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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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Prof. Dr. Horst Bredekamp, Professor of art History at the<br />

HU Berlin, and Prof. Dr. Dirk syndram during the colloquium<br />

in the Hans Nadler Hall in the residenzschloss<br />

The four volumes are supplemented by photographs of<br />

the Kunstkammer objects still held in the museum collections<br />

today. This will be followed in 2011 by a volume of<br />

essays, which will provide the necessary historical background.<br />

This exemplary publication was only possible as a<br />

result of close cooperation with the Saxon State Archives,<br />

Main State Archives <strong>Dresden</strong>, and through the financial<br />

support provided by numerous donors, including the Rudolf­August<br />

Oetker Foundation and “Die Kunstkammer<br />

Georg Laue” in Munich.<br />

The colloquium held in connection with the closing of the<br />

Anniversary Exhibition “Zukunft seit 1560” directed attention<br />

not so much towards the emergence of the <strong>Dresden</strong><br />

collections out of the electoral Kunstkammer, but rather<br />

towards their differentiation and expansion from the 18th<br />

century onwards. The almost 20 speakers at this conference<br />

included external researchers as well as academic<br />

staff from the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>. It<br />

became clear that the history of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong>,<br />

and of the individual museums within the<br />

alliance, is a field of research that is of far more than regional<br />

significance. It is an essential theme of international<br />

museum studies and historical research.<br />

The opening of the exhibition “Zukunft seit 1560” was accompanied<br />

not only by the obligatory exhibition catalogue<br />

and an anthology, but also by a chronology setting out for<br />

the first time all the important dates in the history of the<br />

<strong>Dresden</strong> museums, from their initial beginnings around<br />

1500 down to the present day, supplemented by important<br />

dates in Saxon history and international cultural history.<br />

Drs. andre van der Goes (back left) and participants in the “<strong>Dresden</strong> summer –<br />

international academy for the arts” visiting the Orangery at schloss Pillnitz<br />

example: <strong>Dresden</strong> Summer – International Academy<br />

for the Arts<br />

To mark their anniversary, the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> gave themselves a gift: for the first time, the<br />

“<strong>Dresden</strong> Summer – International Academy for the Arts“<br />

took place, an intensive eight­day programme of studies<br />

in English for museum staff and other scholars. Representatives<br />

of renowned international museums, such as<br />

the Hermitage in St Petersburg, the Kunsthistorisches<br />

Museum in Vienna and the Château de Compiègne, took<br />

advantage of the opportunity to get a behind­the­scenes<br />

view of the <strong>Dresden</strong> collections, for example the Grünes<br />

Gewölbe, the Porzellansammlung and the Gemäldegalerie<br />

Alte Meister. The guided tours were given by Peter Kulka,<br />

the architect of the remodelled Residenzschloss, and<br />

Volker Staab, the architect of the new Albertinum, as well<br />

as the directors and curators of the collections. Intense<br />

discussions made the “Summer Academy” into much<br />

more than a mere sight­seeing programme; it was a highlevel<br />

exchange between specialists. The society of friends<br />

of the Grünes Gewölbe and other private donors made<br />

this new programme possible, and it is to be continued<br />

in 2011.<br />

That the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> intend to attach<br />

greater significance to the further education of academic<br />

staff in future is also evident from the start of an employee<br />

exchange programme with the National Museum<br />

of China in Beijing. In association with the <strong>Staatliche</strong> Museen<br />

zu Berlin and the Bayerische Staatsgemälde sammlun<br />

gen in Munich, the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> Dres ­<br />

65

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