HLI Chronicle 1907 - The Royal Highland Fusiliers
HLI Chronicle 1907 - The Royal Highland Fusiliers
HLI Chronicle 1907 - The Royal Highland Fusiliers
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A Trip through Japan<br />
and Canada.<br />
23rd ApriL - <strong>The</strong> next visit was to<br />
a cloisonne factory, which was also very<br />
interesting, and the temptations to spend<br />
money quite as great. We had formed a high<br />
opinion of Japanese decorative art before we<br />
reached the country, but, to appreciate it<br />
fully, one must see the work being done on<br />
the spot. Beautiful designs and infinity of<br />
detail, with the most patient and thorough<br />
workmanship, seem to be the distinguishing<br />
features of this most artistic and thorough<br />
nation. Again, we visited the silk emporium<br />
of Mr. Hiroshima, where one could get anything<br />
silk, from blouse materials, handkerchiefs,<br />
and stockings, to the most perfectlyembroidered<br />
screens of three or four leaves,<br />
the designs on these being always exquisitely<br />
worked, and, from a little distance, looldng as<br />
if they were painted. One of these screens<br />
had four leaves of elegant trails of wisteria,<br />
and its price was £160. Our next experience<br />
was a damascene workshop-expensive work<br />
this, but we brought away a few small specimens.<br />
Our friend was of very practical use to<br />
us in our purchases, as, after we had made our<br />
selections and the bill was ready, he got us a<br />
reduction of 10 to 15 per cent. He then<br />
invited us to see the Miyako Odori, or cherry<br />
blossom dance, after dinner, and this we gladly<br />
accepted. It is performed in a speciallyarranged<br />
theatre by the pupils of the large<br />
Geisha school, Gion. On reaching the building<br />
we were first ushered into a long narrow<br />
room, where we sat behind little tables round<br />
the walls. Presently about half-a-dozen tiny<br />
girls, dressed in pretty-coloured kimonos,<br />
came toddling in, and handed round brown<br />
earthenware plates, with a ball of sweet-stuff<br />
arid a chop-stick on them. <strong>The</strong>n entered a<br />
full-grown geisha, rather tall for a Japanese,<br />
and clad in a magnificent robe embroidered in<br />
gold. She was dressed in the ancient style,<br />
her coiffure being a wonderful pile of hair<br />
fastened with the long handsome pins which<br />
are so distinctive of the Japanese hair-dressing.<br />
Seating herself at a small table in the centre of<br />
the room, she proceeded to brew tea with much<br />
mysterious ceremony, known as the" Cha-naoyun,"<br />
or tea ceremony. This is a very<br />
ancient rite, and is always rigidly performed<br />
at the Miyako Odori. This beverage was then<br />
handed round to the guests. It looked rather<br />
like ink and milk, and tasted very strong and<br />
nasty, so a sip of it was en9ugh to satisfy our<br />
HIGHLAND LIGHT INFANTRY CHRONICLE.<br />
--------------------------------<br />
curiosity. Soon after we all adjourned to &<br />
fairly big theatre, where we sat on plain<br />
wooden benches-the dress circle, we supposed,<br />
<strong>The</strong>re was a row or two of Japanese squattin~<br />
on the floor in front of us, and the" Hoi powlo '<br />
sat on the ground in the pit_ What would b!\<br />
the side boxes in an English theatre wers<br />
screened on both sides. From behind the<br />
curtains presently came sounds of the preliminary<br />
tuning-up of the orchestra.; then the<br />
screens were withdrawn, and we'saw on the<br />
right 16 geishas with samisens, and 12 little<br />
girls with drums and cymbals on the left.<br />
In front of the orchestra, on each side, and<br />
across the front of the stage, was a broad<br />
smooth path of wood, and along this entered<br />
16 geishas from either side, moving slowly,<br />
with plenty of posturing and turning, always<br />
graceful, but never energetic. <strong>The</strong> music was '<br />
weird, nearly all in the minor key, but more<br />
musical than we anticipated. Occasionally<br />
one of the samisen girls sang a solo very<br />
nasally, and the little girls on the left gave a.<br />
cry of something like the p1ew of a kitten.<br />
<strong>The</strong>re were four acts, representing the four<br />
seasons, and at least one change of scene for<br />
each act. <strong>The</strong> scenery was not only very<br />
pretty, but most ingenious, and the per·<br />
spective very good. <strong>The</strong> changes were mostly<br />
made in full view of the audience, and were<br />
very cleverly done. <strong>The</strong> per.formance lasted<br />
about an hour, and we were quite sorry. when<br />
it was done.<br />
24th April.-A brilliant morning after two<br />
wet days, and it kept fine all day. Mr.<br />
Nomura called for us at ten o'clock, and we<br />
had a very long morning sight-seeing. We<br />
went first to the Imperial Palace, a very large<br />
group of buildings enclosed by a high wall;<br />
the total space covered is about 26 acres.<br />
<strong>The</strong> royal apartments (which are shown to<br />
those of the public who have permits) form<br />
only a small portion of the palace, and can be<br />
viewed in less than half an hour. <strong>The</strong>y e;re<br />
beautifully simple, but some of the paintings<br />
on the walls and panels are well worth seeing.<br />
<strong>The</strong> thrones in two of the large audience<br />
chambers are very peculiar-they are set in<br />
a large cupboard in the centre of one side of<br />
the hall, hung round With embroidered curtains.<br />
Until quite recent times it was not permitted<br />
to many to look on the Mikado's face, so h!\<br />
could shut himself up in his curtained recess<br />
and listen unseen to the tales of woe that his<br />
strbjects had to bring before him. I daresay .<br />
he often did this duty by deputy, without ~<br />
liI"!lpp~ants being any the wiser. Itis as well tp