Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
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soon to be on view in <strong>Dresden</strong>:<br />
various masks of the Kwakwaka’wakw<br />
The Grand Dzonokwa and in the background<br />
the view over alert Bay<br />
Centre and the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>,”<br />
said Martin Roth. The exhibitions will focus on unique<br />
objects which symbolise the tradition of social and economic<br />
exchange. The culture of giftgiving is the constant<br />
which these two very different cultures, that of the Saxon<br />
court and that of the First Nations, have in common.<br />
“This exhibition project is a very special form of international<br />
cultural exchange. It is sure to attract numerous<br />
visitors to <strong>Dresden</strong> and Alert Bay. I should like to take this<br />
opportunity of welcoming the art of the First Nations to<br />
Saxony in anticipation of the exhibition. Gifts have always<br />
been an expression of respect. It is our desire to demonstrate<br />
this respect towards the rich culture of the First Nations.<br />
Finding out about minorities and their cultures and<br />
understanding them as part of one’s own culture is an enrichment<br />
for society. Conversely, Saxon art treasures will<br />
enable the First Nations to gain an impressive insight into<br />
Saxon court culture,” said Prime Minister Stanislaw Tillich.<br />
towards the future together<br />
In midJanuary, 2009 a cooperation agreement was signed<br />
for a probationary year. The partners then tested whether<br />
they could work together and in the end decided in favour<br />
of cooperation: since 1st January, <strong>2010</strong> the <strong>Staatliche</strong> Ethnographische<br />
Sammlungen Sachsen (SES) have been<br />
members of the alliance that makes up the <strong>Staatliche</strong><br />
<strong>Kunstsammlungen</strong> <strong>Dresden</strong> (SKD). By coming together in<br />
this way, the two sides are building upon a shared starting<br />
point, for the Ethnographische Sammlungen, like the<br />
<strong>Staatliche</strong> <strong>Kunstsammlungen</strong>, have their roots in the<br />
Chief Bill Cranmer, Prime Minister of saxony stanislaw<br />
Tillich and Prof. Dr. Martin roth (from left to right)<br />
signing the contract during the 21st Olympic Winter<br />
Games in Vancouver, Canada, in <strong>2010</strong><br />
Kunstkammer. Both institutions hold objects which were<br />
part of that collection 450 years ago. The integration of<br />
the SES, which has now been fully established, is directed<br />
towards the future. From now on, the SES will share the<br />
press and publicity, marketing and technical services already<br />
used by the art museums of the SKD alliance, thus<br />
benefiting from synergies and increased efficiency. The<br />
same applies to cooperation in conducting research and<br />
exhibition activities. What is of decisive importance,<br />
however, is, above all, the substantial opportunities this<br />
offers. The museums of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong>,<br />
which concentrate on classical Europe and the history of<br />
western art, have been enriched by a shift of focus towards<br />
the world beyond Europe. The objects of the Ethnographische<br />
Sammlungen preserve the immense cultural<br />
heritage of humanity. Placing the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
within this context to a greater extent than<br />
was the case in the past, and at the same time viewing the<br />
ethnographical collections in Leipzig, <strong>Dresden</strong> and Herrnhut<br />
in the interdisciplinary context of the <strong>Dresden</strong><br />
<strong>Kunstsammlungen</strong>, is both a challenge and an enrichment<br />
in this age of globalisation. The first test in practice was<br />
the intensive preparation in <strong>2010</strong> for the exhibition “Die<br />
Macht des Schenkens“ (The Power of Giving); the first<br />
public performance will take place in summer 2011 when<br />
the exhibition will be opened in the U’mista Cultural<br />
Centre in Alert Bay, Canada, and in the Kunsthalle im Lipsiusbau<br />
in <strong>Dresden</strong>. At least behind the scenes, the cooperation<br />
is functioning extremely well.<br />
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