Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
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114<br />
Eliseus Libaerts, Parade armour<br />
for Man and Horse made for King<br />
Erik XiV of sweden, 1562, …<br />
Gu eSt eXH I B ItIonS I n …<br />
… Detail: Hercules fighting Ladon, the<br />
guardian of the Garden of the Hesperides<br />
SouS l’ÉGIDe De MARS . Armures des princes d’europe<br />
16th March – 26th June, 2011, Paris, Musée de l’armée,<br />
Hotel National des Invalides<br />
The Rüstkammer will be contributing three major works<br />
to this exceptional exhibition entitled “Sous l’égide de<br />
Mars”, namely the parade armour for man and horse<br />
made by the Antwerp goldsmith Eliseus Libaerts for King<br />
Erik XIV of Sweden, along with another armour by Libaerts<br />
purchased by Elector Christian II of Saxony in the early<br />
17th century, as well as the armour known as the Savoy<br />
Armour, which came to <strong>Dresden</strong> in 1588 as a gift from<br />
Duke Carlo Emanuele I of Savoy. It will focus on the manufacture<br />
of magnificent armour with figural decoration<br />
made in workshops north of the Alps in the second half of<br />
the 16th century. For the first time, parade arms and armour<br />
in the Mannerist style from the princely armouries<br />
of <strong>Dresden</strong>, Stockholm, Copenhagen and Vienna will be<br />
brought together and compared with the engravings on<br />
which their designs were based.<br />
On view in Beijing: Caspar David Friedrich, Dolmen<br />
under snow, 1807, …<br />
Die Kunst der Aufklärung<br />
(the Art of the enlightenment)<br />
1st April, 2011 – 31st March, 2012, Beijing,<br />
National Museum of China<br />
Exhibition by the <strong>Staatliche</strong> Museen zu Berlin, the <strong>Staatliche</strong><br />
<strong>Kunstsammlungen</strong> <strong>Dresden</strong> and the Bayerische Staatsgemäldesammlungen<br />
Munich<br />
During the Enlightenment in Europe, art gained a new<br />
significance. Technical developments and social change<br />
accelerated the distribution of images in all public spheres.<br />
The artist turned into a public authority, a genius and a<br />
revolutionary. The idea that art can change people and<br />
society became a key principle animating the age. The<br />
<strong>Staatliche</strong> Museen zu Berlin, the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> and the Bayerische Staatsgemäldesammlungen<br />
Munich will be making this fascinating era the<br />
subject of a comprehensive exhibition in association with<br />
the National Museum of China. To mark the opening of<br />
this museum, which will then be the world’s largest museum,<br />
the three German museum alliances will be presenting<br />
a joint exhibition entitled “The Art of the Enlightenment”.<br />
With loans including masterpieces by Friedrich,<br />
Füssli, Gainsborough, Watteau, Piranesi and Goya, they<br />
will be presenting the art of the Enlightenment in nine<br />
sections extending from painting, sculpture and graphic<br />
art to handicrafts and fashion to precious scientific instruments.