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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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Traditional dancer at the<br />

“CrOW Fair: Pow wow<br />

of the Crow indians of<br />

Montana”, Museum für<br />

Völkerkunde <strong>Dresden</strong><br />

Piet Mondrian, Design for a room for<br />

ida Bienert, 1926, Kupferstich-Kabinett<br />

matic. This masterpiece was presented in<br />

an exhibition following its restoration.<br />

The exhibition provided an insight into the<br />

meticulous work of the restorers as well as<br />

the painting technique of the artist.<br />

It also investigated questions as to who<br />

the lady in the painting might be and why<br />

she is wearing a white dress. Two more<br />

paintings by the same artist were also on<br />

show, along with works by several other<br />

artists, to set “The Lady in White” within<br />

the context of Venetian portrait painting<br />

as a whole.<br />

• Cranach-Präsentation in der Gemäldegalerie<br />

Alte Meister (Cranach Exhibition<br />

in the Gemäldegalerie Alte Meister)<br />

Semper Building at the Zwinger<br />

20th March – 15th August, <strong>2010</strong><br />

Lucas Cranach – father, son and workshop<br />

– are sufficiently well known, but this exhibition<br />

made it clear that <strong>Dresden</strong> has<br />

the largest collection of their works in the<br />

world. The paintings on display dealt with<br />

dynastic subjects as well as mythological<br />

and biblical themes, ranging from the<br />

large Hercules panels and “Paradise” to<br />

Adam and Eve and the small portraits of<br />

the reformers Luther and Melanchthon,<br />

along with portraits of members of the<br />

House of Wettin and unidentified individuals<br />

from the Reformation period, plus<br />

various scenes from the life of Christ and<br />

the story of John the Baptist.<br />

Lucas Cranach the Elder, adam and Eve,<br />

Gemäldegalerie alte Meister<br />

• Schaufenster in die Sammlung: Javanische<br />

Batik (A Window on the Collection –<br />

Javanese Batik)<br />

Exhibition by the Museum für<br />

Völkerkunde<br />

<strong>Dresden</strong>, <strong>Staatliche</strong> Ethnographische<br />

Sammlungen Sachsen<br />

Japanisches Palais, Palaisplatz 11<br />

24th March – 17th November, <strong>2010</strong><br />

Batik is one of the most important forms<br />

of expression in Javanese culture. The textiles<br />

bear motifs with numerous symbolic<br />

meanings which are a visible expression<br />

of Javanese beliefs, ethics and social order.<br />

In a cabinet exhibition the <strong>Dresden</strong><br />

Völkerkundemuseum presented nine<br />

selected hand­made batik works from its<br />

collection. These batiks were made<br />

between 1860 and 1945. Two particularly<br />

beautiful items were purchased from an<br />

Indonesian private collection last year.<br />

• CROW FAIR: Powwow bei den Crowindianern<br />

Montanas Fotoausstellung von<br />

Gunter Jentzsch (CROW FAIR: Pow wow<br />

of the Crow Indians of Montana Photo<br />

exhibition by Gunter Jentzsch)<br />

Exhibition by the Museum für<br />

Völkerkunde <strong>Dresden</strong>, <strong>Staatliche</strong><br />

Ethnographische Sammlungen Sachsen<br />

Japanisches Palais, Palaisplatz 11<br />

24th March, <strong>2010</strong> – 9th January, 2011<br />

The Crow Fair – initiated in 1904 originally<br />

to encourage agriculture among the Crow<br />

Hand-made batik hip cloth, 1942/1946,<br />

Museum für Völkerkunde <strong>Dresden</strong><br />

Indians – is now one of the most important<br />

pow wows in North America. Every<br />

year in August the Crow Indians celebrate<br />

this major festival. In a camp consisting of<br />

hundreds of tepees, camping tents and<br />

motor caravans, the festival, which extends<br />

over several days, involves dance<br />

competitions, parades with riders and<br />

decorated wagons, as well as many other<br />

events. This small photographic exhibition<br />

conveyed impressions of four pow<br />

wows on the Crow Indian Reservation<br />

which took place between 1996 and 2009.<br />

• Aus der Sammlung des Dresdner<br />

Kupferstich-Kabinetts 15 × 1 \\ 45 +<br />

(From the collection of the <strong>Dresden</strong><br />

Kupferstich-Kabinett 15 × 1 \\ 45 +)<br />

15 major works // drawings after 1945<br />

Kupferstich­Kabinett, Residenzschloss<br />

31st March – 12th July, <strong>2010</strong><br />

In connection with the 450th anniversary<br />

of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>,<br />

the Kupferstich­Kabinett held a double<br />

exhibition featuring major works from<br />

the collection and post­1945 drawings. Fifteen<br />

rarely exhibited exceptionally valuable<br />

major works were presented individually<br />

for just one week at a time, including<br />

sheets by Jan van Eyck, Rembrandt, Caspar<br />

David Friedrich and Ernst Ludwig Kirchner.<br />

Parallel to these masterpieces, selected<br />

works from the museum’s rich collection<br />

of post­1945 drawings by German and<br />

international artists were also displayed.<br />

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