A B C of Gothic Architecture

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228 ox THE LATE, OR DEBASED, ral effect is good, but the details,particularlythe moldings,are of very debased character. The buttresses of the DivinitySchool are panelledthe greaterpart of their height,and one of these,as has been mentioned before,is built in,and forms part of Bodley's new wall, so that the panellingis visible on both sides; but on the east end it is carried forward on the face of the wall , as far as the pointfrom which the porch seems to have projected; and it is tolerablyevident,from the remains of the shafts which have been cut away, and from other marks on the wall, that this porch mnst have been groined. It seems to have been the wish of Bodley to have his new building to agree in character with the old, and he therefore had the whole of his building panelled in the same manner as the Divinity School. This forms the west side of the Schools' Quadrangle ^% and is diff'erentin character from the rest of the buildings. The width of the quadrangleof the schools is greater tlian the length of the front of the Bodleian, and therefore a few feet had to be added at each end of Bodley'swork. This may be seen inside these stair- *^ The two staircases were added afterwards, but were panelled to match the rest of the work. On the north end this panelling seems to have been subsequently cut away, so that nothing but the small arches remain attached to the under side of the strings. In Williams's Oxonia Depicta it is shewn completely panelled.
GOTHIC BUILDEN'GS OF OXFORD. 229 fitaii'case and Doorways of tlie Bodleian Litrary and Picture Gallery. Shewing the junction of Bodley's work with the older panelling.
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î-nn ABC OP GOTHIC ARCHITECTURE,
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37^^ ^f rdarc^ eK.\J^T^ ' I ' " Jc^
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VI ADVEIITISEME"^T lO Flli"T EDITTO
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A. B. C. OF GOTHIC APvCHITECTXJRE.
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TNTEODUCTION-. 3 "Winchester,"Willi
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IXTEODUCTIOX. 5 this was undoubtedl
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INTEODTJCTION. 7 Sculpture than the
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THE EARLY N0RMA:N' PERIOD, A,D. 106
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12 THE EAELY KORMAN PERIOD. at the
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J4 THE EARLY NORMAN PERIOD. ^Notwit
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16 THE EAELr N-ORMAN PEEIOD. "works
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THE EARLY NOEMAX PERIOD. 19 from ol
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THE EARLY ]S^0R5IAX PERIOD. 21 at l
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1092 THE EAKLY NOEMAN PERIOD. 23 Ta
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26 THE EARLY ÔRMAN PERIOD. on a ca
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28 THE EAELY XORMAX PERIOD. dily di
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so THE EARLY NORMAN PERIOD. cmd lea
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32 THE NOEMAN" PERIOD, about half a
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THE NOEMAX TEEIOD. 35 have been so
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THE IsORMAX PEBIOD. 37 this day, th
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THE NO r:\ian pkuiod. 39 addition o
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42 THE NOEMAN TERIOD. sistingcUefly
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44 THK NORMAN PERIOD. arch- molding
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4C THE NOEMAN PERIOD. did not suit
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48 THE N-ORMAN" PERIOD. The small A
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NORMAN PIERS. 51 The Piers in the e
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KORMAN CAPITALS. Grafton Qndemroocl
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XOr.MAlS" NICHES. 55 The IN'iCHES,o
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58 THE NOKMAX PERIOD. and the signs
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60 THE ^'ORMAN PERIOD. TnE Corbel-t
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1139; 62 THE NOKMAN PERIOD. The ear
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64 THE KOEMAN PERIOD. NoEMAN Centea
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THE X0R3IAX PERIOD. 67 NoEMAN Porch
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THE NORMAN" PEEIOD. 69 Cassington,O
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1195. PEEIOD OF TEANSITIOIT, A.D. 1
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74 PERIOD OF TEANSITIOX. In the wor
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76 PERIOD OF TKAJ^SITION. and the b
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78 PERIOD OF TEANSITIOX. wide lo th
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80 r-ERTOD OF TRANS ITIOX. Precisel
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THE EARLY ENGLISH STYLE. EichardL J
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EAELY ENGLISH AECHES. 85 St. Hugh's
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THE EAELY ENGLISH STYLE. 87 Possibl
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90 THE ElKLY ENGLISH STYLE. The rou
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S2 THE EARLY ENGLISH STYLE. The Por
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94 THE EAULY EXGLTSIT STYLE. The "W
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96 THE EAELT ENGLISH STYLE. opening
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TFE EAULY ENGLISH SIYLE, 99 Wall Ar
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THE EARLY ENGLISH STYLE. 101 itself
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THE EARLY ENGLISH STTLE. 103 BASES.
