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Write as Well as You Can 293<br />

piece has arrived, reading it with reas<strong>on</strong>able speed, telling the<br />

writer whether its O.K., returning it immediately if its not,<br />

working supportively with the writer if the piece needs changes,<br />

sending the writer galley proofs, seeing that the writer gets paid<br />

promptly. Writers are vulnerable enough without being put<br />

through the repeated indignities of calling to learn the status of<br />

their article and to beg for their m<strong>on</strong>ey.<br />

The prevailing noti<strong>on</strong> is that such "courtesies" are merely<br />

frills and can therefore be dismissed. On the c<strong>on</strong>trary, they are<br />

organic to the craft. They are the code of h<strong>on</strong>or that anchors the<br />

whole enterprise, and editors who forget them are toying with<br />

nothing less than the writers fundamental rights.<br />

This arrogance is at its most injurious when an editor goes<br />

bey<strong>on</strong>d changes of style or structure and enters the sacred realm<br />

of c<strong>on</strong>tent. I often hear freelance writers say, "When I got the<br />

magazine I looked for my article and I didn't even recognize it.<br />

They had written a whole new lead and had me saying things<br />

that aren't what I believe." That's the cardinal sin—tampering<br />

with a writers opini<strong>on</strong>s. But editors will do what writers allow<br />

them to do, especially if time is short. Writers c<strong>on</strong>spire in their<br />

own humiliati<strong>on</strong>, allowing their piece to be rewritten by an editor<br />

to serve his own purposes. With every surrender they<br />

remind editors that they can be treated like hired help.<br />

But finally the purposes that writers serve must be their own.<br />

What you write is yours and nobody else's. Take your talent as<br />

far as you can and guard it with your life. Only you know how<br />

far that is; no editor knows. Writing <strong>well</strong> means believing in your<br />

<strong>writing</strong> and believing in yourself, taking risks, daring to be different,<br />

pushing yourself to excel. You will write <strong>on</strong>ly as <strong>well</strong> as<br />

you make yourself write.<br />

My favorite definiti<strong>on</strong> of a careful writer comes from Joe<br />

DiMaggio, though he didn't know that was what he was defining.<br />

DiMaggio was the greatest player I ever saw, and nobody<br />

looked more relaxed. He covered vast distances in the outfield,

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