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Marina Tsvetaeva, Her Life in Poems - Rolf Gross

Marina Tsvetaeva, Her Life in Poems - Rolf Gross

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To Mama<br />

When you played an old Strauss waltz,<br />

we, for the first time, heard your quiet, distressed call,<br />

S<strong>in</strong>ce then we have been aliens among liv<strong>in</strong>g be<strong>in</strong>gs<br />

And only enjoyed the quick pass<strong>in</strong>g of the hours.<br />

We, like you, welcomed sunsets,<br />

Hypnotized by the proximity of your end.<br />

On better even<strong>in</strong>gs you made us feel enriched,<br />

As you fought for our hearts<br />

.<br />

You served our childhood dreams tirelessly<br />

(Without you, we only look at the months!)<br />

You guided your girls through your<br />

Bitter life of suffer<strong>in</strong>gs and pa<strong>in</strong>s.<br />

In our early years you were close to us, you who was sad,<br />

A joyless and alien home rema<strong>in</strong>s <strong>in</strong> our blood ...<br />

Our ship was set assail at a bad moment<br />

And founders at the whim of every w<strong>in</strong>d!<br />

Ever paler grows the blue island – of our childhood,<br />

We stand alone on deck.<br />

We see the sadness <strong>in</strong> the <strong>in</strong>heritance<br />

You, O mother, left to your girls!<br />

1907<br />

They returned to the big house on Three Ponds Lane, which now seemed empty. Their<br />

father buried his grief <strong>in</strong> his work. A theft from the museum roused Ivan's enemies and<br />

the envy of the imperial adm<strong>in</strong>istration. Their accusations hurt him deeply and aged him.<br />

Over his desk he had hung a photo of Maria <strong>in</strong> her coff<strong>in</strong>, which fasc<strong>in</strong>ated and frightened<br />

the girls. There is a poem by <strong>Mar<strong>in</strong>a</strong> (1913) which seems to reflect this photo.<br />

None of their relatives offered to take <strong>in</strong> the two orphans. They were considered too<br />

difficult. <strong>Mar<strong>in</strong>a</strong> was sent to a private board<strong>in</strong>g school (Vonderwies) <strong>in</strong> Moscow. She only<br />

came home on weekends. Ivan f<strong>in</strong>ally hired Varvara, an old teacher of his daughters from<br />

their Yalta days, to be their companion and run the household. Varvara did not succeed to<br />

rega<strong>in</strong> Asya's and <strong>Mar<strong>in</strong>a</strong>'s affection. Asya asks herself why: “This is one guilt that weighs<br />

on me, and that I cannot expla<strong>in</strong>.” The wounds were too deep. After a few months,<br />

Varvara quit her job and returned to the Crimean.<br />

<strong>Mar<strong>in</strong>a</strong> hated school, it bored her. She attached herself to a group of long-haired costudents<br />

who considered themselves “revolutionaries”. At the end of the year the school<br />

expelled her. She never mentioned this experience. “Anger was <strong>Mar<strong>in</strong>a</strong>'s element. <strong>Her</strong><br />

other was shyness. She could barely control the torments caused by embarrassment,”<br />

writes Asya. “She would blush to the roots of her hair. If this happened before the pry<strong>in</strong>g<br />

eyes of a poetry-read<strong>in</strong>g, she would haunt<strong>in</strong>gly walk to her execution, livid with disda<strong>in</strong>.<br />

Had she raised her cast down green eyes, she would have appeared like Medusa.” - At<br />

8

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