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302 INDEX Bush, George, 23, 223, 239 Business writing, 166-78 Cab at the Door (Pritchett), 136 Canby, Henry Seidel, 103 Canfield, Dorothy, 103 Capote, Truman, 98 Careful Writer (Bernstein), 41 Caro, Robert A., 98 Carson, Rachel, 98,159 Carter, Jimmy, 44 Casablanca (film), 199 Catch-22 (Heller), 209 Child, Julia, 84 Christiansen, Donald, 161 Churchill, Winston, 63, 239 Clarity, 9-12,166 editing for, 292 Clichés, 33-35, 236-37 in leads, 60 in travel writing, 117-18 Clines, Francis X., 258 Clinging to the Wreckage (Mortimer), 145-46 Clinton, Bill, 44 Clutter, 13-17 Colon, 74 Columnists, 206-7 Coming Into the Country (McPhee), 120-22 Compression, 165, 258-59, 265, 273 Concept nouns, 76-77,172 Concrete details, 120,157,197 Condescension, 233,235 Confidence, 20, 23, 30, 234, 245, 247,250, 289 Contractions, 75 Control of humor, 212 of material, 52, 76 Coolidge, Calvin, 66 Correspondence business, 166-67 customer, 173-75 Creamer, Robert, 184 Credibility, 78 Criticism, 194-207 drama, 195 guidelines for, 196-99 humor in, 203 literary, 205-6 movies, 197,199-201 music, 202-3 television, 201-2 Cross, Wilbur, 238,240, 242 Cuomo, Mario, 240 Curiosity, 249, 252-53 Darwin, Charles, 159 "Dating Your Mom" (Frazier), 224-25 Davies, Paul, 159 Dead Sea Scrolls, 62-63 Dean, John, 13,14 Definitiveness complex, 52 DeLillo, Don, 246 Dictation, 78-79 Dictionaries American Heritage, 39,42 New World, 35 synonym, 35-36,275 Third International, 41-42 Didion, Joan, 60-61, 96,119-20 DiMaggio, Joe, 293-94 Doonesbury (comic strip), 209 Doughty, Charles, 279 Dr. Strangelove (film), 209 Drinking Life, A (Hamill), 136 Dyson, Freeman, 159 Ecclesiastes, 167 Editing, 9-12, 84-88. See also Rewriting. Editors, 289-93 Education of Henry Adams (Adams), 140 Ego, 24,135,147 Eiseley, Loren, 158-59
Index 303 Eisenhower, Dwight, 239 Elements of Style (White), 36-37 Eliot, T S , 123, 205-6 Eloquence, 238-42 E-mail, 166 Endings, 64-67, 284 Energy, 89, 245, 289 Engelking, L L , 207 Enjoyment, 243-45 Enthusiasm, 52-53,117, 283 Ephron, Nora, 221 Ethics m interviews, 108,111-15 in writer s intention, 263-64 Ethnicity, 107, 238, 242 Euphemisms, 14-15 Exaggeration, 78 Exclamation point, 72-73, 75 Exiles (Arlen), 136 "Eye of Edna" (White), 228 "Fables in Slang" (Ade), 215-17 Fad words, 16,43,169 Family history, 261 Faulkner, William, 199, 208 Faxes, 166 Fear of writing, 5,148-49,166, 245-48, 250 Feiffer, Jules, 208, 213 Fields, W C , 220 Fierce Attachments (Gornick), 136 Fire Next Time (Baldwin), 128-29 First-person voice, 21-22, 50 avoidance of, 23 Fleishman, Ernest B , 168-69 Focus, 259 Ford, Gerald R , 23 "For My Indian Daughter" (Johnson), 143-45 Four Feathers (film), 276 Fowler, H W,75 Fraser, Kennedy, 146-47 Frazier, Ian, 221, 224-25 Fnedan, Betty, 64 Friedman, Thomas L , 98 Fuertes, Louis Agassiz, 249 "Future of the Transistor" (Keyes), 160 Generalizations, 150,173, 289 in criticism, 197 Gibbs, Wolcott, 221 Ginsberg, Allen, 246 "Glad Rags" (Updike), 225-27 God and the New Physics (Davies), 159 Gone With the Wind (Mitchell), 103 Gornick, Vivian, 136 Gould, Stephen Jay, 159 Grammar, 234-35 See also Syntax Granta (magazine), 99 Grasso, Ella, 238-39 Grimes, Burleigh, 58, 59 Growing (Woolf), 136 Growing Up (Baker), 136 Haig, Alexander, 15-16 "Halfway to Dick and Jane" (Agueros), 123-24 Hamill, Pete, 136 Harding, Warren G , 66 Hard Times (Terkel), 106 Harper's (magazine), 98 Hart, Moss, 136 Haskell, Molly, 199 "Hassidic Tales" (Allen), 221 Hazleton, Lesley, 188-90 Heller, Joseph, 209 Hemingway, Ernest, 40,50, 69,208 Herndon, James, 30-32 Hoover, J Edgar, 226-27 Houseman, John, 136 "How Iraq Reverse-Engineered the Bomb" (Zorpette), 161-65 "How the Savings and Loans Were Saved" (Keillor), 223-24 How-to writing, 84,150
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On Writing Well
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On Writing Well cssao THE CLASSIC G
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C O N T E N T S osso INTRODUCTION 1
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INTRODUCTION CSSQ When I first wrot
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INTRODUCTION xi writers worse. Good
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P A R T I -esee- Principles
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4 ON WRITING WELL Absolutely not, h
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6 ON WRITING WELL of gimmicks to "p
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8 ON WRITING WELL struction that le
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QSSSO Style So much for early warni
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20 ON WRITING WELL unique. The read
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22 ON WRITING WELL I realize that t
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24 ON WRITING WELL aging boxers don
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26 ON WRITING WELL tion or sleep. N
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28 ON WRITING WELL who fill the air
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30 ON WRITING WELL religion and the
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32 ON WRITING WELL and it allows fo
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34 ON WRITING WELL someone is forev
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36 ON WRITING WELL instance, and yo
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CSSSO Usage All this talk about goo
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40 ON WRITING WELL Mumford that the
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42 ON WRITING WELL Just where Webst
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44 ON WRITING WELL Meanwhile the ba
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46 ON WRITING WELL back, though I'd
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8 CSS30 Unity You learn to write by
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Unity 51 Such fatal mixtures are co
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Unity 53 When your zest begins to e
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csso The Lead and the Ending The mo
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The Lead and the Ending 57 I've oft
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The Lead and the Ending 59 One reas
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The Lead and the Ending 61 warehous
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The Lead and the Ending 63 general
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The Lead and the Ending 65 (lia and
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The Lead and the Ending 67 Somethin
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Bits & Pieces 69 sive-voice writers
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Bits & Pieces 71 tences become long
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Bits & Pieces 73 pistol might be lo
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Bits & Pieces 75 go." Look for all
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Bits & Pieces 77 The common reactio
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Bits & Pieces 79 who are so busy th
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Bits & Pieces 81 of thought. Compar
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Bits & Pieces 83 This still leaves
