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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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90<br />

Visitor numbers in <strong>Dresden</strong> in <strong>2010</strong><br />

skulpturensammlung<br />

Gemäldegalerie<br />

Neue Meister<br />

Gemäldegalerie<br />

alte Meister<br />

rüstkammer<br />

Porzellansammlung<br />

ou R BeSt YeAR eVeR<br />

2,642,099<br />

If at some time in the future a seminar is held incorporating<br />

examples of best­practice in museum business management,<br />

the anniversary year of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> will have good chances of being<br />

awarded first place: a record number of visitors with<br />

more than 2.6 million visitors (2009: 1.75 million), record<br />

revenues from permanent and special exhibitions<br />

amounting to € 11.6 million (2009: € 8.8 million), a newly<br />

opened permanent exhibition (the Türckische Cammer in<br />

the Residenzschloss), the spectacular reopening of the<br />

Skulpturensammlung and the Galerie Neue Meister in<br />

the Albertinum, four fantastic special exhibitions (the<br />

Anniversary Exhibition “Zukunft seit 1560”, “Triumph der<br />

Blauen Schwerter” marking the tercentenary of the Meissen<br />

Porcelain Manufactory, “Jeff Wall – Transit” in parallel<br />

with the reopening of the Albertinum, and “The Early<br />

Vermeer” in the Gemäldegalerie Alte Meister), and a<br />

flamboyant anniversary programme featuring colloquia,<br />

international conferences, lectures, lavish publications for<br />

specialists and general visitors, and an acclaimed gala<br />

concert by the Sächsische Staatskapelle – all of which<br />

attracted a great deal of resonance in the media both in<br />

Germany and abroad. Another feature that should not be<br />

forgotten is the new admission price system which resulted<br />

not only in record revenues, but also evoked an<br />

extremely positive response from individual visitors and<br />

tourist companies alike.<br />

Zukunft seit 1560<br />

Japanisches Palais<br />

Kunsthalle im Lipsiusbau<br />

Kupferstich-Kabinett<br />

Türckische Cammer<br />

Völkerkundemuseum Herrnhut<br />

Museum für Völkerkunde <strong>Dresden</strong><br />

Grassi Museum für Völkerkunde Leipzig<br />

Museum für sächsische Volkskunst<br />

Kunstgewerbemuseum<br />

Hausmannsturm / Münzkabinett<br />

Neues Grünes Gewölbe<br />

Historisches Grünes Gewölbe<br />

The basis for the great success in the Residenzschloss,<br />

which saw more than one million visitors, was the “house<br />

price”, which for € 10 gave access to the Neues Grünes<br />

Gewölbe, the newly opened Türckische Cammer, the special<br />

exhibitions in the Kupferstich­Kabinett and the Anniversary<br />

Exhibition “Zukunft seit 1560”. When in March<br />

<strong>2010</strong> the Türckische Cammer was opened, there was no<br />

stopping the stream of visitors to the Residenzschloss,<br />

and for some time there were scenes reminiscent of the<br />

period just after the opening of the Historisches Grünes<br />

Gewölbe in 2006. With nearly 300,000 visitors in just 10<br />

months, this magnificent collection surpassed all expectations<br />

and had the additional wonderful side­effect of increasing<br />

the number of visitors to the Neues Grünes<br />

Gewölbe to 420,000, a full 60,000 more than in 2009.<br />

And anyone who thought that the million visitors to the<br />

Residenzschloss would adversely affect the museums in<br />

the Zwinger will have rubbed their eyes at the news that<br />

490,000 visitors streamed into the Gemäldegalerie Alte<br />

Meister and more than 160,000 visitors came to see Peter<br />

Marino’s newly designed presentation of the important<br />

Meissen animal figures in the Porzellansammlung. In association<br />

with all the museums in <strong>Dresden</strong> and the new<br />

ethnographical exhibition venues in Herrnhut and at the<br />

GRASSI Museum in Leipzig, we celebrated an anniversary<br />

year that can only be described by one word: sensational!<br />

Dirk Burghardt<br />

Commercial Director of the<br />

<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>

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