the life of Philo T Farnsworth - Early Television Foundation
the life of Philo T Farnsworth - Early Television Foundation
the life of Philo T Farnsworth - Early Television Foundation
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DEMONSTRATIONS IN LOS ANGELES AND SAN FRANCISCO 233<br />
was well in her forties, and while <strong>the</strong> lines <strong>of</strong> her former beauty<br />
were still evident, her features were a bit heavy and <strong>the</strong>re were<br />
distinct crow's-feet in her face. But with <strong>the</strong> skillful use <strong>of</strong> blue<br />
make-up under <strong>the</strong> chin and red lines on her cheeks and around<br />
<strong>the</strong> eyes, we succeeded in transmitting a television picture <strong>of</strong> her<br />
former loveliness.<br />
The producer, who was something <strong>of</strong> a wag, watching at <strong>the</strong><br />
receiver, said, "My God, is that my wife" I assured him that<br />
it was. He asked, "How much do <strong>the</strong>se machines cost I think<br />
Fll buy one if it can do that much for my<br />
At this<br />
wife's looks."<br />
Los Angeles showing a representative <strong>of</strong> Scientific<br />
Films, Inc., which did short news subjects <strong>of</strong> a scientific nature<br />
for release through Paramount, became interested in producing<br />
a film <strong>of</strong> <strong>the</strong> <strong>Farnsworth</strong> television development. Arrangements<br />
were made for Phil to be photographed at our laboratories in<br />
<strong>the</strong> east,<br />
and later <strong>the</strong> film was completed in San Francisco.<br />
This was <strong>the</strong> type <strong>of</strong> public recognition that Phil enjoyed most,<br />
and he took great pains to co-operate fully<br />
in order that <strong>the</strong> film<br />
should give a true representation <strong>of</strong> our development. The<br />
picture was taken in Technicolor and given worldwide release.<br />
On <strong>the</strong> whole our showing in <strong>the</strong> motion-picture center was<br />
kindly received, although in some quarters <strong>the</strong>re was still a<br />
lurking fear that television would be a serious rival to motion<br />
pictures.<br />
Following <strong>the</strong> Los Angeles show Molinari and <strong>the</strong> equipment<br />
returned to San Francisco. Later an extended showing was<br />
made under <strong>the</strong> auspices <strong>of</strong> <strong>the</strong> San Francisco Merchants<br />
Exchange. This was a more finished effort than <strong>the</strong> Los Angeles<br />
demonstration. Molinari had learned better lighting technique<br />
and handled <strong>the</strong> television camera to better advantage. Here<br />
again <strong>the</strong> Max Factor Company assigned Mr. Cramer to care