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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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Page 32: “in the Prism of Vermeer”, experimental<br />

set-up based on Vermeer’s “Girl reading a Letter”,<br />

a joint project conducted by the Hochschule<br />

für Bildende Künste and the Volkshochschule<br />

<strong>Dresden</strong><br />

Yanomani Girl, photo from the exhibition<br />

“amazonia – indians of the rain Forest and<br />

savannahs”, Museum für Völkerkunde <strong>Dresden</strong><br />

eXH I B ItIonS<br />

I n DReSDen<br />

• Amazonien – Indianer der Regenwälder<br />

und Savannen (Amazonia – Indians of the<br />

Rainforests and Savannahs)<br />

Exhibition by the Museum für<br />

Völkerkunde <strong>Dresden</strong>, <strong>Staatliche</strong><br />

Ethnographische Sammlungen Sachsen<br />

Japanisches Palais, Palaisplatz 11<br />

29th April, 2009 – 31st December, 2011<br />

This exhibition presents magnificent<br />

headdresses, impressive masks, highly<br />

developed ceramics and long weapons of<br />

extreme dimensions, as well as giving an<br />

overview of the various cultural landscapes<br />

of Amazonia. It examines the origins and<br />

distinctive features of these cultures and<br />

also considers the current situation of the<br />

indigenous peoples of Amazonia.<br />

The exhibits are all taken from Saxon collections,<br />

the oldest items dating from the<br />

19th century. As well as objects from tribal<br />

cultures which have long been extinct,<br />

there are also exhibits from tribes which<br />

were only contacted for the first time a<br />

few years ago.<br />

• Kasper – eine deutsche Karriere<br />

(Kasper – A German Career)<br />

Exhibition by the Puppentheatersammlung<br />

Museum für Sächsische Volkskunst<br />

View of the exhibition “Crossing the<br />

seas with Fortuna”<br />

Jägerhof, Köpckestraße 1<br />

16th May, 2009 – 31st January, <strong>2010</strong><br />

In puppet theatre, there have always been<br />

heroes and comic figures. For over 200<br />

years this figure has in Germany been<br />

called ‘Kasper’. Over time, he was transformed<br />

from an anarchist, ruffian, coward<br />

and slacker into a useful member of society.<br />

During the Nazi period, he was turned<br />

into a German hero. In the GDR, he did<br />

not fit in. His place on the stage was taken<br />

up by Young Pioneers until Kasper’s plebeian<br />

roots were discovered. In the 1980s, he<br />

was able to reclaim his political dimension<br />

in puppet plays for adults.<br />

• Von Mali bis Borneo. Neuerwerbungen<br />

der Jahre 2006 bis 2008 (From Mali to<br />

Borneo. New Acquisitions 2006 – 2008)<br />

Cabinet exhibition by the Museum für<br />

Völkerkunde <strong>Dresden</strong>, <strong>Staatliche</strong><br />

Ethnographische Sammlungen Sachsen<br />

Japanisches Palais, Palaisplatz 11<br />

11th July – 31st December, 2009<br />

In the years 2006 to 2008, the <strong>Dresden</strong><br />

Völkerkundemuseum was able to purchase<br />

a total of 507 objects. The annual budget<br />

for acquisitions is not sufficient to fill<br />

existing gaps in the collection through<br />

purchases of high­quality objects.<br />

Donations and gifts from the friends and<br />

sponsors of the museum are therefore<br />

very gladly received.<br />

He influenced saxon-Danish<br />

relations: “Elector august of saxony”,<br />

Lucas Cranach the Younger<br />

Punch, c. 1946/49 (costume<br />

replaced), Museum für<br />

sächsische Volkskunst<br />

• »Mit Fortuna übers Meer«. Sachsen und<br />

Dänemark – Ehen und Allianzen im Spiegel<br />

der Kunst (1548 – 1709) (Crossing the Seas<br />

with Fortuna. Saxony and Denmark –<br />

Marriages and Alliances Mirrored in Art<br />

[1548 – 1709])<br />

Exhibition by the Grünes Gewölbe<br />

Residenzschloss, 2nd floor<br />

24th August, 2009 – 4th January, <strong>2010</strong><br />

For two centuries the Electorate of Saxony<br />

cultivated very close relations with the<br />

mighty kingdom of Denmark. Through the<br />

marriage of Duke August, the later Elector<br />

of Saxony, to the Danish Princess Anna in<br />

1548, a strong political alliance was formed<br />

between <strong>Dresden</strong> and Copenhagen. A<br />

further three lavishly celebrated weddings<br />

took place during the course of the 17th<br />

century. The final climax in this alliance<br />

policy was the four­week state visit by the<br />

Danish King Frederik IV to the court of<br />

August the Strong in 1709. Three hundred<br />

years after the impressive celebrations<br />

that took place during the meeting of<br />

these two rulers, the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> and the Royal Collections<br />

of Rosenborg Castle in Copenhagen<br />

held a large­scale joint exhibition<br />

in which the role of the fine arts for<br />

high­level politics was vividly illustrated.<br />

33

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