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Marina Tsvetaeva, Her Life in Poems - Rolf Gross

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<strong>Tsvetaeva</strong> to Rilke<br />

[PTR p.105-110]<br />

St.-Gilles-sur-Vie,<br />

May 9, 1926<br />

Ra<strong>in</strong>er Maria Rilke!<br />

May I call you like this You, poetry <strong>in</strong>carnate, must know, after all, that your very<br />

name is a poem. Ra<strong>in</strong>er Maria, that sounds churchly - and k<strong>in</strong>dly - and chivalrous. Your<br />

name does not rhyme with our time, stems from earlier or later - has always been. Your<br />

name willed it so, and you chose the name.<br />

You are not my dearest poet ("dearest" - a level), you are a phenomenon of nature,<br />

which cannot be m<strong>in</strong>e and which one does not so much love as undergo, - or (still too<br />

little) the fifth element <strong>in</strong>carnate: poetry itself - or (still too little) that whence poetry<br />

comes to be and which is greater than it (you). It isn't a question of Rilke the person<br />

(personhood: that which is forced upon us!), but of Rilke the spirit, who is still greater<br />

than the poet and who is what really bears the name of Rilke to me, the Rilke of the day<br />

after tomorrow... across all that distance.<br />

What is still left for a poet to do after you A master (like Goethe, e.g.) one<br />

overcomes, but to overcome you means (would mean) to overcome poetry itself. A poet is<br />

he who - overcomes life (is to overcome it). You are an impossible task for future poets.<br />

The poet who comes after you must be you, i.e., you must be born aga<strong>in</strong>. You give to<br />

words their first sense, and to th<strong>in</strong>gs their first words. E.g., when you say "magnificent"<br />

you say "wreak<strong>in</strong>g great th<strong>in</strong>gs," as it was meant to mean orig<strong>in</strong>ally (now "magnificent" is<br />

no more than a hollow exclamation mark of sorts). I might have said all this to you more<br />

clearly <strong>in</strong> Russian, but I don't want to give you the trouble of read<strong>in</strong>g your way <strong>in</strong>to it, I<br />

would rather take the trouble of writ<strong>in</strong>g my way <strong>in</strong>to it.<br />

The first th<strong>in</strong>g <strong>in</strong> your letter that hurled me up the tallest tower of joy (not lifted, not<br />

placed) was the word May, [spelled “Mai” <strong>in</strong> modern German] the old nobility of which you<br />

restored with that y-spell<strong>in</strong>g. Mai with an i - br<strong>in</strong>gs to m<strong>in</strong>d the first of May, not the<br />

workers' holiday - no, the tame May of the bourgeoisie - of engaged and (not overly)<br />

enamored couples.<br />

A few short biographical notes (only necessary ones): from the Russian Revolution<br />

(not revolutionary Russia; the revolution is a country with its own - eternal - laws!) I went<br />

- by way of Berl<strong>in</strong> - to Prague, and your books went with me. In Prague I read for the first<br />

time Early <strong>Poems</strong>. Thus did Prague become dear to me - on the first day - because of your<br />

hav<strong>in</strong>g been a student there. I rema<strong>in</strong>ed <strong>in</strong> Prague from 1922 to 1925, three years; <strong>in</strong><br />

November 1925, I went to Paris. Were you still there In case you were there: Why didn't<br />

I come to you Because you are the dearest th<strong>in</strong>g to me <strong>in</strong> the whole world. Quite simply.<br />

And - because you don't know me. From <strong>in</strong>jured pride, out of reverence for chance (fate,<br />

the same th<strong>in</strong>g). From - cowardice, perhaps, that I'd have to endure your alien glance -<br />

on the threshold of your room. (What could your glance at me have been if not alien! It<br />

would have been a glance meant for anybody, after all, s<strong>in</strong>ce you didn't know me! - and<br />

52

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