The New Face of Arts Leadership in the West - westaf - The Western ...
The New Face of Arts Leadership in the West - westaf - The Western ...
The New Face of Arts Leadership in the West - westaf - The Western ...
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am really more <strong>in</strong>terested <strong>in</strong> social leadership,<br />
particularly follow<strong>in</strong>g this new, young-adult,<br />
21 st -century group that has yet to name itself.<br />
Annette Evans Smith: My name is Annette<br />
Evans Smith. I have three names—it sounds<br />
awfully <strong>of</strong>ficial, but if you were <strong>in</strong> Alaska, you<br />
would know when I say Evans, it means I am<br />
from <strong>the</strong> <strong>in</strong>terior, and it means that my grandparents<br />
were wonderful and honorable people. If<br />
you hear <strong>the</strong> name Smith, <strong>the</strong>n you know I am<br />
from Bristol Bay on my mo<strong>the</strong>r’s side, and you<br />
know that I married <strong>in</strong>to a family <strong>of</strong> wonderful<br />
and honorable people. So that is why I have<br />
three names. Quite literally, I am a daughter<br />
turn<strong>in</strong>g <strong>in</strong>to a mo<strong>the</strong>r, as we speak, which is a<br />
very fun process that drives my work <strong>in</strong> many,<br />
many ways. Yup’ik urwa means I am Yup’ik, but<br />
I am also Alutiiq, and I am also Athabascan.<br />
Canu yung ut. I am from South Naknik, which<br />
is a small village <strong>in</strong> rural Alaska <strong>of</strong> about 80<br />
people and not connected to anyth<strong>in</strong>g by<br />
any road. My biggest fear and what drives me<br />
<strong>the</strong> most is <strong>the</strong> thought that my children and<br />
my grandchildren or my great grandchildren<br />
will someday say, “My great grandmo<strong>the</strong>r<br />
was Alaska Native.” I hear that very <strong>of</strong>ten<br />
from people I talk to. <strong>The</strong>y say, “My great<br />
grandmo<strong>the</strong>r was such and such” or “My great<br />
grandmo<strong>the</strong>r was such and such.” That means<br />
that <strong>the</strong>y aren’t any more; <strong>the</strong>y are that disconnected<br />
that <strong>the</strong>y aren’t anymore. That is what<br />
drives me and that is why I am here and that is<br />
why my life and passion and my love is Alaska<br />
Native culture and preserv<strong>in</strong>g that and do<strong>in</strong>g<br />
everyth<strong>in</strong>g <strong>in</strong> my life that I can to preserve it.<br />
Sunya Ganbold: My name is Sunya Ganbold.<br />
I am orig<strong>in</strong>ally from Mongolia. I have lived <strong>in</strong><br />
Denver and have recently relocated to East<br />
Stroudsbourg, Pennsylvania. Like Mayumi<br />
Tsutakawa, my career path has been support<strong>in</strong>g<br />
<strong>the</strong> arts and creative genius. In my quest<br />
to unleash my creative genius, while I was <strong>in</strong><br />
Mongolia <strong>in</strong> September, I shot hours <strong>of</strong> footage<br />
follow<strong>in</strong>g my grandparents, who are a great<br />
<strong>in</strong>spiration to me. <strong>The</strong>y reconnect me with<br />
my roots and help me grasp <strong>the</strong> magnitude<br />
<strong>of</strong> where I come from. When I was review<strong>in</strong>g<br />
<strong>the</strong> footage from that film<strong>in</strong>g, I also realized<br />
that it was not only a quest for reconnect<strong>in</strong>g<br />
with who I am and where I come from, it was<br />
also a journey <strong>of</strong> relearn<strong>in</strong>g <strong>the</strong> history <strong>of</strong> my<br />
country. This is <strong>the</strong> case because I went to<br />
a Russian high school, where I was taught to<br />
appreciate Russian literature and history, while<br />
I was not taught my own cultural history. So,<br />
through follow<strong>in</strong>g my grandparents’ lives and<br />
<strong>the</strong>ir paths, I have discovered that this is also<br />
a way for me to reconnect with my history.<br />
Danielle Brazell: My focus, my love, my<br />
passion is creat<strong>in</strong>g spaces for art to happen.<br />
When I am lucky, I get to participate<br />
<strong>in</strong> <strong>the</strong>m as an adm<strong>in</strong>istrator, as a curator,<br />
as a programmer, or as an artist.<br />
I remember look<strong>in</strong>g at a piece <strong>of</strong> paper with<br />
stick draw<strong>in</strong>gs depict<strong>in</strong>g basic emotions: happy,<br />
sad, angry, frustrated, mad, etc. It was k<strong>in</strong>d <strong>of</strong><br />
like a chart <strong>of</strong> feel<strong>in</strong>gs, and I would keep that<br />
chart <strong>of</strong> feel<strong>in</strong>gs close because I didn’t have<br />
<strong>the</strong> language to say, “I am angry. I am sad. I<br />
am angry and sad. I am angry and sad and<br />
frustrated.” That chart helped me develop a<br />
language to talk about my emotions. When I<br />
th<strong>in</strong>k about that say<strong>in</strong>g from <strong>the</strong> ‘90s, “Art saves<br />
lives,” I th<strong>in</strong>k, what does that mean? Do we<br />
really own that? Do we really mean that? Yeah,<br />
we mean it. <strong>The</strong> reason we mean it is because<br />
we see it. I believe everyone at this table has<br />
seen art transform, has seen art change people,<br />
has seen art <strong>in</strong>fluence a change <strong>in</strong> action. For<br />
me, art enabled me to take that chart <strong>of</strong> feel<strong>in</strong>gs<br />
and fuse it <strong>in</strong>to an artistic language entirely<br />
my own—a language that could not be refuted.<br />
My mom used to say, “No one can deny <strong>the</strong><br />
way someone feels. You feel what you feel what<br />
you feel.” Tak<strong>in</strong>g that philosophy as a way to<br />
help o<strong>the</strong>rs transform feel<strong>in</strong>gs, perceptions, and<br />
voice <strong>in</strong>to art with <strong>the</strong> idea <strong>of</strong> creat<strong>in</strong>g artistic<br />
spaces is a driv<strong>in</strong>g force beh<strong>in</strong>d my work.<br />
Tony Garcia: My name is Tony Garcia. I am <strong>the</strong><br />
executive and artistic director at El Centro Su<br />
Teatro, which is a cultural arts center located <strong>in</strong><br />
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