Marina Tsvetaeva, Her Life in Poems - Rolf Gross
Marina Tsvetaeva, Her Life in Poems - Rolf Gross
Marina Tsvetaeva, Her Life in Poems - Rolf Gross
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horseman.<br />
Your penciled notation (is this right no, annotation <strong>in</strong> the marg<strong>in</strong>, I suppose!) - those<br />
dear, airy three words: “to a dog”. Dear one, this takes me right back to the middle of my<br />
childhood, age eleven; that is to say, <strong>in</strong>to the Black Forest (<strong>in</strong>to the very middle of it!).<br />
And the headmistress (Fräule<strong>in</strong> Br<strong>in</strong>ck was her name, and she was gruesome) is say<strong>in</strong>g,<br />
"This-little Satan's brat, <strong>Mar<strong>in</strong>a</strong>, makes one forgive her anyth<strong>in</strong>g; all she has to do is say<br />
'a dog'!" ("A dog" - yowl<strong>in</strong>g with ecstasy and emotion and want<strong>in</strong>g - e<strong>in</strong> Hund with three<br />
u-u-u's. They weren't pedigreed dogs, just street mongrels!)<br />
Ra<strong>in</strong>er, the purest happ<strong>in</strong>ess, a gift of happ<strong>in</strong>ess, press<strong>in</strong>g your forehead on the dog's<br />
forehead, eye to eye, and the dog, astonished, taken aback, and flattered (this doesn't<br />
happen every day!), growls. And then one holds his muzzle shut with both hands (s<strong>in</strong>ce<br />
he might bite from sheer emotion) and kisses, just smothers him.<br />
Where you are, do you have a dog And where are you Val-Mont (Valmont), that was<br />
the hero's name <strong>in</strong> that hard and cold and clever book, Laclos's Liaisons dangerieuses,<br />
which - I can't th<strong>in</strong>k why, is the most moral of books! - was on our <strong>in</strong>dex <strong>in</strong> Russia, along<br />
with the memoirs of Casanova (whom I love with a passion!). I have written to Prague to<br />
have them send me my two dramatic poems (I don't th<strong>in</strong>k you can call them dramas),<br />
"Adventure" (Henrietta, do you remember his loveliest, which wasn't an adventure at all,<br />
the only one that was no adventure) and "Phoenix" - Casanova's end. Dux, seventy-five<br />
years old, alone, poor, out of style, laughed at. His last love. Seventy-five years - thirteen<br />
years. You have to read that; it is easy to understand (the language, I mean). And - don't<br />
be amazed - it was my Germanic soul that wrote it, not my French one.<br />
“We touch each other. - How With w<strong>in</strong>gs that beat,” Ra<strong>in</strong>er, Ra<strong>in</strong>er, you told me that<br />
without know<strong>in</strong>g me, like a bl<strong>in</strong>d man (a see<strong>in</strong>g one!), at random.<br />
Tomorrow is the Feast of the Ascension. How lovely! The sky <strong>in</strong> these words looks just<br />
like my ocean - with waves. And Christ - is rid<strong>in</strong>g.<br />
Your letter has just arrived. Time for m<strong>in</strong>e to go.<br />
<strong>Mar<strong>in</strong>a</strong><br />
<strong>Tsvetaeva</strong> to Rilke<br />
[PTR p.120-123]<br />
St.-Gilles-sur-Vie<br />
Ascension Day, May 13, 1926<br />
“...to him you cannot boast of matters grandly sensed...” [N<strong>in</strong>th Du<strong>in</strong>o Elegy]<br />
Therefore, <strong>in</strong> a purely human and very modest way, Rilke the man. - As I wrote this, I<br />
hesitated. I love the poet, not the person. (As you read this, you came to a halt.) - This<br />
sounds like aestheticism, i.e., soulless, <strong>in</strong>animate (aesthetes are those who have no soul,<br />
just five acute senses, often fewer). May I even choose As soon as I love, I cannot and<br />
will not choose (that stale and narrow privilege!), you already are an absolute. And until I<br />
love (know), you, I may not choose because I have no relation to you (don't know your<br />
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