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106 THE EAELY ENGLISH STTLE. deeply
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108 THE EAELY EXGLISH STYLE. charac
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110 THE EAELY ENGLISH STTLEo cross
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112 THE EAJILY ENGLISH STYLE. of la
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EARLY ENGLISH ORNAMENTS 115 GABLE C
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tiJiLY KXGLISli JJLTXitESyES. 117 "
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THE EAELY EXGLISn STYLE. 119 tress
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122 THE EARLY ENGLISH STYLE. The Ea
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124 THE EARLY EXGLISH STYLE. The ge
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THE GEADUAL CHANGE ERO^vI THE EAELY
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the 128 'ÛAXGE FROM EAIiLY ENGLISH
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THE DECOIIATED STYLE. Edward I., IL
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DECOKATED POECKES. 133 Kidlington,
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DECORATED DOOEWAYS. 135 A few doorw
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138 THE DECOBATED STYLE, Decorated
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140 THE DECORATED STYLE. Leicesters
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142 TilE DECORATED STYLE. "What is
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144 THE DECORATED STYLE. It is more
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DECORATED WINDOWS OF CLERE-STOEEYS.
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J)ECORATED AKCHES. 149 Beverley, To
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DECORATED PILLARS. 151 The Pillars
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154 THE DECORATED STYLE. of six sha
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156 THE DECORATED STYLE. Sometimes
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158 THE DECORATED STYLE. the chamfe
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160 THE DECORATED STYLE. The foliag
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DECOEATED BUTTRESSES. 163 --"^^;-,v
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DECORATED SEDTLIA. 165 Sedilia,Clie
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DECOllATED PISCFNAS. 167 '"OfU .Ifi
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170 THE DECORATED STYLE. duced in t
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172 THE DECORATED STYLE. The Spires
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174 'j^'HE DECORATED STYLE. The lan
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1.76 CHANGE FROM DECORATED TO PERPE
Page 193 and 194: CHANGE FEOM DECOEATED TO FEEPENDICr
Page 195 and 196: CHANGE FROM DECOEATED TO PERPENDICU
Page 197 and 198: CHANGE FROM DECORATED TO PEEPENDICU
Page 200 and 201: THE PEEPEI^DICULAE STYLE. BiCHAED I
Page 202 and 203: 188 THE TERPENDICULAH STYLE. out th
Page 204 and 205: 190 THE PEEPEXDICULAll STYLE. and u
Page 206: 192 THE PERPENDICULAR STYLE. It is
Page 209 and 210: PEEPENDICULAH WINDOWS. 195 The "Win
Page 211 and 212: PEKPENDICULAR WINDOWS. 197 that the
Page 213 and 214: PERPENDICULAR DOORWAYS. 199 The Doo
Page 216 and 217: 202 THE PEKPEITDICULAR STYLE. " The
Page 218 and 219: 204 THE PEEPEXDICULAE STYLE. The li
Page 220 and 221: 206 THE PEKrEXDICULAR STYLE. The Mo
Page 222: and caused 208 THE PEKPENDICTJLAE S
Page 225 and 226: PERPENMCULAE, BUTTRESSES. 211 ^: -i
Page 227 and 228: PERrENDICTJLAE COEBELS. 213 The fre
Page 229 and 230: PEErENDICULAE OPJ:X TIMBER ROOFS. 2
Page 232 and 233: 218 JACOBEAN GOXfllC. of these are
Page 234 and 235: 220 ON THE LATE, OE DEBASED, conver
Page 236 and 237: 222 ox THE LATE, OR DEBASED, stand
Page 238: 224 ox THE LATE, OR DEBASED, stands
Page 241: GOTHIC BUILDINGS OF OXFOED. 227 the
Page 245 and 246: GOTHIC BUILDINGS OF OXFOED. 231 Hif
Page 248 and 249: 234 ox THE LATE, Oil DEBASED, Antho
Page 250 and 251: 236 ON THE LATE, OR DEBASED, ation;
Page 252 and 253: 238 ON THE LATE, OR DEBASED, chapel
Page 254: 240 ox THE LATE, OR DEBASED, a beli
Page 257 and 258: GOTHIC BriLDINGS OF OXFOKD. 243 Eas
Page 259 and 260: GOTHIC BUTLDrXGS OF OXFOPwD. 245 En
Page 261 and 262: GOTHIC BUILDINGS OF OXFOEI). 247 Ea
Page 264 and 265: 250 ON THE LATE, OE DEBASED, as at
Page 266 and 267: 252 ON THE LATE, Oil DEBASED, north
Page 268 and 269: 254 ON DEBASED GOTHIC BUILDINGS, "C
Page 270: 256 LATE GOTHIC BTTILBINGS rN" OXFO
Page 273 and 274: " refectory, ALPHABETICAL INDEX. 25
Page 275 and 276: all flower ALPHABETICAL INDEX. 261
Page 277 and 278: ALPHABETICAL INDEX. 263 " Perpendic
Page 281 and 282: 0rks 0n Jltîti^faal ^xthiUttnu PUB
Page 283 and 284: a:r chôlo gy. MEDIiEVAL GLASS PAIN
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