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the life of Philo T Farnsworth - Early Television Foundation

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PROGRAM EXPERIMENTS 203<br />

While <strong>the</strong> research laboratories <strong>of</strong> R.C.A. and <strong>Farnsworth</strong><br />

were definitely rivals, <strong>the</strong>re were certain elements where <strong>the</strong>re<br />

could be no rivalry.<br />

We were not equipped technically or financially<br />

to compete with R.C.A/s National Broadcasting<br />

Company, or any o<strong>the</strong>r company,<br />

in <strong>the</strong> field <strong>of</strong> broadcast technique,<br />

programs, and entertainment.<br />

For a time shortly after our laboratories were established independently<br />

in Philadelphia, <strong>Farnsworth</strong> had ambitious ideas<br />

regarding <strong>the</strong> development <strong>of</strong> an experimental broadcasting<br />

station as a center for our experimental program work. Both<br />

Mr. McCargar and I felt that this was quite beyond our pocketbooks<br />

and very much outside <strong>the</strong> scope <strong>of</strong> <strong>the</strong> <strong>Farnsworth</strong> program.<br />

We were convinced that we were not fitted for <strong>the</strong> entertainment<br />

field and that when actual commercial television<br />

arrived people experienced in radio programs<br />

and motionpicture<br />

production would have at <strong>the</strong>ir fingertips <strong>the</strong> technique<br />

and facilities that would take us months, if not years, to acquire.<br />

However, in <strong>the</strong> studio at our station in Philadelphia, Phil<br />

did succeed in doing quite a bit in <strong>the</strong> way <strong>of</strong> experimental programs.<br />

He employed Bill Eddy, who later gained considerable<br />

prominence in <strong>the</strong> development <strong>of</strong> television programs at <strong>the</strong><br />

National Broadcasting Company and o<strong>the</strong>r studios, to direct<br />

this work. Eddy made some interesting experiments in lighting<br />

for television and in <strong>the</strong> operation <strong>of</strong> two cameras picking up<br />

studio productions. He also made some tests <strong>of</strong> fake background<br />

with miniature sets. Such tests did little more than prove to<br />

our own satisfaction that our television camera was a practical<br />

device for <strong>the</strong> transmission <strong>of</strong> studio programs.<br />

At this time we had two cameras in operation,<br />

in addition to<br />

<strong>the</strong> telecine channel for <strong>the</strong> transmission <strong>of</strong> motion pictures.<br />

Monitors were so arranged on <strong>the</strong> control panels that <strong>the</strong> chief<br />

operator at <strong>the</strong> panels could see what sort <strong>of</strong> picture each <strong>of</strong>

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