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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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advertisement for “Pfund’s Yoghurt”,<br />

c. 1900, Kupferstich-Kabinett<br />

42 of the House of Wettin in 1547 and the<br />

measures undertaken by Elector August<br />

to define his claim to power in the public<br />

arena.<br />

• Hugo Erfurth und Josef Hegenbarth. Eine<br />

Künstlerfreundschaft (Hugo Erfurth and<br />

Josef Hegenbarth. A friendship between<br />

two artists)<br />

Exhibition by the Kupferstich-Kabinett<br />

Josef­Hegenbarth­Archiv, Calberlastraße 2<br />

14th October, <strong>2010</strong> – 13th January, 2011<br />

The <strong>Dresden</strong> Kupferstich­Kabinett holds<br />

around 300 photographs by Hugo Erfurth,<br />

one of the most important representatives<br />

of portrait photography in the first<br />

half of the 20th century. The collection includes<br />

a group of works from the estate of<br />

Josef Hegenbarth – testifying to a friendship<br />

between the artist and the photographer,<br />

who worked in <strong>Dresden</strong> until 1933.<br />

Hegenbarth had received a total of 29<br />

photographs from Erfurth in exchange for<br />

some drawings and watercolours. The<br />

exhibition presented a selection of these<br />

photographs. Portraits of fellow artists<br />

such as Gotthard Kuehl, Oskar Zwintscher<br />

and Hans Thoma were included, as well as<br />

role portraits of actresses and dance<br />

photographs of the Wiesenthal sisters.<br />

Eberhard Havekost, Cushion, <strong>2010</strong>,<br />

Galerie Gebr. Lehmann Berlin/<strong>Dresden</strong><br />

• Kunst für die Straße – Plakate aus dem<br />

Kupferstich-Kabinett der <strong>Staatliche</strong>n<br />

<strong>Kunstsammlungen</strong> <strong>Dresden</strong> (Art for the<br />

Street – Posters from the Kupferstich-<br />

Kabinett of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong>)<br />

Exhibition by the Kupferstich-Kabinett in<br />

association with the Dresdner Volksbank<br />

Raiffeisenbank and the KUNSTFORUM<br />

foundation of the Berliner Volksbank<br />

<strong>Dresden</strong>, Villa Eschebach<br />

27th October, <strong>2010</strong> – 21st January, 2011<br />

This exhibition presented, for the first<br />

time, a comprehensive overview of poster<br />

art held in the Kupferstich­Kabinett. The<br />

focus was on artistically designed posters<br />

from the period before 1914 which were<br />

intended for advertising purposes in business<br />

and tourism or as publicity for art<br />

exhibitions, thus providing examples of<br />

the different groups of works at various<br />

stages of the collection’s development.<br />

Kurt Furchtner, Nutcracker, c. 1900,<br />

Museum für sächsische Volkskunst<br />

• Ausstellung | Eberhard Havekost<br />

(Exhibition | Eberhard Havekost)<br />

Exhibition by the Galerie Neue Meister<br />

Kunsthalle im Lipsiusbau, Brühlsche<br />

Terrasse<br />

13th November, <strong>2010</strong> – 6th February, 2011<br />

At the centre of Eberhard Havekost’s artistic<br />

activity is critical reflection concerning<br />

our present­day world, in which we are<br />

saturated with images. He explores the<br />

visual perception of the objective world<br />

and its pictorial abstraction. He scrutinises<br />

the visual rhetoric of media images<br />

and the typical image types which condition<br />

our everyday consumption of images.<br />

In his paintings, he constantly analyses<br />

the subjective view of reality. He dispels<br />

faith in the homogeneous appearance of<br />

reality through divergently perceived images.<br />

In his works, he combines methods<br />

which he had already developed in earlier<br />

groups of works: reflecting or matte projection<br />

surfaces, frontal views and<br />

changes of perspective, and analysis of<br />

culturally standardised design.<br />

• “Weihnachten im Jägerhof: Überraschung!”<br />

(“Christmas in the Jägerhof: Surprise!”)<br />

Exhibition by the Museum für Sächsische<br />

Volkskunst<br />

Jägerhof, Köpckestraße 1<br />

27th November, <strong>2010</strong> – 30th January, 2011<br />

Getting into the Christmas spirit by visiting<br />

the Museum für Sächsische Volkskunst<br />

is a popular tradition in <strong>Dresden</strong>.<br />

The time­honoured Jägerhof with its<br />

quaint vaulted rooms is decorated every<br />

year with a multitude of individually designed<br />

Christmas trees. Folk artists demonstrate<br />

their skills. In the crafts room,<br />

visitors can paint and try their hand at<br />

various crafts. In <strong>2010</strong>, after having been<br />

closed for nearly a year for refurbishment,<br />

the museum had some special Christmas<br />

surprises on offer: it had been made<br />

barrier­free and a lift installed, and the<br />

ground floor had been completely<br />

r evamped, with new perspectives on<br />

traditional contents.<br />

Three hand puppets from the<br />

“Kaspertheater” of Christian<br />

Heinrich Niedermeier, Museum<br />

für sächsische Volkskunst mit<br />

Puppentheatersammlung

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