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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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View inside the newly designed animal Hall<br />

of the Porzellansammlung<br />

“The aim of this general overhaul is to be able to present<br />

the collections of the Mathematisch­Physikalischer<br />

Salon, which is one of the world’s most important collections<br />

concerning the history of science, in its original location<br />

and in an attractive architectural setting,” explained<br />

Minister of Finance Prof. Dr. Georg Unland at the laying of<br />

the foundation stone. The total costs amount to around €<br />

14.5 million. The construction project conducted under the<br />

management of the state­owned enterprise Sächsisches<br />

Immobilien­ und Baumanagement is expected to be finished<br />

at the end of 2012.<br />

new exhibition of the porzellansammlung<br />

in the <strong>Dresden</strong> Zwinger<br />

After a six­month period of closure, the Porzellansammlung<br />

was once again made fully accessible to the public at the<br />

end of March <strong>2010</strong>. When construction work was found to<br />

be necessary on the windows, lighting and heating system,<br />

the New York architect Peter Marino took advantage<br />

of this as an opportunity to modify the design of the Bogengalerie<br />

(Curved Gallery), Langgalerie (Long Gallery)<br />

and Tiersaal (Animal Hall) in close cooperation with the<br />

<strong>Dresden</strong> firm of architects Knerer & Lang. Again, the<br />

project was managed by the state­owned enterprise<br />

Sächsisches Immobilien­ und Baumanagement. State<br />

Secretary for Finance Dr. Wolfgang Voß said: “The reopening<br />

of the Porzellansammlung is a highlight for the<br />

<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> during the year in<br />

which the tercentenary of porcelain is being celebrated,<br />

and it is an event which makes it clear that the government<br />

of the Free State of Saxony takes its responsibility<br />

for our cultural heritage seriously, setting high standards<br />

Peter Marino (left) and Dr. Ulrich Pietsch<br />

in terms of quality.” Thanks to the Federal government’s<br />

second economic stimulus package, it has been possible<br />

to invest € 2.4 million in this building project and to create<br />

a counterpart to the Ostasiengalerie (Oriental Gallery).<br />

“The newly designed exhibition is an imaginative realisation<br />

of August the Strong’s dream of a porcelain palace. It is a<br />

tribute to the Elector in the spirit of the Late Baroque period,”<br />

says the Director of the collection, Dr. Ulrich Pietsch.<br />

Danger from above<br />

Not all the construction work went according to plan in<br />

<strong>2010</strong>. On two occasions swift action was needed: an<br />

emergency roof had to be constructed over the Semper<br />

Building in order to protect the Gemäldegalerie Alte<br />

Meister, and shortly before the end of the year the special<br />

exhibition featuring works by Eberhard Havekost in the<br />

Kunsthalle im Lipsiusbau had to be closed for a few days.<br />

In both cases this was due to moisture penetrating<br />

through the surrounds of the skylights. In the Lipsiusbau<br />

it was an unusual amount of snow. The damage was soon<br />

remedied, however. At the Gemäldegalerie Alte Meister,<br />

the problem was more serious. It has already been known<br />

for some time that not only the roof, but the whole building,<br />

which was reopened in 1992 following major refurbishment,<br />

is now again in need of repairs. Conceptual<br />

plans for a general overhaul are currently being worked<br />

upon. A protective roof was constructed in the summer as<br />

an instant emergency measure. From 2014 onwards, construction<br />

work will be conducted for about two years, with<br />

the gallery remaining open the whole time. Half of the<br />

collection is to remain on view for the visitors.<br />

105

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