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The New Face of Arts Leadership in the West - westaf - The Western ...

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and has served as music director for numerous<br />

opera and musical productions. He recently<br />

performed as piano soloist with <strong>the</strong> Pittsburgh<br />

Symphony and <strong>the</strong> Sacramento Philharmonic<br />

and has performed as a keyboardist with<br />

many ensembles around Pittsburgh. He was<br />

recently featured on radio stations throughout<br />

Brazil accompany<strong>in</strong>g baritone Igor Viera.<br />

Shane Moreman<br />

Shane Moreman is a pr<strong>of</strong>essor and performer<br />

<strong>in</strong>trigued with <strong>the</strong> art <strong>of</strong> everyday life. More<br />

specifically, he is <strong>in</strong>terested <strong>in</strong> how ethnic and<br />

racial identity is symbolically performed to<br />

achieve au<strong>the</strong>nticity. He was born and raised<br />

<strong>in</strong> <strong>the</strong> borderlands <strong>of</strong> South Texas and is half<br />

White and half Lat<strong>in</strong>o. As such, his research<br />

publications and performance art concern<br />

<strong>the</strong> split-subjectivities <strong>of</strong> identity. His Ph.D <strong>in</strong><br />

communication was earned at <strong>the</strong> University<br />

<strong>of</strong> South Florida. His communication research<br />

focuses on how race is communicated (verbally<br />

and physically) and ways to help heal <strong>the</strong> hurt<br />

<strong>of</strong> racism. Currently, he is assistant pr<strong>of</strong>essor <strong>of</strong><br />

communication at California State University,<br />

Fresno. He has lived <strong>in</strong> Hilo, Hawaii; Paris, France;<br />

Mexico City, Mexico; and Beij<strong>in</strong>g, Ch<strong>in</strong>a.<br />

Tatiana Re<strong>in</strong>oza<br />

Tatiana Re<strong>in</strong>oza is an artist and <strong>in</strong>dependent<br />

curator work<strong>in</strong>g <strong>in</strong> Sacramento, California. Born<br />

<strong>in</strong> El Salvador, a country ravaged by a 12-year<br />

civil war, Re<strong>in</strong>oza became aware at an early<br />

age <strong>of</strong> <strong>the</strong> human cost <strong>of</strong> war. She migrated to<br />

<strong>the</strong> United States with her mo<strong>the</strong>r at <strong>the</strong> age <strong>of</strong><br />

six. Her life has always been <strong>in</strong> constant motion,<br />

as she has lived <strong>in</strong> <strong>New</strong> York, San Salvador,<br />

San Francisco, and Sacramento. She is very<br />

<strong>in</strong>terested <strong>in</strong> <strong>the</strong> migrant/immigrant experience<br />

as well as <strong>in</strong> <strong>the</strong> advocacy <strong>of</strong> social responsibility<br />

<strong>in</strong> art. She had <strong>the</strong> wonderful opportunity<br />

<strong>of</strong> work<strong>in</strong>g with <strong>the</strong> Chicano art community<br />

<strong>in</strong> Sacramento through La Raza Galeria<br />

Posada. She also <strong>in</strong>terned for two years with<br />

<strong>the</strong> Sacramento Metropolitan <strong>Arts</strong> Commission<br />

under <strong>the</strong> mentorship <strong>of</strong> local Royal Chicano Air<br />

Force (RCAF) muralist Juanishi V. Orosco. In 2004,<br />

Re<strong>in</strong>oza received her Bachelor <strong>of</strong> <strong>Arts</strong> <strong>in</strong> art studio<br />

from California State University, Sacramento,<br />

where she co-founded <strong>the</strong> Women’s Art Forum.<br />

Through her leadership and <strong>in</strong>itiative, she has<br />

coord<strong>in</strong>ated visit<strong>in</strong>g artist lectures, curated art<br />

exhibits, and organized workshops for youth.<br />

<strong>The</strong> current focus <strong>of</strong> her curatorial work is to<br />

promote, exhibit, and document <strong>the</strong> contributions<br />

<strong>of</strong> contemporary Lat<strong>in</strong>o artists <strong>in</strong> <strong>the</strong> U.S.<br />

She has exhibited and served as a guest curator<br />

at several local art galleries <strong>in</strong> Sacramento.<br />

Orit Sarfaty<br />

Orit Sarfaty is <strong>the</strong> director <strong>of</strong> community relations<br />

at Seattle Center, <strong>the</strong> region’s premier<br />

enterta<strong>in</strong>ment and cultural venue spann<strong>in</strong>g<br />

<strong>the</strong> arts, sports, and open space. In her<br />

capacity, she works to <strong>in</strong>tegrate <strong>the</strong> arts with<br />

<strong>the</strong> needs <strong>of</strong> <strong>the</strong> population that Seattle<br />

Center serves. Sarfaty focused on <strong>the</strong> arts<br />

<strong>in</strong> an urban sett<strong>in</strong>g as a master’s student <strong>in</strong><br />

urban plann<strong>in</strong>g at <strong>the</strong> University <strong>of</strong> Wash<strong>in</strong>gton.<br />

Before work<strong>in</strong>g at Seattle Center, she was<br />

<strong>in</strong>volved <strong>in</strong> strategic plann<strong>in</strong>g at <strong>the</strong> Seattle<br />

Art Museum and WNET-Channel 13 <strong>in</strong> <strong>New</strong><br />

York. She graduated from Harvard University<br />

with a focus on race relations and sociology.<br />

Shawna Shandi<strong>in</strong> Sunrise<br />

Shawna Shandi<strong>in</strong> Sunrise was raised as a<br />

fifth-generation D<strong>in</strong>é weaver through <strong>the</strong><br />

matril<strong>in</strong>eage <strong>of</strong> her mo<strong>the</strong>r. She learned all<br />

aspects <strong>of</strong> creat<strong>in</strong>g through both <strong>of</strong> her parents—weav<strong>in</strong>g<br />

from her mo<strong>the</strong>r, who is Navajo<br />

(D<strong>in</strong>é), and traditional performance/jewelry<br />

from her fa<strong>the</strong>r, who was Santo Dom<strong>in</strong>go Pueblo.<br />

Shandi<strong>in</strong> Sunrise is also a filmmaker, producer,<br />

and director. She is a graduate <strong>of</strong> <strong>the</strong> Institute<br />

<strong>of</strong> American Indian <strong>Arts</strong> and <strong>the</strong> School <strong>of</strong> <strong>the</strong><br />

Art Institute <strong>of</strong> Chicago, where she studied<br />

film/video and multimedia <strong>in</strong>stallations. She is an<br />

active board member for <strong>the</strong> <strong>Arts</strong> Board for <strong>the</strong><br />

city <strong>of</strong> Albuquerque and Public Access Channel<br />

27. Currently, she produces a cable access TV<br />

show <strong>in</strong> Albuquerque called NativeZ<strong>in</strong>e. <strong>The</strong><br />

show is a visual m<strong>in</strong>i-magaz<strong>in</strong>e that promotes<br />

<strong>the</strong> creative movement <strong>of</strong> art, music, and performance<br />

through Native eyes. With NativeZ<strong>in</strong>e,<br />

120

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