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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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soon to be on view in <strong>Dresden</strong>:<br />

various masks of the Kwakwaka’wakw<br />

The Grand Dzonokwa and in the background<br />

the view over alert Bay<br />

Centre and the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>,”<br />

said Martin Roth. The exhibitions will focus on unique<br />

objects which symbolise the tradition of social and economic<br />

exchange. The culture of gift­giving is the constant<br />

which these two very different cultures, that of the Saxon<br />

court and that of the First Nations, have in common.<br />

“This exhibition project is a very special form of international<br />

cultural exchange. It is sure to attract numerous<br />

visitors to <strong>Dresden</strong> and Alert Bay. I should like to take this<br />

opportunity of welcoming the art of the First Nations to<br />

Saxony in anticipation of the exhibition. Gifts have always<br />

been an expression of respect. It is our desire to demonstrate<br />

this respect towards the rich culture of the First Nations.<br />

Finding out about minorities and their cultures and<br />

understanding them as part of one’s own culture is an enrichment<br />

for society. Conversely, Saxon art treasures will<br />

enable the First Nations to gain an impressive insight into<br />

Saxon court culture,” said Prime Minister Stanislaw Tillich.<br />

towards the future together<br />

In mid­January, 2009 a cooperation agreement was signed<br />

for a probationary year. The partners then tested whether<br />

they could work together and in the end decided in favour<br />

of cooperation: since 1st January, <strong>2010</strong> the <strong>Staatliche</strong> Ethnographische<br />

Sammlungen Sachsen (SES) have been<br />

members of the alliance that makes up the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong> <strong>Dresden</strong> (SKD). By coming together in<br />

this way, the two sides are building upon a shared starting<br />

point, for the Ethnographische Sammlungen, like the<br />

<strong>Staatliche</strong> <strong>Kunstsammlungen</strong>, have their roots in the<br />

Chief Bill Cranmer, Prime Minister of saxony stanislaw<br />

Tillich and Prof. Dr. Martin roth (from left to right)<br />

signing the contract during the 21st Olympic Winter<br />

Games in Vancouver, Canada, in <strong>2010</strong><br />

Kunstkammer. Both institutions hold objects which were<br />

part of that collection 450 years ago. The integration of<br />

the SES, which has now been fully established, is directed<br />

towards the future. From now on, the SES will share the<br />

press and publicity, marketing and technical services already<br />

used by the art museums of the SKD alliance, thus<br />

benefiting from synergies and increased efficiency. The<br />

same applies to cooperation in conducting research and<br />

exhibition activities. What is of decisive importance,<br />

however, is, above all, the substantial opportunities this<br />

offers. The museums of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong>,<br />

which concentrate on classical Europe and the history of<br />

western art, have been enriched by a shift of focus towards<br />

the world beyond Europe. The objects of the Ethnographische<br />

Sammlungen preserve the immense cultural<br />

heritage of humanity. Placing the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

within this context to a greater extent than<br />

was the case in the past, and at the same time viewing the<br />

ethnographical collections in Leipzig, <strong>Dresden</strong> and Herrnhut<br />

in the interdisciplinary context of the <strong>Dresden</strong><br />

<strong>Kunstsammlungen</strong>, is both a challenge and an enrichment<br />

in this age of globalisation. The first test in practice was<br />

the intensive preparation in <strong>2010</strong> for the exhibition “Die<br />

Macht des Schenkens“ (The Power of Giving); the first<br />

public performance will take place in summer 2011 when<br />

the exhibition will be opened in the U’mista Cultural<br />

Centre in Alert Bay, Canada, and in the Kunsthalle im Lipsiusbau<br />

in <strong>Dresden</strong>. At least behind the scenes, the cooperation<br />

is functioning extremely well.<br />

101

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