Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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110 From the exhibition “Die apels – Eine Dresdner Puppenspielerfamilie zwischen Kaiserreich und DDr”: rococo dancing couple, late 18th century association with other collections, will be holding a special exhibition presenting original artistic expressions of religious belief dating from the Reformation period, as well as inviting reflection on contemporary issues. A major focal point of the exhibition will be auratic mementos relating to Martin Luther and his close associates. Die Apels – eine Dresdner puppenspielerfamilie Zwischen Kaiserreich und DDR (the Apels – A Dresden family of puppeteers between the German empire and the GDR) 28th May, 2011 – 31st October, 2012, Exhibition by the Puppentheatersammlung in the Museum für Sächsische Volkskunst, Jägerhof Across a time span of nearly 100 years, the Apels were considered to be the puppeteer family in Dresden. They attracted audiences under all the different political systems. They performed 17thcentury plays using marionettes dating from the 18th century, and yet they were also pioneers of the cinema. They gave guest performances in working class districts of Dresden and in the surrounding villages, as well as all over Europe. The first theatre that opened its doors in Dresden after the Second World War belonged to a member of the Apel family. Until 1952, it was a success story, but then performances in the GDR were forbidden. The exhibition will present marionettes – some of which are up to 220 years old – from the various branches of the family. Peter Graf: self-Portrait with Parrot, 1971 On view from July 2011 in the Kupferstich- Kabinett: Oskar Kokoschka’s “seated Girl (Gitta Wallerstein?)”, 1921 Schaukabinett: Das Ich im Wir – Künstlerbildnisse aus der DDR (Show Cabinet: the I in the We – Artists’ portraits in the GDR) 5th July – 30th October, 2011, Exhibition by the Galerie Neue Meister, Albertinum This exhibition will investigate how artists perceived themselves in the GDR. In accordance with the slogan “From the I to the We”, artists were expected to use their creativity to promote the development of socialist society. This role, however, contradicted the traditional claim of artists to autonomy, whereby an artist is free of external constraints and his only obligation is towards himself. This exhibition will show the very different positions adopted by artists within this field of tension. Kokoschka als Zeichner. Die Sammlung Willy Hahn (Kokoschka as Draughtsman. the Willy Hahn Collection) 9th July – 3rd October, 2011, Exhibition by the KupferstichKabinett, Residenzschloss This exhibition will present an overview of the drawings of Oskar Kokoschka. Extending from his period in Vienna and his time in Dresden, right up to his late works, this show encompassing around 70 graphite and ink drawings, watercolours and coloured chalk drawings will illustrate Kokoschka’s impressive development as a draughtsman. The basis of the exhibition is the unique private collection assembled with dedication and a high degree of connoisseurship by the musician Willy Hahn, who was a friend of the artist. This is the first time that this collection is being shown in its entirety.
To go on view again at last: Bernardo Bellotto’s “Dresden from the right Bank of the Elbe with the augustus Bridge” (condition prior to restoration) Bernardo Bellotto: Der Canaletto-Blick – Das restaurierte Meisterwerk (Bernardo Bellotto: the Canaletto View – the Restored Masterpiece) 26th August – 20th November, 2011, Cabinet exhibition by the Gemäldegalerie Alte Meister, Semper Building at the Zwinger No painting has shaped our image of Dresden during the Baroque period more enduringly than the veduta “Dresden from the Right Bank of the Elbe with the Augustus Bridge” created by the famous Venetian painter Bernardo Bellotto in 1748. Thanks to the campaign “For Canaletto” initiated by the society of friends of the Kunstsammlungen Dresden “MUSEIS SAXONICIS USUI”, sufficient donations have been collected for the painting to be restored. Now, for the first time, the original signature of the artist is clearly visible and the exceptional artistry of this vedute painter can be appreciated once again. In addition, the exhibition will document the restoration work and present the research findings, enabling visitors to follow step by step the various processes undertaken by the restorers and scientists. The exhibition will also include examples of further views of Dresden in which Bellotto recorded the architecture and everyday life of the city on canvas, thus creating veritable ambassadors for the Saxon capital. Two works from the exhibition “PrO COMMUNiTY”: Kay Baker, Kalaya Munu Malilu (Wingu) Nellie stewart, Punu Wara pRo CoMMunItY – Western ApY lands Aboriginal Art von ninuku Arts, tjungu palya und tjala Arts (pRo CoMMunItY – Western ApY lands Aboriginal Art by ninuku Arts, tjungu palya and tjala Arts) 16th September – 30th October, 2011, Exhibiton by the GRASSI