Marina Tsvetaeva, Her Life in Poems - Rolf Gross
Marina Tsvetaeva, Her Life in Poems - Rolf Gross
Marina Tsvetaeva, Her Life in Poems - Rolf Gross
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Love! Love! Even <strong>in</strong> convulsions, even <strong>in</strong> my grave<br />
I'll be attentive - charmed - confused - torn.<br />
O my dear! Not <strong>in</strong> a deadly snowdrift,<br />
Not <strong>in</strong> the clouds will we part without forgiv<strong>in</strong>g.<br />
And not on my pair of beautiful w<strong>in</strong>gs<br />
Is my heart will<strong>in</strong>g, to carry your weight.<br />
Swaddled, eyeless and voiceless<br />
I will not multiply the villagers miserable fortune.<br />
No, I'll free my hands, and then my strong body<br />
With a s<strong>in</strong>gle sweep of your sheets,<br />
Death, <strong>in</strong> a s<strong>in</strong>gle blow! - For a thousand miles<br />
The snow will melt and the forest of bedrooms burn.<br />
And even if – restra<strong>in</strong><strong>in</strong>g my shoulders, w<strong>in</strong>gs, knees,<br />
Gritt<strong>in</strong>g my teeth – I'll let you take me to the graveyard,<br />
I'll be laugh<strong>in</strong>g over the ashes,<br />
And rise aga<strong>in</strong> as a poem or a blossom of roses!<br />
November 28, 1920<br />
Zavadsky was followed by a l<strong>in</strong>e-up of other “romantic” passions, actors and<br />
actresses, poets, writers. They were spurious <strong>in</strong>fatuations, but they appeared reflected <strong>in</strong><br />
her poems, which embued <strong>Mar<strong>in</strong>a</strong> with the odor of a “ravenous, bi-sexual adulteress”.<br />
Occasionally she is still be<strong>in</strong>g censured for her amorous affairs by the philist<strong>in</strong>es among<br />
her detractors. She was lonely and 27, at the peak of her female powers.- Besides,<br />
writ<strong>in</strong>g poetry is a complex and mysterious process. It requires a high-power eng<strong>in</strong>e –<br />
and few emotions are as potent as a volatile libido. Whether the poet has an actual<br />
physical, erotic experience is almost irrelevant. But her work<strong>in</strong>g among the <strong>in</strong>spired<br />
crowd of young actors and playwrights at Vakhtangov's studio - moreover work<strong>in</strong>g on<br />
entirely unreal plays - kept her worries about Seryozha, about f<strong>in</strong>d<strong>in</strong>g food for her<br />
children, her concern for sickly Ir<strong>in</strong>a, and above all her own lonel<strong>in</strong>ess at bay.<br />
In a letter <strong>in</strong> July 1918 to Liliya Efron, Seyozha's older sister, <strong>Mar<strong>in</strong>a</strong> begged her to<br />
take the children, especially Ir<strong>in</strong>a, she could no longer afford bread and milk for them.<br />
“We must make Ir<strong>in</strong>a eat potatoes, I cannot f<strong>in</strong>d cereal for her.” Noth<strong>in</strong>g came of this<br />
arrangement, Liliya was morally at odds with her.<br />
As the w<strong>in</strong>ter of 1918-1919 approached, and the food shortage became a fam<strong>in</strong>e,<br />
<strong>Mar<strong>in</strong>a</strong> and the children retreated <strong>in</strong>to her small room to share a primitive wood stove.<br />
Armed with an axe she would descend <strong>in</strong>to the basement and “deconstruct” (her words)<br />
all k<strong>in</strong>ds of wooden partitions for firewood. In the morn<strong>in</strong>gs the temperature <strong>in</strong> their<br />
room was often 5 deg C (39 F). - Pr<strong>in</strong>ce Sergey Volkonsky, the former director of the<br />
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