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the life of Philo T Farnsworth - Early Television Foundation

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DEMONSTRATIONS IN LOS ANGELES AND SAN FRANCISCO 233<br />

was well in her forties, and while <strong>the</strong> lines <strong>of</strong> her former beauty<br />

were still evident, her features were a bit heavy and <strong>the</strong>re were<br />

distinct crow's-feet in her face. But with <strong>the</strong> skillful use <strong>of</strong> blue<br />

make-up under <strong>the</strong> chin and red lines on her cheeks and around<br />

<strong>the</strong> eyes, we succeeded in transmitting a television picture <strong>of</strong> her<br />

former loveliness.<br />

The producer, who was something <strong>of</strong> a wag, watching at <strong>the</strong><br />

receiver, said, "My God, is that my wife" I assured him that<br />

it was. He asked, "How much do <strong>the</strong>se machines cost I think<br />

Fll buy one if it can do that much for my<br />

At this<br />

wife's looks."<br />

Los Angeles showing a representative <strong>of</strong> Scientific<br />

Films, Inc., which did short news subjects <strong>of</strong> a scientific nature<br />

for release through Paramount, became interested in producing<br />

a film <strong>of</strong> <strong>the</strong> <strong>Farnsworth</strong> television development. Arrangements<br />

were made for Phil to be photographed at our laboratories in<br />

<strong>the</strong> east,<br />

and later <strong>the</strong> film was completed in San Francisco.<br />

This was <strong>the</strong> type <strong>of</strong> public recognition that Phil enjoyed most,<br />

and he took great pains to co-operate fully<br />

in order that <strong>the</strong> film<br />

should give a true representation <strong>of</strong> our development. The<br />

picture was taken in Technicolor and given worldwide release.<br />

On <strong>the</strong> whole our showing in <strong>the</strong> motion-picture center was<br />

kindly received, although in some quarters <strong>the</strong>re was still a<br />

lurking fear that television would be a serious rival to motion<br />

pictures.<br />

Following <strong>the</strong> Los Angeles show Molinari and <strong>the</strong> equipment<br />

returned to San Francisco. Later an extended showing was<br />

made under <strong>the</strong> auspices <strong>of</strong> <strong>the</strong> San Francisco Merchants<br />

Exchange. This was a more finished effort than <strong>the</strong> Los Angeles<br />

demonstration. Molinari had learned better lighting technique<br />

and handled <strong>the</strong> television camera to better advantage. Here<br />

again <strong>the</strong> Max Factor Company assigned Mr. Cramer to care

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