A B C of Gothic Architecture

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130 CHAN^GE PEOM EAULT ENGLISH TO DECORATED. and run into each other so continually, that it is almost impossible to separate them in practice: the windows may indeed be distinguished,though even in these we often find windows with geometrical tracery and others with flowing tracery in the same building, with the same moldings and details ; and no distinction can be drawn in doorways and buttresses. It is better, therefore, to continue to use the received divisions of styles, and the received names for them. There is no broad line of distinction and of division in medieval buildings, it was one continual progress or decline; the divisions are arbitrary, but very convenient in practice. The beautiful crosses erected by Edward I. at all the places where the body of Queen Eleanor had rested on its way from Grantham, Lincolnshire,where she died, to "Westminster Abbey, where she was buried, all belong to this time of change, but are usually reckoned as early examples of the Decorated style. The accounts for preserving these are for the most part among the Public Eecords, but Geddington is not included, probably only because that account had been lost or mislaid in the Record Office,wliich was long much neglected ; so much so, that for many years the valuable records were kept in the stables of Carlton House, the residence of the Prince Regent, afterwards George lY.
THE DECOIIATED STYLE. Edward I., IL, axd III. A.D. 1300"1377. Ciancel, Stanton St. Jolin, Ozon, c, A.D. 1320. The choir of this church is an excellent example of the Decorated style,especiallythe east window. It is merely a parish church, not monastic.
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î-nn ABC OP GOTHIC ARCHITECTURE,
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37^^ ^f rdarc^ eK.\J^T^ ' I ' " Jc^
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VI ADVEIITISEME"^T lO Flli"T EDITTO
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A. B. C. OF GOTHIC APvCHITECTXJRE.
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TNTEODUCTION-. 3 "Winchester,"Willi
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IXTEODUCTIOX. 5 this was undoubtedl
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INTEODTJCTION. 7 Sculpture than the
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THE EARLY N0RMA:N' PERIOD, A,D. 106
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12 THE EAELY KORMAN PERIOD. at the
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J4 THE EARLY NORMAN PERIOD. ^Notwit
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16 THE EAELr N-ORMAN PEEIOD. "works
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THE EARLY NOEMAX PERIOD. 19 from ol
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THE EARLY ]S^0R5IAX PERIOD. 21 at l
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1092 THE EAKLY NOEMAN PERIOD. 23 Ta
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26 THE EARLY ÔRMAN PERIOD. on a ca
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28 THE EAELY XORMAX PERIOD. dily di
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so THE EARLY NORMAN PERIOD. cmd lea
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32 THE NOEMAN" PERIOD, about half a
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THE NOEMAX TEEIOD. 35 have been so
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THE IsORMAX PEBIOD. 37 this day, th
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THE NO r:\ian pkuiod. 39 addition o
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42 THE NOEMAN TERIOD. sistingcUefly
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44 THK NORMAN PERIOD. arch- molding
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4C THE NOEMAN PERIOD. did not suit
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48 THE N-ORMAN" PERIOD. The small A
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NORMAN PIERS. 51 The Piers in the e
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KORMAN CAPITALS. Grafton Qndemroocl
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XOr.MAlS" NICHES. 55 The IN'iCHES,o
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58 THE NOKMAX PERIOD. and the signs
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60 THE ^'ORMAN PERIOD. TnE Corbel-t
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1139; 62 THE NOKMAN PERIOD. The ear
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64 THE KOEMAN PERIOD. NoEMAN Centea
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THE X0R3IAX PERIOD. 67 NoEMAN Porch
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THE NORMAN" PEEIOD. 69 Cassington,O
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1195. PEEIOD OF TEANSITIOIT, A.D. 1
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74 PERIOD OF TEANSITIOX. In the wor
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76 PERIOD OF TKAJ^SITION. and the b
Page 92 and 93: 78 PERIOD OF TEANSITIOX. wide lo th
Page 94: 80 r-ERTOD OF TRANS ITIOX. Precisel
Page 97 and 98: THE EARLY ENGLISH STYLE. EichardL J
Page 99 and 100: EAELY ENGLISH AECHES. 85 St. Hugh's
Page 101 and 102: THE EAELY ENGLISH STYLE. 87 Possibl
Page 104 and 105: 90 THE ElKLY ENGLISH STYLE. The rou
Page 106 and 107: S2 THE EARLY ENGLISH STYLE. The Por
Page 108 and 109: 94 THE EAULY EXGLTSIT STYLE. The "W
Page 110: 96 THE EAELT ENGLISH STYLE. opening
Page 113 and 114: TFE EAULY ENGLISH SIYLE, 99 Wall Ar
Page 115 and 116: THE EARLY ENGLISH STYLE. 101 itself
Page 117 and 118: THE EARLY ENGLISH STTLE. 103 BASES.