Museum für Völkerkunde zu Leipzig In Pro Community 2011, ARTKELCH will be bringing to Germany works of art created by the small but outstanding communitybased arts centres in the Western APY Lands. Ninuku Arts, Tjungu Palya and Tjala Arts are located in the northwestern part of South Australia, just under 1,500 km from Adelaide, its capital, and a twoday journey from Alice Springs, the nearest centre in the Northern Territory. This remoteness, coupled with excellent arts centre management, is a true blessing for art from the APY Lands. The works, which are created “far away from the market”, are characterised by their originality, vitality and an exceptional degree of integrity. The artists have already been nominated for a wide variety of art prizes, even though these arts centres are relatively young. Last year’s Telstra Art Award was won by Jimmy Donegan of Ninuku Arts, for example. These arts centres – in communities whose names were, until recently, almost unknown – are therefore understandably regarded as insiders’ tips in Australia. 111
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2010
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Japanisches Palais WItH KI n D Su p
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State of the Art since 1560 - the A
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27 28 24 32 34 25 38 39 30 33 35 31
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12 albrecht Dürer’s “The Virgi
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Podium discussion with Dr. Joachim
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Life-sized carved stallion with orn
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The ceremonial cutting of the ribbo
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View into one of the Gerhard richte
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Georg Baselitz 22 This also reveals
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The ceremonial opening in the inner
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26 “Dancing Porcelain” during t
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28 an astrolabe from the Mathematis
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30 View of the exhibition rooms in
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Special exhibitions
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34 • Das Prunkkleid des Kurfürst
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Walter Fischer, Building Brigade (l
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38 The Wasewitz coin hoard, 18th ce
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Thomas struth, Paradise 09, 1999, r
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advertisement for “Pfund’s Yogh
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44 in 2010, the Mathematisch- Physi
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46 Photograph from the exhibition
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From the Collections
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50 Charles Hutin after rembrandt vo
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52 Helmut Zobl, Medal entitled “Z
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54 Tilo Baumgartel, Technoir, 2008,
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56 Münzkabinett • Dresdner Numis
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58 Damage to the background of the
Page 58 and 59: 60 Hunting knife sheath (detail) fr
Page 60 and 61: Scientific and research projects
Page 62 and 63: 64 Dr. Hubert Burda delivers an add
Page 64 and 65: Prof. Dr. Ulrich Bischoff with the
Page 66 and 67: From the Freund Collection: Jakob P
Page 68 and 69: Medal depicting “Le Baron de Boet
Page 70 and 71: With kind support
Page 72 and 73: 74 Learning from other museums: Mem
Page 74 and 75: 76 The Friends of the Puppentheater
Page 76 and 77: 78 Lidded goblet, 1603 - 1625, purc
Page 78 and 79: 80 SponSoRS oF tH e Reopen I nG oF
Page 80 and 81: Visitors
Page 82 and 83: 84 Elements of the advertising camp
Page 84 and 85: 86 There was a wide-ranging program
Page 86 and 87: 88 The sKD’s new website has many
Page 88 and 89: 90 Visitor numbers in Dresden in 20
Page 90 and 91: 92 economic data Budget 2006 - 2008
Page 92 and 93: news in Brief
Page 94 and 95: 96 a tour through the albertinum in
Page 96 and 97: 98 Two items from among the collect
Page 98 and 99: 100 For Canaletto: The “silent au
Page 100 and 101: Museum Buildings
Page 102 and 103: 104 architect Helgrid Bretschneider
Page 104 and 105: prospects
Page 106 and 107: 108 illustration from: Pierre rever
Page 110 and 111: 112 The Fascination of Collecting:
Page 112 and 113: 114 Eliseus Libaerts, Parade armour
Page 114 and 115: 116 and Dresden Teamwork on behalf
Page 116 and 117: Ferdinand Hodler, Portrait of Madam
Page 118 and 119: 120 pu B lICAtIon DetAI lS © Staat
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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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