Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
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Traditional dancer at the<br />
“CrOW Fair: Pow wow<br />
of the Crow indians of<br />
Montana”, Museum für<br />
Völkerkunde <strong>Dresden</strong><br />
Piet Mondrian, Design for a room for<br />
ida Bienert, 1926, Kupferstich-Kabinett<br />
matic. This masterpiece was presented in<br />
an exhibition following its restoration.<br />
The exhibition provided an insight into the<br />
meticulous work of the restorers as well as<br />
the painting technique of the artist.<br />
It also investigated questions as to who<br />
the lady in the painting might be and why<br />
she is wearing a white dress. Two more<br />
paintings by the same artist were also on<br />
show, along with works by several other<br />
artists, to set “The Lady in White” within<br />
the context of Venetian portrait painting<br />
as a whole.<br />
• Cranach-Präsentation in der Gemäldegalerie<br />
Alte Meister (Cranach Exhibition<br />
in the Gemäldegalerie Alte Meister)<br />
Semper Building at the Zwinger<br />
20th March – 15th August, <strong>2010</strong><br />
Lucas Cranach – father, son and workshop<br />
– are sufficiently well known, but this exhibition<br />
made it clear that <strong>Dresden</strong> has<br />
the largest collection of their works in the<br />
world. The paintings on display dealt with<br />
dynastic subjects as well as mythological<br />
and biblical themes, ranging from the<br />
large Hercules panels and “Paradise” to<br />
Adam and Eve and the small portraits of<br />
the reformers Luther and Melanchthon,<br />
along with portraits of members of the<br />
House of Wettin and unidentified individuals<br />
from the Reformation period, plus<br />
various scenes from the life of Christ and<br />
the story of John the Baptist.<br />
Lucas Cranach the Elder, adam and Eve,<br />
Gemäldegalerie alte Meister<br />
• Schaufenster in die Sammlung: Javanische<br />
Batik (A Window on the Collection –<br />
Javanese Batik)<br />
Exhibition by the Museum für<br />
Völkerkunde<br />
<strong>Dresden</strong>, <strong>Staatliche</strong> Ethnographische<br />
Sammlungen Sachsen<br />
Japanisches Palais, Palaisplatz 11<br />
24th March – 17th November, <strong>2010</strong><br />
Batik is one of the most important forms<br />
of expression in Javanese culture. The textiles<br />
bear motifs with numerous symbolic<br />
meanings which are a visible expression<br />
of Javanese beliefs, ethics and social order.<br />
In a cabinet exhibition the <strong>Dresden</strong><br />
Völkerkundemuseum presented nine<br />
selected handmade batik works from its<br />
collection. These batiks were made<br />
between 1860 and 1945. Two particularly<br />
beautiful items were purchased from an<br />
Indonesian private collection last year.<br />
• CROW FAIR: Powwow bei den Crowindianern<br />
Montanas Fotoausstellung von<br />
Gunter Jentzsch (CROW FAIR: Pow wow<br />
of the Crow Indians of Montana Photo<br />
exhibition by Gunter Jentzsch)<br />
Exhibition by the Museum für<br />
Völkerkunde <strong>Dresden</strong>, <strong>Staatliche</strong><br />
Ethnographische Sammlungen Sachsen<br />
Japanisches Palais, Palaisplatz 11<br />
24th March, <strong>2010</strong> – 9th January, 2011<br />
The Crow Fair – initiated in 1904 originally<br />
to encourage agriculture among the Crow<br />
Hand-made batik hip cloth, 1942/1946,<br />
Museum für Völkerkunde <strong>Dresden</strong><br />
Indians – is now one of the most important<br />
pow wows in North America. Every<br />
year in August the Crow Indians celebrate<br />
this major festival. In a camp consisting of<br />
hundreds of tepees, camping tents and<br />
motor caravans, the festival, which extends<br />
over several days, involves dance<br />
competitions, parades with riders and<br />
decorated wagons, as well as many other<br />
events. This small photographic exhibition<br />
conveyed impressions of four pow<br />
wows on the Crow Indian Reservation<br />
which took place between 1996 and 2009.<br />
• Aus der Sammlung des Dresdner<br />
Kupferstich-Kabinetts 15 × 1 \\ 45 +<br />
(From the collection of the <strong>Dresden</strong><br />
Kupferstich-Kabinett 15 × 1 \\ 45 +)<br />
15 major works // drawings after 1945<br />
KupferstichKabinett, Residenzschloss<br />
31st March – 12th July, <strong>2010</strong><br />
In connection with the 450th anniversary<br />
of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>,<br />
the KupferstichKabinett held a double<br />
exhibition featuring major works from<br />
the collection and post1945 drawings. Fifteen<br />
rarely exhibited exceptionally valuable<br />
major works were presented individually<br />
for just one week at a time, including<br />
sheets by Jan van Eyck, Rembrandt, Caspar<br />
David Friedrich and Ernst Ludwig Kirchner.<br />
Parallel to these masterpieces, selected<br />
works from the museum’s rich collection<br />
of post1945 drawings by German and<br />
international artists were also displayed.<br />
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