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Annual Report 2010 - Staatliche Kunstsammlungen Dresden

Annual Report 2010 - Staatliche Kunstsammlungen Dresden

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p.82: striking dimensions: a visitor to the exhibition<br />

“The Promised Land” in the albertinum in front of Martin Honert’s<br />

“Giants” on loan from the Matthew Marks Gallery, New York<br />

The exhibition area of the Grünes Gewölbe at EXPO <strong>2010</strong> in<br />

shanghai, with reproductions of the rooms of the Historisches<br />

Grünes Gewölbe …<br />

5.4 MI llIon VISIt tH e eXH I B ItIon<br />

I n SHAnGHAI CoMBInInG SCI enCe<br />

An D ARt<br />

The Grünes Gewölbe of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> participated in EXPO <strong>2010</strong> in Shanghai by exhibiting<br />

25 top­quality works of art. In the Pavilion of Urban<br />

Footprint high resolution life­size photographs depicting<br />

several of the display walls of the Historisches Grünes<br />

Gewölbe were also presented. In addition, several masterpieces<br />

from the Neues Grünes Gewölbe were also on view<br />

in the form of photographic reproductions. This manner<br />

of presenting the rooms is based on state­of­the­art<br />

phototechnical processes which give the viewer an authentic<br />

impression of the original exhibition rooms in the<br />

Residenzschloss in <strong>Dresden</strong>. From 1st May until 31st October,<br />

<strong>2010</strong>, as many as 5.4 million visitors were able to admire<br />

the treasures of the Grünes Gewölbe without actually<br />

being in <strong>Dresden</strong>. For the Director­General of the<br />

<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>, Prof. Dr. Martin<br />

Roth, this was a magnificent success: “Technical innovations<br />

present completely new possibilities for future museum<br />

exhibitions. Museums thereby become accessible to<br />

much larger numbers and attract much younger people.”<br />

This is a unique opportunity, particularly in respect of<br />

mediation and cultural education, he continued.<br />

The architectural photographer Prof. Jörg Schöner specialises<br />

in producing life­size photographs of entire building<br />

complexes, in which every detail is visible. Curators of<br />

…and at eight-fold magnification …<br />

… the “royal Household of the Grand<br />

Mogul” by Johann Melchior Dinglinger<br />

historic monuments and restorers can then precisely<br />

evaluate the condition of the building’s state of preservation<br />

by viewing the images on a computer. Jörg Schöner,<br />

who is Professor of Architectural Photography at the<br />

Technische Universität <strong>Dresden</strong>, also specialises in photographic<br />

reproductions of the Grünes Gewölbe. Using<br />

high­resolution computer­processed hyper­reproductions,<br />

display walls and objects from the Grünes Gewölbe are<br />

visually recreated. For this purpose, he has developed a<br />

special phototechnical process in which “first­choice” elements<br />

taken from among hundreds of digital images are<br />

pieced together on the computer. This high­resolution<br />

technology makes it possible to present small things on a<br />

magnified scale and thus make them visible. This enables<br />

visitors to see details which remain hidden in the museum<br />

exhibition owing to their tiny size.<br />

For the Royal Household of the Grand Mogul alone, Schöner<br />

has combined more than 1,200 individual image files<br />

using this complex process. “Through this method, the<br />

visitors are able to experience the Royal Household in a<br />

practically physical way, to virtually walk into the work of<br />

art. This gives free rein to the imagination of visitors, and<br />

restorers, curators and researchers can obtain a great deal<br />

of additional information,” said the Director of the Grünes<br />

Gewölbe, Prof. Dr. Dirk Syndram. In Shanghai, display walls<br />

of the Silver Gilt Room, the Pretiosa Room and the Jewel<br />

Room were on display as life­size reproductions. In front<br />

of the photographed walls, 25 works of art were exhibited<br />

in showcases.<br />

83

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