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. . "Annie<br />
. . . Really<br />
—<br />
—<br />
Woody Aliens<br />
Annie Hall' (UA) Chosen<br />
BOXOI i u i reviewed "Annie Hall" in its nation.- William D. Kerns, I iibbock Ava-<br />
.sue of April 25. stating in part: "Can lanche-Journal Woodj Allen at Ins<br />
. . .<br />
v'oody Allen do wrong? There doesn't best.—Janice Lee, NSDAR. Scarsdale.<br />
;em to be any question that his latest, N.Y.<br />
g untitled and now called simply 'Anie<br />
Hall,' will join the list of other suc-<br />
work to date, a serio-comic love storj<br />
"Annie Hall" is Woody Allen's greatest<br />
esses. The new film ... is more subdued which only a John Simon could hate. Anyone<br />
else will find it hilarious and oddly<br />
nd revealing than anything he has atmpted<br />
to date. The episodic tale is fraglentcd<br />
into various scenes of past and<br />
beautiful comedy! Justin<br />
touching.— Joe I.eydon, Shreveport Times<br />
resent, some being very funny and others<br />
iiiiiiiiiiMiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiii<br />
3lue<br />
Ribbon Award Winner for April<br />
By MARY JO GORMAN<br />
1NNII IIA1 1 .," cued In many critics .is Wood} Mien's finest film, was the outstand<br />
ing choice of National Screen Council members to be the recipient of April's nine<br />
ibbon Award. The comedy which Allen co-authored, directed and stars in—deals with<br />
le bittersweet romance between the humorist and his leading lady. Diane Keaton. The<br />
Jnited Artists release, rated I'Ci by the MI'AA and A3 by the NCO, has grossed 404<br />
er cent of average business in its first-run bookings in major American cities.<br />
while not especially hilarious— emergig<br />
as satirical and potent comments on<br />
ilationships in today's society. The<br />
tries H. Joffe production is also a love<br />
oem to Woody's favorite co-star and former<br />
leading lady in real life, Diane Keabn<br />
. . . Use of ('Seems Like Old Times')<br />
s theme song and the bittersweet ending<br />
lake this the most sentimental of Allen's<br />
ilms. 'Hall' should please those who are<br />
ot Allen enthusiasts, in addition to his<br />
ans, because of its romantic theme . .<br />
On their ballots, NSC members added<br />
le following accolades:<br />
Finest . . . Greatest<br />
"Annie Hall" is one of the finest comeies<br />
ever filmed. Woody Allen has proven<br />
imself to be one of the greatest filmmakrs<br />
we have had.—Kim Larsen, Billings<br />
iazette . . . "Annie Hall" is Woody's best<br />
-I loved it intensely!—Lynn Hinds,<br />
VTAE-TV, Pittsburgh . . . Woody Allen<br />
ontinues to markedly expand his artistic<br />
pabilities.—Allen M. Widem. syndicated<br />
olumnist. West Hartford . Hall"<br />
; yet another example of Woody Allen's<br />
enius and will please 'most everyone.<br />
-Don Leigh McCulty, W. Va. Theatre<br />
vices, Clarksburg.<br />
Without a doubt, a Blue Ribbon winer—although<br />
it will take the truly conentrating,<br />
curious child to keep up with<br />
11 the subliminal laughs and crazy pernal<br />
nuances Woody Allen has instilled<br />
i this, his finest film. Indeed, this may be<br />
e film to finally win him the universal<br />
spect he has missed. It is a fine effort<br />
id perhaps—though the Academy odds<br />
against it—the picture to break the<br />
comedy roadblock to an Oscar nomi-<br />
."<br />
Jacobsmeier, Dubinsky Bros. Theatres,<br />
Sioux City . . . Woody's and Diane's best<br />
yet.— Ralph Kaminsky, Boxoffice, Los<br />
Angeles . . . Woody<br />
Allen is rare and his<br />
gift is for everyone.— Art Pinansky, teacher,<br />
Portland, Me. . . . The most literate<br />
corned) in ages!—Sumner G. Rand, Orlando<br />
Sentinel Star.<br />
For its humor, poignancy and for sheer<br />
delight, "Annie Hall" is superb. It's realistic<br />
without being gritty; attractive without<br />
calling attention to "movie magic."<br />
And, Diane Keaton, whose smile lights up<br />
the screen, emerges as a strong, sturdy<br />
talent.—Carole Kass, Richmond Times-<br />
Dispatch ... By far, the best of Woody<br />
Allen.—Guy H. Giampapa, WNAC-TV,<br />
Best picture I've seen in<br />
Boston . . .<br />
months. Woody Allen is undoubtedly<br />
America's best filmmaker.—Larry Thomas,<br />
exhibitor, Beckley, W. Va.<br />
Woody Allen's most disciplined film to<br />
date, lifting the comedian to the stature<br />
of major director. At last he is secure<br />
enough to abandon his non-stop joking,<br />
allowing us to empathize with his characters<br />
through, yes, even sad moments .is<br />
well.— Randy Weddington, Grapevine.<br />
Fayettevillc, Ark. . . . Already a runaway<br />
hit. Perhaps Allen's best effort to date.<br />
John Anthony, W1TI-TV, Milwaukee.<br />
It was a toss-up for me between "Annie<br />
Hall" and "The Slipper and the Rose," but<br />
my vote must go for "Annie Hall." It's<br />
Woody Allen's best and proves that he<br />
. .<br />
makes wonderfully thoughtful comedies!<br />
Mrs. Robert A. Hunholz. Milwaukee<br />
Not only Woody Allen's<br />
BF&TVC .<br />
finest, but one of the year's finest pictures.<br />
— Elston Brooks, Fort Worth Star-Telegram.<br />
In a flashback to his schooldays, comedian Alvy Singor<br />
»oe» himself as a solemn youth (Jonathan Munlci.<br />
After their first meeting—at a tennis club—Annie<br />
Hall (Diane Keaton) and Alvy get bettor acquainted.<br />
Annie takes Alvy on a visit home with her, where he<br />
meets Grandma and Mom Hall (Colleen Dewhurst). r.<br />
llvy Singer Woody Allen<br />
nnie Hall Diane Keaion<br />
'roduced by<br />
directed bx<br />
lOXOFFJCE :: June 6, 1977<br />
The Cast<br />
Rob<br />
Tony Roberts<br />
Allison Caroi K \m<br />
Production Staff<br />
.Chari is H. Joffe Written by Woody At i.en.<br />
Woody Allen Marsiiai l Bkk km \n<br />
Filmed in<br />
Panavision<br />
Color bx DeI I<br />
\i<br />
This awird is given each month by the National<br />
Screen Council on the basis of outstanding<br />
merit and suitability for family entertainment.<br />
Council membership comprises motion<br />
picture editors, radio and TV film commentators<br />
representati.es of better films councils,<br />
civic, educational and exhibitor organizations.<br />
13