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HLI Chronicle 1907 - The Royal Highland Fusiliers

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A Trip through Japan<br />

and Canada.<br />

23rd ApriL - <strong>The</strong> next visit was to<br />

a cloisonne factory, which was also very<br />

interesting, and the temptations to spend<br />

money quite as great. We had formed a high<br />

opinion of Japanese decorative art before we<br />

reached the country, but, to appreciate it<br />

fully, one must see the work being done on<br />

the spot. Beautiful designs and infinity of<br />

detail, with the most patient and thorough<br />

workmanship, seem to be the distinguishing<br />

features of this most artistic and thorough<br />

nation. Again, we visited the silk emporium<br />

of Mr. Hiroshima, where one could get anything<br />

silk, from blouse materials, handkerchiefs,<br />

and stockings, to the most perfectlyembroidered<br />

screens of three or four leaves,<br />

the designs on these being always exquisitely<br />

worked, and, from a little distance, looldng as<br />

if they were painted. One of these screens<br />

had four leaves of elegant trails of wisteria,<br />

and its price was £160. Our next experience<br />

was a damascene workshop-expensive work<br />

this, but we brought away a few small specimens.<br />

Our friend was of very practical use to<br />

us in our purchases, as, after we had made our<br />

selections and the bill was ready, he got us a<br />

reduction of 10 to 15 per cent. He then<br />

invited us to see the Miyako Odori, or cherry<br />

blossom dance, after dinner, and this we gladly<br />

accepted. It is performed in a speciallyarranged<br />

theatre by the pupils of the large<br />

Geisha school, Gion. On reaching the building<br />

we were first ushered into a long narrow<br />

room, where we sat behind little tables round<br />

the walls. Presently about half-a-dozen tiny<br />

girls, dressed in pretty-coloured kimonos,<br />

came toddling in, and handed round brown<br />

earthenware plates, with a ball of sweet-stuff<br />

arid a chop-stick on them. <strong>The</strong>n entered a<br />

full-grown geisha, rather tall for a Japanese,<br />

and clad in a magnificent robe embroidered in<br />

gold. She was dressed in the ancient style,<br />

her coiffure being a wonderful pile of hair<br />

fastened with the long handsome pins which<br />

are so distinctive of the Japanese hair-dressing.<br />

Seating herself at a small table in the centre of<br />

the room, she proceeded to brew tea with much<br />

mysterious ceremony, known as the" Cha-naoyun,"<br />

or tea ceremony. This is a very<br />

ancient rite, and is always rigidly performed<br />

at the Miyako Odori. This beverage was then<br />

handed round to the guests. It looked rather<br />

like ink and milk, and tasted very strong and<br />

nasty, so a sip of it was en9ugh to satisfy our<br />

HIGHLAND LIGHT INFANTRY CHRONICLE.<br />

--------------------------------<br />

curiosity. Soon after we all adjourned to &<br />

fairly big theatre, where we sat on plain<br />

wooden benches-the dress circle, we supposed,<br />

<strong>The</strong>re was a row or two of Japanese squattin~<br />

on the floor in front of us, and the" Hoi powlo '<br />

sat on the ground in the pit_ What would b!\<br />

the side boxes in an English theatre wers<br />

screened on both sides. From behind the<br />

curtains presently came sounds of the preliminary<br />

tuning-up of the orchestra.; then the<br />

screens were withdrawn, and we'saw on the<br />

right 16 geishas with samisens, and 12 little<br />

girls with drums and cymbals on the left.<br />

In front of the orchestra, on each side, and<br />

across the front of the stage, was a broad<br />

smooth path of wood, and along this entered<br />

16 geishas from either side, moving slowly,<br />

with plenty of posturing and turning, always<br />

graceful, but never energetic. <strong>The</strong> music was '<br />

weird, nearly all in the minor key, but more<br />

musical than we anticipated. Occasionally<br />

one of the samisen girls sang a solo very<br />

nasally, and the little girls on the left gave a.<br />

cry of something like the p1ew of a kitten.<br />

<strong>The</strong>re were four acts, representing the four<br />

seasons, and at least one change of scene for<br />

each act. <strong>The</strong> scenery was not only very<br />

pretty, but most ingenious, and the per·<br />

spective very good. <strong>The</strong> changes were mostly<br />

made in full view of the audience, and were<br />

very cleverly done. <strong>The</strong> per.formance lasted<br />

about an hour, and we were quite sorry. when<br />

it was done.<br />

24th April.-A brilliant morning after two<br />

wet days, and it kept fine all day. Mr.<br />

Nomura called for us at ten o'clock, and we<br />

had a very long morning sight-seeing. We<br />

went first to the Imperial Palace, a very large<br />

group of buildings enclosed by a high wall;<br />

the total space covered is about 26 acres.<br />

<strong>The</strong> royal apartments (which are shown to<br />

those of the public who have permits) form<br />

only a small portion of the palace, and can be<br />

viewed in less than half an hour. <strong>The</strong>y e;re<br />

beautifully simple, but some of the paintings<br />

on the walls and panels are well worth seeing.<br />

<strong>The</strong> thrones in two of the large audience<br />

chambers are very peculiar-they are set in<br />

a large cupboard in the centre of one side of<br />

the hall, hung round With embroidered curtains.<br />

Until quite recent times it was not permitted<br />

to many to look on the Mikado's face, so h!\<br />

could shut himself up in his curtained recess<br />

and listen unseen to the tales of woe that his<br />

strbjects had to bring before him. I daresay .<br />

he often did this duty by deputy, without ~<br />

liI"!lpp~ants being any the wiser. Itis as well tp

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