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298 SOURCES 188-90 Confessions of a Fast Woman, by Lesley Hazleton. Copyright 1992 by Lesley Hazleton. Reprinted by permission of Addison-Wesley Publishing Co., Inc. 190-91 "Breaking Away," by Janice Kaplan. From Vogue, January 1984. 191-92 "Politics of Sports," by Janice Kaplan. From Vogue, July 1984. 192-93 Life on the Run, by Bill Bradley. Quadrangle/The New York Times Book Co., 1976. 199-200 "Deep Streep," by Molly Haskell. From Ms., December 1988. Copyright 1988 by Molly Haskell. 201-2 Living-Room War, by Michael J. Arlen. Viking Press, 1969. 203 The Musical Scene, by Virgil Thomson. Alfred A. Knopf, 1945. 204 Review by John Leonard. From The New York Times, Nov. 14, 1980. Copyright 1980 by The New York Times Company. Reprinted by permission. 205-6 "T. S. Eliot at 101," by Cynthia Ozick. The New Yorker, Nov. 20, 1989. Copyright 1989 by Cynthia Ozick. Reprinted by permission of Cynthia Ozick and her agents, Raines & Raines, 71 Park Ave., New York, N.Y. 10016. 210-11 The Haircurl Papers, by William Zinsser. Harper & Row, 1964. 216-17 The America of George Ade, edited and with an introduction by Jean Shepherd. G. P. Putnam's Sons, 1961. 218 Archy and Mehitabel, by Don Marquis. Doubleday & Co., 1927. 219 Benchley—or Else!, by Robert Benchley. Harper & Bros., 1947. 220-21 Strictly From Hunger, by S. J. Perelman. Random House, 1937. Also in The Most of S. J. Perelman. Simon & Schuster, 1958. 221 Getting Even, by Woody Allen. Random House, 1971. 222 "Trump Solo," by Mark Singer. From The New Yorker, May 19, 1997. Reprinted by permission; copyright 1997 by Mark Singer. Originally in The New Yorker. All rights reserved. 223 "End of the Trail," by Garrison Keillor. Originally in The New Yorker. Copyright 1984 by Garrison Keillor. Published in We Are Still Married, by Garrison Keillor. Viking Penguin, Inc., 1989. Reprinted by permission of Garrison Keillor. 223-24 "How the Savings and Loans Were Saved," by Garrison Keil-
Sources 299 lor. Originally in The New Yorker. Copyright 1989 by Garrison Keillor. Published in We Are Still Married. Reprinted by permission of Garrison Keillor. 225 Dating Your Mom, by Ian Frazier. Farrar, Straus & Giroux, 1986. 226-27 "Glad Rags," by John Updike. From The New Yorker, March 1993. 234-35 "Death of a Pig" from The Second Tree from the Corner by E. B. White. Harper & Bros. 1953. 266-83 "The News From Timbuktu," by William Zinsser. From Condé Nast Traveler, October 1988.
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On Writing Well
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On Writing Well cssao THE CLASSIC G
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C O N T E N T S osso INTRODUCTION 1
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INTRODUCTION CSSQ When I first wrot
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INTRODUCTION xi writers worse. Good
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P A R T I -esee- Principles
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4 ON WRITING WELL Absolutely not, h
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6 ON WRITING WELL of gimmicks to "p
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8 ON WRITING WELL struction that le
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10 ON WRITING WELL is too dumb or t
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12 ON WRITING WELL Faced with such
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14 ON WRITING WELL typical of hundr
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16 ON WRITING WELL think there's mu
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QSSSO Style So much for early warni
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20 ON WRITING WELL unique. The read
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22 ON WRITING WELL I realize that t
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24 ON WRITING WELL aging boxers don
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26 ON WRITING WELL tion or sleep. N
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28 ON WRITING WELL who fill the air
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30 ON WRITING WELL religion and the
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32 ON WRITING WELL and it allows fo
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34 ON WRITING WELL someone is forev
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36 ON WRITING WELL instance, and yo
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CSSSO Usage All this talk about goo
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40 ON WRITING WELL Mumford that the
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42 ON WRITING WELL Just where Webst
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44 ON WRITING WELL Meanwhile the ba
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46 ON WRITING WELL back, though I'd
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8 CSS30 Unity You learn to write by
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Unity 51 Such fatal mixtures are co
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Unity 53 When your zest begins to e
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csso The Lead and the Ending The mo
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The Lead and the Ending 57 I've oft
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The Lead and the Ending 59 One reas
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The Lead and the Ending 61 warehous
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The Lead and the Ending 63 general
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The Lead and the Ending 65 (lia and
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The Lead and the Ending 67 Somethin
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Bits & Pieces 69 sive-voice writers
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Bits & Pieces 71 tences become long
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Bits & Pieces 73 pistol might be lo
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Bits & Pieces 75 go." Look for all
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Bits & Pieces 77 The common reactio
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Bits & Pieces 79 who are so busy th
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Bits & Pieces 81 of thought. Compar
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Bits & Pieces 83 This still leaves
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Bits & Pieces 85 eral different way
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Bits & Pieces 87 which sick people
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Bits & Pieces 89 It's no longer nec
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Bits & Pieces 91 know that about ho
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P A R T I I I OBSO Forms
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96 ON WRITING WELL midst, and none
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98 ON WRITING WELL Magazines were s
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1 2 CSSO Writing About People The I
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102 ON WRITING WELL building turned
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104 ON WRITING WELL roommate. With
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106 ON WRITING WELL Obviously the t
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108 ON WRITING WELL used words and
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110 ON WRITING WELL call the person
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112 ON WRITING WELL revelation by J
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114 ON WRITING WELL Now, nobody thi
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1 3 -esee- Writing About Places The
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118 ON WRITING WELL rency. Half the
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120 ON WRITING WELL Bernardino out
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122 ON WRITING WELL American spore.