Page 120 and 121: 106 THE EAELY ENGLISH STTLE. deeply
Page 122 and 123: 108 THE EAELY EXGLISH STYLE. charac
Page 124 and 125: 110 THE EAELY ENGLISH STTLEo cross
Page 126: 112 THE EAJILY ENGLISH STYLE. of la
Page 129 and 130: EARLY ENGLISH ORNAMENTS 115 GABLE C
Page 131 and 132: tiJiLY KXGLISli JJLTXitESyES. 117 "
Page 133 and 134: THE EAELY EXGLISn STYLE. 119 tress
Page 136 and 137: 122 THE EARLY ENGLISH STYLE. The Ea
Page 138 and 139: 124 THE EARLY EXGLISH STYLE. The ge
Page 140 and 141: THE GEADUAL CHANGE ERO^vI THE EAELY
Page 142: the 128 'ÛAXGE FROM EAIiLY ENGLISH
Page 147 and 148: DECOKATED POECKES. 133 Kidlington,
Page 149 and 150: DECORATED DOOEWAYS. 135 A few doorw
Page 152 and 153: 138 THE DECOBATED STYLE, Decorated
Page 154 and 155: 140 THE DECORATED STYLE. Leicesters
Page 156 and 157: 142 TilE DECORATED STYLE. "What is
Page 158: 144 THE DECORATED STYLE. It is more
Page 161 and 162: DECORATED WINDOWS OF CLERE-STOEEYS.
Page 163 and 164: J)ECORATED AKCHES. 149 Beverley, To
Page 165 and 166: DECORATED PILLARS. 151 The Pillars
Page 168 and 169: 154 THE DECORATED STYLE. of six sha
Page 170 and 171: 156 THE DECORATED STYLE. Sometimes
Page 172 and 173: 158 THE DECORATED STYLE. the chamfe
Page 174: 160 THE DECORATED STYLE. The foliag
Page 177 and 178: DECOEATED BUTTRESSES. 163 --"^^;-,v
Page 179 and 180: DECORATED SEDTLIA. 165 Sedilia,Clie
Page 181 and 182: DECOllATED PISCFNAS. 167 '"OfU .Ifi
Page 184 and 185: 170 THE DECORATED STYLE. duced in t
Page 186 and 187: 172 THE DECORATED STYLE. The Spires
Page 188 and 189: 174 'j^'HE DECORATED STYLE. The lan
Page 190: 1.76 CHANGE FROM DECORATED TO PERPE
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CHANGE FEOM DECOEATED TO FEEPENDICr
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CHANGE FROM DECOEATED TO PERPENDICU
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CHANGE FROM DECORATED TO PEEPENDICU
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THE PEEPEI^DICULAE STYLE. BiCHAED I
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188 THE TERPENDICULAH STYLE. out th
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190 THE PEEPEXDICULAll STYLE. and u
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192 THE PERPENDICULAR STYLE. It is
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PEEPENDICULAH WINDOWS. 195 The "Win
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PEKPENDICULAR WINDOWS. 197 that the
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PERPENDICULAR DOORWAYS. 199 The Doo
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202 THE PEKPEITDICULAR STYLE. " The
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204 THE PEEPEXDICULAE STYLE. The li
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206 THE PEKrEXDICULAR STYLE. The Mo
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and caused 208 THE PEKPENDICTJLAE S
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PERPENMCULAE, BUTTRESSES. 211 ^: -i
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PERrENDICTJLAE COEBELS. 213 The fre
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PEErENDICULAE OPJ:X TIMBER ROOFS. 2
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218 JACOBEAN GOXfllC. of these are
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220 ON THE LATE, OE DEBASED, conver
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222 ox THE LATE, OR DEBASED, stand
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224 ox THE LATE, OR DEBASED, stands
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GOTHIC BUILDINGS OF OXFOED. 227 the
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GOTHIC BUILDEN'GS OF OXFORD. 229 fi
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GOTHIC BUILDINGS OF OXFOED. 231 Hif
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234 ox THE LATE, Oil DEBASED, Antho
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236 ON THE LATE, OR DEBASED, ation;
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238 ON THE LATE, OR DEBASED, chapel
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240 ox THE LATE, OR DEBASED, a beli
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GOTHIC BriLDINGS OF OXFOKD. 243 Eas
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GOTHIC BUTLDrXGS OF OXFOPwD. 245 En
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GOTHIC BUILDINGS OF OXFOEI). 247 Ea
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250 ON THE LATE, OE DEBASED, as at
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252 ON THE LATE, Oil DEBASED, north
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254 ON DEBASED GOTHIC BUILDINGS, "C
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256 LATE GOTHIC BTTILBINGS rN" OXFO
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" refectory, ALPHABETICAL INDEX. 25
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all flower ALPHABETICAL INDEX. 261
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ALPHABETICAL INDEX. 263 " Perpendic
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0rks 0n Jltîti^faal ^xthiUttnu PUB
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a:r chôlo gy. MEDIiEVAL GLASS PAIN
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