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Writing About the Arts: Critics and Columnists 197<br />

is far different from the critic who prides himself <strong>on</strong> hating<br />

everything. He becomes tiresome faster than you can say<br />

"Kafkaesque."<br />

Another rule is: d<strong>on</strong>'t give away too much of the plot. Tell<br />

readers just enough to let them decide whether it's the kind of<br />

story they tend to enjoy, but not so much that you'll kill their<br />

enjoyment. One sentence will often do the trick. "This is a picture<br />

about a whimsical Irish priest who enlists the help of three<br />

orphan boys dressed as leprechauns to haunt a village where a<br />

mean widow has hidden a crock of gold." I couldn't be flailed<br />

into seeing that movie—I've had my fill of "the little people" <strong>on</strong><br />

stage and screen. But there are legi<strong>on</strong>s who d<strong>on</strong>'t share that<br />

crotchet of mine and would flock to the film. D<strong>on</strong>'t spoil their<br />

pleasure by revealing every twist of the narrative, especially the<br />

funny part about the troll under the bridge.<br />

A third principle is to use specific detail. This avoids dealing<br />

in generalities, which, being generalities, mean nothing. "The<br />

play is always fascinating" is a typical critics sentence. But how<br />

is it fascinating? Your idea of fascinating is different from some<strong>on</strong>e<br />

else's. Cite a few examples and let your readers weigh them<br />

<strong>on</strong> their own fascinati<strong>on</strong> scale. Here are excerpts from two<br />

reviews of a film directed by Joseph Losey. (1) "In its attempts<br />

to be civilized and restrained it denies its possibilities for vulgarity<br />

and mistakes bloodlessness for taste." The sentence is<br />

vague, giving us a whiff of the movie s mood but no image we<br />

can visualize. (2) "Losey pursues a style that finds portents in<br />

lampshades and meanings in table settings." The sentence is<br />

precise—we know just what kind of arty filmmaking this is. We<br />

can almost see the camera lingering with studied sluggishness<br />

over the family crystal.<br />

In book reviewing this means allowing the author's words to<br />

do their own documentati<strong>on</strong>. D<strong>on</strong>'t say that Tom Wolfe's style is<br />

gaudy and unusual. Quote a few of his gaudy and unusual sentences<br />

and let the reader see how quirky they are. In reviewing

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