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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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114<br />

Eliseus Libaerts, Parade armour<br />

for Man and Horse made for King<br />

Erik XiV of sweden, 1562, …<br />

Gu eSt eXH I B ItIonS I n …<br />

… Detail: Hercules fighting Ladon, the<br />

guardian of the Garden of the Hesperides<br />

SouS l’ÉGIDe De MARS . Armures des princes d’europe<br />

16th March – 26th June, 2011, Paris, Musée de l’armée,<br />

Hotel National des Invalides<br />

The Rüstkammer will be contributing three major works<br />

to this exceptional exhibition entitled “Sous l’égide de<br />

Mars”, namely the parade armour for man and horse<br />

made by the Antwerp goldsmith Eliseus Libaerts for King<br />

Erik XIV of Sweden, along with another armour by Libaerts<br />

purchased by Elector Christian II of Saxony in the early<br />

17th century, as well as the armour known as the Savoy<br />

Armour, which came to <strong>Dresden</strong> in 1588 as a gift from<br />

Duke Carlo Emanuele I of Savoy. It will focus on the manufacture<br />

of magnificent armour with figural decoration<br />

made in workshops north of the Alps in the second half of<br />

the 16th century. For the first time, parade arms and armour<br />

in the Mannerist style from the princely armouries<br />

of <strong>Dresden</strong>, Stockholm, Copenhagen and Vienna will be<br />

brought together and compared with the engravings on<br />

which their designs were based.<br />

On view in Beijing: Caspar David Friedrich, Dolmen<br />

under snow, 1807, …<br />

Die Kunst der Aufklärung<br />

(the Art of the enlightenment)<br />

1st April, 2011 – 31st March, 2012, Beijing,<br />

National Museum of China<br />

Exhibition by the <strong>Staatliche</strong> Museen zu Berlin, the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong> <strong>Dresden</strong> and the Bayerische Staatsgemäldesammlungen<br />

Munich<br />

During the Enlightenment in Europe, art gained a new<br />

significance. Technical developments and social change<br />

accelerated the distribution of images in all public spheres.<br />

The artist turned into a public authority, a genius and a<br />

revolutionary. The idea that art can change people and<br />

society became a key principle animating the age. The<br />

<strong>Staatliche</strong> Museen zu Berlin, the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> and the Bayerische Staatsgemäldesammlungen<br />

Munich will be making this fascinating era the<br />

subject of a comprehensive exhibition in association with<br />

the National Museum of China. To mark the opening of<br />

this museum, which will then be the world’s largest museum,<br />

the three German museum alliances will be presenting<br />

a joint exhibition entitled “The Art of the Enlightenment”.<br />

With loans including masterpieces by Friedrich,<br />

Füssli, Gainsborough, Watteau, Piranesi and Goya, they<br />

will be presenting the art of the Enlightenment in nine<br />

sections extending from painting, sculpture and graphic<br />

art to handicrafts and fashion to precious scientific instruments.

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