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Bits & Pieces 85 eral different way
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Bits & Pieces 87 which sick people
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Bits & Pieces 89 It's no longer nec
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Bits & Pieces 91 know that about ho
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P A R T I I I OBSO Forms
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96 ON WRITING WELL midst, and none
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98 ON WRITING WELL Magazines were s
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1 2 CSSO Writing About People The I
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102 ON WRITING WELL building turned
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104 ON WRITING WELL roommate. With
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106 ON WRITING WELL Obviously the t
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108 ON WRITING WELL used words and
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110 ON WRITING WELL call the person
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112 ON WRITING WELL revelation by J
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114 ON WRITING WELL Now, nobody thi
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1 3 -esee- Writing About Places The
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118 ON WRITING WELL rency. Half the
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120 ON WRITING WELL Bernardino out
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122 ON WRITING WELL American spore.
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124 ON WRITING WELL hood of the wri
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126 ON WRITING WELL to 110 degrees
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128 ON WRITING WELL with a hawk tha
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130 ON WRITING WELL Nine of my site
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132 ON WRITING WELL recalled that u
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134 ON WRITING WELL want to see pop
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136 ON WRITING WELL to the roots of
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138 ON WRITING WELL My father loved
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140 ON WRITING WELL Row overlooking
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142 ON WRITING WELL chagrin was acc
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144 ON WRITING WELL Johnson, who gr
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146 ON WRITING WELL tors on adulter
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1 5 OSSO Science and Technology Tak
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150 ON WRITING WELL ing it up—but
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152 ON WRITING WELL Good. I could h
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154 ON WRITING WELL sleeping, for e
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156 ON WRITING WELL The nautilus ha
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158 ON WRITING WELL really belt it
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160 ON WRITING WELL constant relati
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162 ON WRITING WELL Constructed lik
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164 ON WRITING WELL Even a child kn
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1 6 csso Business Writing Writing i
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168 ON WRITING WELL First notice ho
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170 ON WRITING WELL During this yea
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172 ON WRITING WELL edly. Whenever
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174 ON WRITING WELL needs. It began
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176 ON WRITING WELL I learned about
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180 ON WRITING WELL any pig farmer
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182 ON WRITING WELL What ever becam
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184 ON WRITING WELL by, a loner. It
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186 ON WRITING WELL lete's psychic
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188 ON WRITING WELL moment is ripe
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190 ON WRITING WELL making the driv
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192 ON WRITING WELL little League,
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1 8 CRSSD Writing About the Arts Cr
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196 ON WRITING WELL Probably only t
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198 ON WRITING WELL a play, don't j
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200 ON WRITING WELL wigs, unorthodo
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202 ON WRITING WELL given back to u
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204 ON WRITING WELL What must be sa
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206 ON WRITING WELL shall wear the
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1 9 csso Humor Humor is the secret
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210 ON WRITING WELL use to disguise
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212 ON WRITING WELL important, or f
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214 ON WRITING WELL heart, the home
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216 ON WRITING WELL Ade was a repor
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218 ON WRITING WELL medium—dogger
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220 ON WRITING WELL savoring his st
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222 ON WRITING WELL Singer s lethal
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224 ON WRITING WELL sion, said, "We
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226 ON WRITING WELL does it flirt w
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228 ON WRITING WELL said I would te
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PART IV Og&O Attitudes
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234 ON WRITING WELL There is a kind
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236 ON WRITING WELL meet it. A woma
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238 ON WRITING WELL will not only s
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240 ON WRITING WELL obsession with
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242 ON WRITING WELL thousand years
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244 ON WRITING WELL with the men an
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246 ON WRITING WELL ful. I'm often
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248 ON WRITING WELL Also remember t
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250 ON WRITING WELL machine that sa
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Page 310 and 311: 296 SOURCES 66 "Coolidge," by H. L.
Page 312 and 313: 298 SOURCES 188-90 Confessions of a
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Page 319 and 320: Index 305 Lin, Maya, 130 Lincoln, A
Page 321 and 322: Index 307 Satire, 209 Saturday Even
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