page 173 and 174:
(north, wilderness) as one of the r
Page 175 and 176:
mon murre still entangled in shards
Page 177:
Simone Vautier and Evelyn Cobley te
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