Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
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90<br />
Visitor numbers in <strong>Dresden</strong> in <strong>2010</strong><br />
skulpturensammlung<br />
Gemäldegalerie<br />
Neue Meister<br />
Gemäldegalerie<br />
alte Meister<br />
rüstkammer<br />
Porzellansammlung<br />
ou R BeSt YeAR eVeR<br />
2,642,099<br />
If at some time in the future a seminar is held incorporating<br />
examples of bestpractice in museum business management,<br />
the anniversary year of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> will have good chances of being<br />
awarded first place: a record number of visitors with<br />
more than 2.6 million visitors (2009: 1.75 million), record<br />
revenues from permanent and special exhibitions<br />
amounting to € 11.6 million (2009: € 8.8 million), a newly<br />
opened permanent exhibition (the Türckische Cammer in<br />
the Residenzschloss), the spectacular reopening of the<br />
Skulpturensammlung and the Galerie Neue Meister in<br />
the Albertinum, four fantastic special exhibitions (the<br />
Anniversary Exhibition “Zukunft seit 1560”, “Triumph der<br />
Blauen Schwerter” marking the tercentenary of the Meissen<br />
Porcelain Manufactory, “Jeff Wall – Transit” in parallel<br />
with the reopening of the Albertinum, and “The Early<br />
Vermeer” in the Gemäldegalerie Alte Meister), and a<br />
flamboyant anniversary programme featuring colloquia,<br />
international conferences, lectures, lavish publications for<br />
specialists and general visitors, and an acclaimed gala<br />
concert by the Sächsische Staatskapelle – all of which<br />
attracted a great deal of resonance in the media both in<br />
Germany and abroad. Another feature that should not be<br />
forgotten is the new admission price system which resulted<br />
not only in record revenues, but also evoked an<br />
extremely positive response from individual visitors and<br />
tourist companies alike.<br />
Zukunft seit 1560<br />
Japanisches Palais<br />
Kunsthalle im Lipsiusbau<br />
Kupferstich-Kabinett<br />
Türckische Cammer<br />
Völkerkundemuseum Herrnhut<br />
Museum für Völkerkunde <strong>Dresden</strong><br />
Grassi Museum für Völkerkunde Leipzig<br />
Museum für sächsische Volkskunst<br />
Kunstgewerbemuseum<br />
Hausmannsturm / Münzkabinett<br />
Neues Grünes Gewölbe<br />
Historisches Grünes Gewölbe<br />
The basis for the great success in the Residenzschloss,<br />
which saw more than one million visitors, was the “house<br />
price”, which for € 10 gave access to the Neues Grünes<br />
Gewölbe, the newly opened Türckische Cammer, the special<br />
exhibitions in the KupferstichKabinett and the Anniversary<br />
Exhibition “Zukunft seit 1560”. When in March<br />
<strong>2010</strong> the Türckische Cammer was opened, there was no<br />
stopping the stream of visitors to the Residenzschloss,<br />
and for some time there were scenes reminiscent of the<br />
period just after the opening of the Historisches Grünes<br />
Gewölbe in 2006. With nearly 300,000 visitors in just 10<br />
months, this magnificent collection surpassed all expectations<br />
and had the additional wonderful sideeffect of increasing<br />
the number of visitors to the Neues Grünes<br />
Gewölbe to 420,000, a full 60,000 more than in 2009.<br />
And anyone who thought that the million visitors to the<br />
Residenzschloss would adversely affect the museums in<br />
the Zwinger will have rubbed their eyes at the news that<br />
490,000 visitors streamed into the Gemäldegalerie Alte<br />
Meister and more than 160,000 visitors came to see Peter<br />
Marino’s newly designed presentation of the important<br />
Meissen animal figures in the Porzellansammlung. In association<br />
with all the museums in <strong>Dresden</strong> and the new<br />
ethnographical exhibition venues in Herrnhut and at the<br />
GRASSI Museum in Leipzig, we celebrated an anniversary<br />
year that can only be described by one word: sensational!<br />
Dirk Burghardt<br />
Commercial Director of the<br />
<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>