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the life of Philo T Farnsworth - Early Television Foundation

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1OO<br />

THE STORY OF TELEVISION<br />

<strong>Farnsworth</strong> secured several reels from a local film exchange<br />

and ran <strong>the</strong>m through to pick out excerpts that were "telegenic."<br />

Through a North Beach motion-picture house one <strong>of</strong><br />

<strong>the</strong> boys got hold <strong>of</strong> a bootleg film <strong>of</strong> <strong>the</strong> long-count episode in<br />

<strong>the</strong> Dempsey-Tunney fight at Philadelphia. It was used principally<br />

for laboratory demonstration purposes. Ano<strong>the</strong>r piece<br />

<strong>of</strong> popular test film was an excerpt from <strong>the</strong> Mary Pickford-<br />

Douglas Fairbanks picture The Taming <strong>of</strong> <strong>the</strong> Shrew, in which<br />

Mary Pickford combed her hair at least a million times for <strong>the</strong><br />

benefit <strong>of</strong> science and <strong>the</strong> development <strong>of</strong> television.<br />

This loop <strong>of</strong> film was especially suitable for test purposes<br />

because <strong>of</strong> <strong>the</strong> detail in <strong>the</strong> picture. In <strong>the</strong> beginning Miss<br />

Pickford's features and <strong>the</strong> lovely glowing strands <strong>of</strong> her hair<br />

were brought through reasonably well defined, but <strong>the</strong> background,<br />

such as <strong>the</strong> items <strong>of</strong> her attire and <strong>the</strong> frame <strong>of</strong> <strong>the</strong><br />

casement window, were not so readily distinguished. It was<br />

fascinating to see <strong>the</strong> improvement from day to day, from week<br />

to week, and from month to month by <strong>the</strong> amount <strong>of</strong> detail<br />

that could be seen on <strong>the</strong> screen as this loop was scanned.

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