Perspectives on Heritage Tourism - Seameo-SPAFA
Perspectives on Heritage Tourism - Seameo-SPAFA
Perspectives on Heritage Tourism - Seameo-SPAFA
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<str<strong>on</strong>g>Perspectives</str<strong>on</strong>g> <strong>on</strong> <strong>Heritage</strong> <strong>Tourism</strong><br />
<str<strong>on</strong>g>Perspectives</str<strong>on</strong>g> <strong>on</strong> <strong>Heritage</strong> <strong>Tourism</strong><br />
As heritage tourism professi<strong>on</strong>als and managers, it is thus worth<br />
asking ourselves how tourism can be used as a vehicle for heritage<br />
preservati<strong>on</strong>. Moreover, how do we use heritage tourism as a<br />
learning material about the culture of others, thereby also<br />
facilitating inter-cultural dialogue for peace? How do we go<br />
bey<strong>on</strong>d m<strong>on</strong>ey-making in heritage tourism, and also account for its<br />
broader functi<strong>on</strong> of instilling pride in our history?<br />
SEAMEO-<strong>SPAFA</strong>’s motivati<strong>on</strong> in organising the symposium was to<br />
seek answers to those questi<strong>on</strong>s. The gathering aimed at reviving<br />
<strong>SPAFA</strong>’s commitment to sustainable and inclusive heritage tourism.<br />
This symposium was thus used as a platform for dialogue and the<br />
exchange of ideas, with focus <strong>on</strong> the following objectives:<br />
1. Examine various models of collaborati<strong>on</strong> undertaken in heritage<br />
tourism<br />
2. Examine each country’s current development in the tourism<br />
industry<br />
3. Find ways to bridge the gap between tourism and heritage<br />
management needs<br />
4. C<strong>on</strong>sider and discuss how corporate resp<strong>on</strong>sibility can be<br />
promoted further<br />
5. Provide a platform for the future development and improvement<br />
of university courses that need to adopt and incorporate a<br />
multi-disciplinary approach within heritage tourism<br />
SEAMEO-<strong>SPAFA</strong> strived to make the event truly representative of<br />
the various stakeholders who are part of the mosaic of actors in<br />
heritage tourism in the regi<strong>on</strong> and bey<strong>on</strong>d. Joining the symposium<br />
were representatives from policy-making government agencies,<br />
heritage management authorities, the academe, n<strong>on</strong>-government<br />
organisati<strong>on</strong>s, community heritage groups, and industry organisati<strong>on</strong>s<br />
such as tourism operators and associati<strong>on</strong>s.<br />
The pi<strong>on</strong>eer of animated carto<strong>on</strong> films, Walt Disney, said that:<br />
“Our heritage and ideals, our code and standards – the things we<br />
live by and teach our children – are preserved or diminished by how<br />
freely we exchange ideas and feelings.” The diversity of the<br />
symposium’s participants was probably <strong>on</strong>e of its strengths as<br />
ultimately they were supposed to talk to each other, and bring<br />
home with them the less<strong>on</strong>s and insights they gained from their<br />
counterparts.<br />
The symposium was graced by esteemed speakers from various<br />
Southeast Asian countries as well as two speakers from India.<br />
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