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124 ON WRITING WELL hood of the wri
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126 ON WRITING WELL to 110 degrees
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128 ON WRITING WELL with a hawk tha
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130 ON WRITING WELL Nine of my site
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132 ON WRITING WELL recalled that u
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134 ON WRITING WELL want to see pop
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136 ON WRITING WELL to the roots of
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138 ON WRITING WELL My father loved
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140 ON WRITING WELL Row overlooking
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142 ON WRITING WELL chagrin was acc
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144 ON WRITING WELL Johnson, who gr
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146 ON WRITING WELL tors on adulter
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1 5 OSSO Science and Technology Tak
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150 ON WRITING WELL ing it up—but
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152 ON WRITING WELL Good. I could h
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154 ON WRITING WELL sleeping, for e
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156 ON WRITING WELL The nautilus ha
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158 ON WRITING WELL really belt it
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160 ON WRITING WELL constant relati
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162 ON WRITING WELL Constructed lik
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164 ON WRITING WELL Even a child kn
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1 6 csso Business Writing Writing i
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168 ON WRITING WELL First notice ho
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170 ON WRITING WELL During this yea
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172 ON WRITING WELL edly. Whenever
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174 ON WRITING WELL needs. It began
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176 ON WRITING WELL I learned about
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178 ON WRITING WELL acquiesce in th
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180 ON WRITING WELL any pig farmer
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182 ON WRITING WELL What ever becam
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184 ON WRITING WELL by, a loner. It
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186 ON WRITING WELL lete's psychic
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188 ON WRITING WELL moment is ripe
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190 ON WRITING WELL making the driv
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192 ON WRITING WELL little League,
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1 8 CRSSD Writing About the Arts Cr
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196 ON WRITING WELL Probably only t
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198 ON WRITING WELL a play, don't j
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200 ON WRITING WELL wigs, unorthodo
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202 ON WRITING WELL given back to u
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204 ON WRITING WELL What must be sa
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206 ON WRITING WELL shall wear the
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1 9 csso Humor Humor is the secret
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210 ON WRITING WELL use to disguise
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212 ON WRITING WELL important, or f
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214 ON WRITING WELL heart, the home
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216 ON WRITING WELL Ade was a repor
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218 ON WRITING WELL medium—dogger
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220 ON WRITING WELL savoring his st
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222 ON WRITING WELL Singer s lethal
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224 ON WRITING WELL sion, said, "We
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226 ON WRITING WELL does it flirt w
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228 ON WRITING WELL said I would te
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PART IV Og&O Attitudes
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234 ON WRITING WELL There is a kind
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236 ON WRITING WELL meet it. A woma
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238 ON WRITING WELL will not only s
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240 ON WRITING WELL obsession with
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242 ON WRITING WELL thousand years
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244 ON WRITING WELL with the men an
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246 ON WRITING WELL ful. I'm often
Page 262 and 263: 248 ON WRITING WELL Also remember t
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Page 266 and 267: 252 ON WRITING WELL much as you see
Page 268 and 269: 254 ON WRITING WELL WOODPECKER, APR
Page 270 and 271: 256 ON WRITING WELL failure—aren'
Page 272 and 273: 258 ON WRITING WELL write. She said
Page 274 and 275: 260 ON WRITING WELL room. A man wou
Page 276 and 277: 262 ON WRITING WELL larger part of
Page 278 and 279: 264 ON WRITING WELL Writing is rela
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Page 300 and 301: 24 -esse- Write as Well as You Can
Page 302 and 303: 288 ON WRITING WELL erosity and wis
Page 304 and 305: 290 ON WRITING WELL submit an artic
Page 306 and 307: 292 ON WRITING WELL repeated, and h
Page 308 and 309: 294 ON WRITING WELL moving in grace
Page 310 and 311: 296 SOURCES 66 "Coolidge," by H. L.
Page 315 and 316: I N D E X osao Aciman, André, 136
Page 317 and 318: Index 303 Eisenhower, Dwight, 239 E
Page 319 and 320: Index 305 Lin, Maya, 130 Lincoln, A
Page 321 and 322: Index 307 Satire, 209 Saturday Even
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