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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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Johann Mock’s drawing “The Granting of the Order<br />

of the Garter to Elector Johann Georg iV of saxony in<br />

the Hall of Giants in 1693” following its restoration<br />

Museum für Sächsische Volkskunst mit<br />

puppentheatersammlung<br />

In connection with the exhibition “The Art<br />

of the Enlightenment“ at the National<br />

Museum of China in Beijing in 2011,<br />

several unusual objects were restored:<br />

• The Oehme Theatre<br />

A model theatre was formerly owned by<br />

the family of a Zittau town councillor<br />

named Oehme. It was made in about<br />

1800 as a model of a large theatre stage<br />

complete with all stage machinery<br />

(changes of scene, trapdoors, adjustable<br />

lighting) and was converted into a domestic<br />

puppet theatre in about 1850. The particular<br />

challenge with regard to its restoration<br />

was that the theatre had originally<br />

been built without a single nail or screw<br />

and could be completely disassembled. It<br />

was decided to document later alterations<br />

but not to reverse them.<br />

• Transparency scroll showing “The Corpus<br />

Christi procession in Rome” (Saxony, 2nd<br />

quarter to middle of the 19th century)<br />

This scroll, which is more than 11 m long<br />

(and was originally even longer), was<br />

wound out before the eyes of the spectators<br />

to musical accompaniment whilst<br />

being illuminated from behind. Small<br />

perforations in the screen had the effect<br />

of highlighting the ornate garments of<br />

the church dignitaries. The difficulty in<br />

The Oehme Theatre presents a challenge<br />

to the restorers: it was originally built<br />

without a single nail<br />

restoring this object, which is now wound<br />

around large drums, was its size. Furthermore,<br />

in some parts large areas of the<br />

paint had become detached. Because the<br />

image has to be illuminated from behind,<br />

it was not possible to apply any support<br />

materials on the reverse.<br />

Münzkabinett<br />

• Russian rulers’ medals from the 18th<br />

century<br />

In connection with scientific investigations<br />

regarding the collections of the<br />

Münzkabinett, attention was given to the<br />

Russian rulers’ medals dating from the<br />

18th century (Tsar Peter I to Tsarina Catherine<br />

II). It was found that 21 of the 161<br />

medals belonging to this collection were<br />

in urgent need of restoration and conservation<br />

work. All except one of these items<br />

are embossed medals made of silver, copper<br />

or tin. One object was a cast medal<br />

made of copper plated tin. The silver surfaces,<br />

some of which were severely tarnished<br />

with black areas, had to be cleaned<br />

and then conserved using a transparent<br />

coating of varnish in order to restore their<br />

legibility. In the case of the medals embossed<br />

in copper, it was necessary not<br />

only to remove corrosion products, but<br />

also to eliminate old conservation layers<br />

and conserve them again using microcrystalline<br />

wax. The removal of a thick<br />

a russian ruler’s medal made of silver,<br />

18th-century: above: before restoration;<br />

below: after cleaning and conservation<br />

layer of image­obscuring white wax from<br />

the only cast medal was also followed by<br />

conservation using micro­crystalline wax.<br />

The tin medals were also treated in the<br />

same way after being cleaned.<br />

Rüstkammer<br />

• Set of hunting weapons mounted with<br />

emeralds formerly owned by Johann<br />

Georg I<br />

One of the remarkable objects held in the<br />

Rüstkammer is the emerald­mounted set<br />

of ceremonial weapons dating from 1608.<br />

Elector Christian II of Saxony commissioned<br />

it from the master craftsman and<br />

court goldsmith Gabriel Gipfel. He presented<br />

it as a Christmas gift to his brother<br />

Duke Johann Georg I that same year. The<br />

set consists of a belt, hunting knife with<br />

sheath, eviscerating knife with sheath and<br />

various instruments.<br />

The set also includes a dog’s collar, hunting<br />

bag, powder flask and hunting horn<br />

with strap. All the straps are decorated<br />

with ornamental floral mountings made<br />

of gilded silver, along with mounted<br />

emeralds. Additional highlights are the<br />

enamelled metal appliqués on the decorative<br />

plates on the objects. The condition<br />

of the textile coating, which dates from<br />

the mid­20th century and has been damaged<br />

through exposure to light, made it<br />

necessary to conduct restoration work on<br />

59

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