Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
Annual Report 2010 - Staatliche Kunstsammlungen Dresden
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p.82: striking dimensions: a visitor to the exhibition<br />
“The Promised Land” in the albertinum in front of Martin Honert’s<br />
“Giants” on loan from the Matthew Marks Gallery, New York<br />
The exhibition area of the Grünes Gewölbe at EXPO <strong>2010</strong> in<br />
shanghai, with reproductions of the rooms of the Historisches<br />
Grünes Gewölbe …<br />
5.4 MI llIon VISIt tH e eXH I B ItIon<br />
I n SHAnGHAI CoMBInInG SCI enCe<br />
An D ARt<br />
The Grünes Gewölbe of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> participated in EXPO <strong>2010</strong> in Shanghai by exhibiting<br />
25 topquality works of art. In the Pavilion of Urban<br />
Footprint high resolution lifesize photographs depicting<br />
several of the display walls of the Historisches Grünes<br />
Gewölbe were also presented. In addition, several masterpieces<br />
from the Neues Grünes Gewölbe were also on view<br />
in the form of photographic reproductions. This manner<br />
of presenting the rooms is based on stateoftheart<br />
phototechnical processes which give the viewer an authentic<br />
impression of the original exhibition rooms in the<br />
Residenzschloss in <strong>Dresden</strong>. From 1st May until 31st October,<br />
<strong>2010</strong>, as many as 5.4 million visitors were able to admire<br />
the treasures of the Grünes Gewölbe without actually<br />
being in <strong>Dresden</strong>. For the DirectorGeneral of the<br />
<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>, Prof. Dr. Martin<br />
Roth, this was a magnificent success: “Technical innovations<br />
present completely new possibilities for future museum<br />
exhibitions. Museums thereby become accessible to<br />
much larger numbers and attract much younger people.”<br />
This is a unique opportunity, particularly in respect of<br />
mediation and cultural education, he continued.<br />
The architectural photographer Prof. Jörg Schöner specialises<br />
in producing lifesize photographs of entire building<br />
complexes, in which every detail is visible. Curators of<br />
…and at eight-fold magnification …<br />
… the “royal Household of the Grand<br />
Mogul” by Johann Melchior Dinglinger<br />
historic monuments and restorers can then precisely<br />
evaluate the condition of the building’s state of preservation<br />
by viewing the images on a computer. Jörg Schöner,<br />
who is Professor of Architectural Photography at the<br />
Technische Universität <strong>Dresden</strong>, also specialises in photographic<br />
reproductions of the Grünes Gewölbe. Using<br />
highresolution computerprocessed hyperreproductions,<br />
display walls and objects from the Grünes Gewölbe are<br />
visually recreated. For this purpose, he has developed a<br />
special phototechnical process in which “firstchoice” elements<br />
taken from among hundreds of digital images are<br />
pieced together on the computer. This highresolution<br />
technology makes it possible to present small things on a<br />
magnified scale and thus make them visible. This enables<br />
visitors to see details which remain hidden in the museum<br />
exhibition owing to their tiny size.<br />
For the Royal Household of the Grand Mogul alone, Schöner<br />
has combined more than 1,200 individual image files<br />
using this complex process. “Through this method, the<br />
visitors are able to experience the Royal Household in a<br />
practically physical way, to virtually walk into the work of<br />
art. This gives free rein to the imagination of visitors, and<br />
restorers, curators and researchers can obtain a great deal<br />
of additional information,” said the Director of the Grünes<br />
Gewölbe, Prof. Dr. Dirk Syndram. In Shanghai, display walls<br />
of the Silver Gilt Room, the Pretiosa Room and the Jewel<br />
Room were on display as lifesize reproductions. In front<br />
of the photographed walls, 25 works of art were exhibited<br />
in showcases.<br />
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