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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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Page 48: Charlotte<br />

Krause, Collar, c. 1920,<br />

Kunstgewerbemuseum<br />

Paula Modersohn-<br />

Becker, Moorland Ditch,<br />

c. 1900, Galerie Neue<br />

Meister<br />

Eberhard Havekost, Glass, 2007,<br />

Galerie Neue Meister<br />

SeleCteD pu RCHASeS<br />

An D DonAtIonS<br />

Galerie neue Meister<br />

• Max Ackermann<br />

Black Mark, 1954<br />

Oil and tempera on thin plywood,<br />

120 × 57 cm · ACK 0646<br />

Reverse: mark on the plywood reading<br />

M.ACKERMANN SCHWARZES ZEICHEN 1954<br />

Donated by Annaliese Mayer­Meintschel,<br />

<strong>Dresden</strong>; in memory of Rudolf Mayer<br />

• Karl Gottfried Traugott Faber<br />

View of <strong>Dresden</strong>, 1824<br />

Oil on canvas, 53 × 43 cm<br />

Donated by MUSEIS SAXONICIS USUI –<br />

Society of Friends of the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong> <strong>Dresden</strong><br />

• Eberhard Havekost<br />

Glass, B07, 2007<br />

Oil on canvas, 65 × 45 cm<br />

Donated by Dr. Oswald van de Loo &<br />

Dr. Heribert Heckschen to the Gesellschaft<br />

für Moderne Kunst in <strong>Dresden</strong> e. V.;<br />

purchased from Galerie Gebr. Lehmann,<br />

<strong>Dresden</strong>/Berlin<br />

On loan to the Galerie Neue Meister<br />

since <strong>2010</strong><br />

Dining room, 1914,<br />

Kunstgewerbemuseum<br />

• Erich Heckel<br />

End of the Valley, 1923/10<br />

Oil on canvas, 82.5 × 95 cm<br />

upper right: EH 23<br />

reverse of canvas: Erich Heckel 23 Graues<br />

Endtal · reverse of stretcher frame:<br />

Erich Heckel Talende<br />

Bequeathed by Horst Krall, Meerbusch<br />

• Paula Modersohn­Becker<br />

Moorland Ditch, c. 1900<br />

Oil on cardboard on plywood, 54.5 × 42 cm<br />

Donated by Marie Elisabeth, née Clarenbach,<br />

and Dr. med. Wulf Becker­Glauch,<br />

Ennigerloh<br />

• Florian Thomas<br />

Railroad Overpass, 2009<br />

Oil on canvas, 100 × 160 cm<br />

Donated by Karin Hänel and<br />

Bernd Bilitewski, <strong>Dresden</strong><br />

Gemäldegalerie Alte Meister<br />

• Carl Bantzer<br />

Portrait of Dr. Karl Woermann<br />

Canvas, 58 × 39 cm<br />

Donated by Gesa Specovius<br />

• <strong>Dresden</strong> gallery frame. 1750<br />

Made for the painting lost in the war<br />

Jan Brueghel (I), Plain with Windmills<br />

Oak, 26.5 × 37.5 cm, Galerie­Nr. 886<br />

Purchased with support from the<br />

Anne­Lise Dohrmann Foundation<br />

Grünes Gewölbe<br />

Lidded goblet on round<br />

feet with coins, c. 1645,<br />

Grünes Gewölbe<br />

• Lidded goblet<br />

Nuremberg, 1603 – 1625<br />

Silver, cast, embossed, chased, punched,<br />

fire­gilt; height 40 cm, weight 550 g<br />

Purchased via Galerie Henrich, Munich<br />

• Lidded goblet on round feet with coins<br />

Probably Saxony c. 1645<br />

Silver, cast, embossed, chased, partly<br />

fire­gilt; height 26 cm, weight 1160 g<br />

Purchased via Galerie Henrich, Munich<br />

• Snuff box<br />

Germany, c. 1750<br />

Gold, quartz (chalcedony)<br />

Donated by Achim Roesner, Hamburg<br />

Kunstgewerbemuseum<br />

• Dining room<br />

Buffet, sideboard, dining table, 2 armchairs,<br />

4 chairs, long­case clock, mirror<br />

Design: Adelbert Niemeyer, c. 1910<br />

Execution: Deutsche Werkstätten<br />

Hellerau, 1914<br />

Cherry wood, mahogany and okoumé<br />

veneer<br />

Donated by the Society of Friends of the<br />

Kunstgewerbemuseum <strong>Dresden</strong><br />

49

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