Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
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View inside the newly designed animal Hall<br />
of the Porzellansammlung<br />
“The aim of this general overhaul is to be able to present<br />
the collections of the MathematischPhysikalischer<br />
Salon, which is one of the world’s most important collections<br />
concerning the history of science, in its original location<br />
and in an attractive architectural setting,” explained<br />
Minister of Finance Prof. Dr. Georg Unland at the laying of<br />
the foundation stone. The total costs amount to around €<br />
14.5 million. The construction project conducted under the<br />
management of the stateowned enterprise Sächsisches<br />
Immobilien und Baumanagement is expected to be finished<br />
at the end of 2012.<br />
new exhibition of the porzellansammlung<br />
in the <strong>Dresden</strong> Zwinger<br />
After a sixmonth period of closure, the Porzellansammlung<br />
was once again made fully accessible to the public at the<br />
end of March <strong>2010</strong>. When construction work was found to<br />
be necessary on the windows, lighting and heating system,<br />
the New York architect Peter Marino took advantage<br />
of this as an opportunity to modify the design of the Bogengalerie<br />
(Curved Gallery), Langgalerie (Long Gallery)<br />
and Tiersaal (Animal Hall) in close cooperation with the<br />
<strong>Dresden</strong> firm of architects Knerer & Lang. Again, the<br />
project was managed by the stateowned enterprise<br />
Sächsisches Immobilien und Baumanagement. State<br />
Secretary for Finance Dr. Wolfgang Voß said: “The reopening<br />
of the Porzellansammlung is a highlight for the<br />
<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> during the year in<br />
which the tercentenary of porcelain is being celebrated,<br />
and it is an event which makes it clear that the government<br />
of the Free State of Saxony takes its responsibility<br />
for our cultural heritage seriously, setting high standards<br />
Peter Marino (left) and Dr. Ulrich Pietsch<br />
in terms of quality.” Thanks to the Federal government’s<br />
second economic stimulus package, it has been possible<br />
to invest € 2.4 million in this building project and to create<br />
a counterpart to the Ostasiengalerie (Oriental Gallery).<br />
“The newly designed exhibition is an imaginative realisation<br />
of August the Strong’s dream of a porcelain palace. It is a<br />
tribute to the Elector in the spirit of the Late Baroque period,”<br />
says the Director of the collection, Dr. Ulrich Pietsch.<br />
Danger from above<br />
Not all the construction work went according to plan in<br />
<strong>2010</strong>. On two occasions swift action was needed: an<br />
emergency roof had to be constructed over the Semper<br />
Building in order to protect the Gemäldegalerie Alte<br />
Meister, and shortly before the end of the year the special<br />
exhibition featuring works by Eberhard Havekost in the<br />
Kunsthalle im Lipsiusbau had to be closed for a few days.<br />
In both cases this was due to moisture penetrating<br />
through the surrounds of the skylights. In the Lipsiusbau<br />
it was an unusual amount of snow. The damage was soon<br />
remedied, however. At the Gemäldegalerie Alte Meister,<br />
the problem was more serious. It has already been known<br />
for some time that not only the roof, but the whole building,<br />
which was reopened in 1992 following major refurbishment,<br />
is now again in need of repairs. Conceptual<br />
plans for a general overhaul are currently being worked<br />
upon. A protective roof was constructed in the summer as<br />
an instant emergency measure. From 2014 onwards, construction<br />
work will be conducted for about two years, with<br />
the gallery remaining open the whole time. Half of the<br />
collection is to remain on view for the visitors.<br />
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